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Léon Tolstoï a fasciné les imaginations à travers ses débauches de jeunesse, ses appétits monstrueux, ses rapports passionnés avec sa femme Sophie, jusqu'à sa fuite dans la nuit à Astopovo, petite gare perdue dans l'immensité russe, où il est mort en 1910. Mais qu'en est-il de ses crises d'âme ? Sa prescience des femmes et de la mort ? Sa quête d'un sens ? Et son désir de connaître Dieu ? Autant de questions, plus que jamais les nôtres, auxquelles s'attache Christiane Rancé, dans une relecture originale et profonde de la pensée spirituelle et de l'oeuvre du titan russe.Cet ouvrage est le portrait d'un génie en perpétuel mouvement qui connaissait chaque fleur par son nom et que hantait l'horreur du néant : le portrait d'un ogre qui portait en lui l'humanité tout entière.
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The works of Lev Tolstoy are not only masterpieces of world literature, but also mirrors of their time, of the socio-cultural transformations that took place in Tsarist Russia; it is from this perspective that the production of the great writer is analyzed in the present work. In particular, the author examines the evolution of the institution of marriage in the second half of the nineteenth century in Russia starting with the reading of Family Happiness, Anna Karenina and La Sonata a Kreutzer. If Family Happiness is a prelude to the marriage of convenience crisis, its implosion is beautifully described in Anna Karenina. Anna decrees the definitive death of this institution when, challenging the society of her time, she does not conceal her adultery but, on the contrary, exhibits it and tries to legitimize it. it demonstrates the overcoming of the aristocratic model of marriage, now replaced by the bourgeois one. Maria Zalambani is associate professor of Russian literature at the University of Bologna (Forlì campus). She mainly dealt with the Russian avant-garde and Soviet literature. Among other things, she is the author of Art in production. Avant-garde and revolution in Soviet Russia of the 1920s (Longo, Ravenna 1998), The death of the novel (Carocci, Rome 2003). For the types of the FUP he published Censorship, institutions and literary politics in the USSR (1964-1985) (Florence 2009). She mainly dealt with the Russian avant-garde and Soviet literature. Among other things, she is the author of Art in production. Avant-garde and revolution in Soviet Russia of the 1920s (Longo, Ravenna 1998), The death of the novel (Carocci, Rome 2003). For the types of the FUP he published Censorship, institutions and literary politics in the USSR (1964-1985) (Florence 2009). She mainly dealt with the Russian avant-garde and Soviet literature. Among other things, she is the author of Art in production. Avant-garde and revolution in Soviet Russia of the 1920s (Longo, Ravenna 1998), The death of the novel (Carocci, Rome 2003). For the types of the FUP he published Censorship, institutions and literary politics in the USSR (1964-1985) (Florence 2009).
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The works of Lev Tolstoy are not only masterpieces of world literature, but also mirrors of their time, of the socio-cultural transformations that took place in Tsarist Russia; it is from this perspective that the production of the great writer is analyzed in the present work. In particular, the author examines the evolution of the institution of marriage in the second half of the nineteenth century in Russia starting with the reading of Family Happiness, Anna Karenina and La Sonata a Kreutzer. If Family Happiness is a prelude to the marriage of convenience crisis, its implosion is beautifully described in Anna Karenina. Anna decrees the definitive death of this institution when, challenging the society of her time, she does not conceal her adultery but, on the contrary, exhibits it and tries to legitimize it. it demonstrates the overcoming of the aristocratic model of marriage, now replaced by the bourgeois one. Maria Zalambani is associate professor of Russian literature at the University of Bologna (Forlì campus). She mainly dealt with the Russian avant-garde and Soviet literature. Among other things, she is the author of Art in production. Avant-garde and revolution in Soviet Russia of the 1920s (Longo, Ravenna 1998), The death of the novel (Carocci, Rome 2003). For the types of the FUP he published Censorship, institutions and literary politics in the USSR (1964-1985) (Florence 2009). She mainly dealt with the Russian avant-garde and Soviet literature. Among other things, she is the author of Art in production. Avant-garde and revolution in Soviet Russia of the 1920s (Longo, Ravenna 1998), The death of the novel (Carocci, Rome 2003). For the types of the FUP he published Censorship, institutions and literary politics in the USSR (1964-1985) (Florence 2009). She mainly dealt with the Russian avant-garde and Soviet literature. Among other things, she is the author of Art in production. Avant-garde and revolution in Soviet Russia of the 1920s (Longo, Ravenna 1998), The death of the novel (Carocci, Rome 2003). For the types of the FUP he published Censorship, institutions and literary politics in the USSR (1964-1985) (Florence 2009).
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