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Wie stehen Kunst und weibliche Emanzipation in Zusammenhang? Mit einem Spannungsbogen von den hochpolitischen Anfängen feministischer Künstlerinnenausstellungen am Anfang der 1970er Jahre bis zu deren subversiven Ausläufern Mitte der 1980er Jahre stellt Monika Kaiser internationale Projekte wie Womanhouse (Judy Chicago), Magna Feminismus und Kunst mit Eigen-Sinn (Valie Export) sowie sechs weitere exemplarische Ausstellungen in einen neuen, am Raum orientierten Bedeutungszusammenhang. Unveröffentlichtes Quellenmaterial ermöglicht die Rekonstruktion konkreter Ausstellungsräume und gibt Einblick in einen bislang unterschätzten Teil emanzipatorischer Ausstellungskultur. Besprochen in: Stichwort, 37 (2014), Marlene Haider

Feminism in art --- Exhibitions --- History --- Art History of the 20th Century. --- Cultural History. --- Fine Arts. --- Gender Studies. --- Museology. --- Museum. --- Feminismus und Kunst; Ausstellungsraum; Museumskunde; Künstlerinnen; Geschlechterforschung 1972-1987; Gender; VALIE EXPORT; Womanhouse; Magna Feminismus; Kunst; Museum; Kulturgeschichte; Kunstgeschichte des 20. Jahrhunderts; Museumswissenschaft; Gender Studies; Kunstwissenschaft; Arts; Cultural History; Art History of the 20th Century; Museology; Fine Arts

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"The group exhibition WOMAN : The Feminist Avant-Garde of the 1970s: Works from the SAMMLUNG VERBUND, Vienna, unites 450 works by 29 female artists. The history of art showed the 'image of woman' as the product of male projections. In the 1970's, for the first time, female artists themselves created 'the image of woman'. They studied their own bodies and grasped the prospect of determined feminine identities in a provocative, radical, poetic and ironic manner. Curator Gabriele Schor refers to this movement as the 'Feminist Avant-Garde' emphasizing the pioneering and collective role that these artists have played for the last four decades."

kunst --- twintigste eeuw --- fotografie --- video --- videokunst --- seventies --- feminisme --- verzamelingen --- collecties --- Sammlung Verbund --- Almeida Helena --- Antin Eleanor --- Bertlmann Renate --- Burga Teresa --- Dujourie Lili --- Edelson Mary Beth --- Export Valie --- VALIE EXPORT --- Ferrer Esther --- Hunter Alexis --- Ivekovic Sanja --- Jürgenssen Birgit --- Labowitz Leslie --- Lacy Suzanne --- Lake Suzy --- La Rocca Ketty --- Mendieta Ana --- Myers Rita --- Pane Gina --- Partum Ewa --- Rosler Martha --- Schneemann Carolee --- Sherman Cindy --- Slinger Penny --- Soltau Annegret --- Wilke Hannah --- Wilson Martha --- Woodman Francesca --- Yalter Nil --- 7.038 --- 791.45 --- 77.038 --- Exhibitions --- Femme artiste --- Photographe --- Exposition --- Avant-garde --- Années 1970 --- Feminism and art --- Women artists --- Women in art --- Art [Modern ] --- 20th century --- Themes, motives --- Performance art --- Art, Modern --- Feminism in art --- Avant-garde (Aesthetics) --- Sammlung Verbund.

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This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.

Experimental films --- Experimental films. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- 1900 - 1999 --- Avant-garde (Aesthetics) --- 791.43 --- Arnold Martin --- avant-gardefilm --- Brakhage Stan --- Buñuel Luis --- Chodorov Pip --- Conrad Tony --- Delvaux André --- Deren Maya --- Dulac Germaine --- Eggeling Viking --- experimentele film --- film --- filmgeschiedenis --- futurisme --- Kubelka Peter --- magisch realisme --- Man Ray --- Mayakovsky Vladimir --- McCall Anthony --- Moholy-Nagy Laszlo --- Morrison Bill --- paracinema --- Peixoto Mario --- performances --- Rey Nicolas --- Richter Hans --- Rosenbach Ulrike --- Ruttmann Walther --- Sharits Paul --- surrealisme --- twintigste eeuw --- Valie Export --- Vertov Dziga --- video --- videokunst --- Aesthetics --- Modernism (Art) --- History and criticism. --- Film --- anno 1900-1999 --- Avant-garde (Aesthetics).

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Alors que la mémoire des happenings et des performances des années 1960 à 1980 s'est figée dans quelques récits canoniques, l'auteure recontextualise et réexamine les productions performatives de Vito Acconci, Gina Pane ou Rudolf Schwarzkogler, etc. Elle revient sur l'importance du "geste photographique", créant des images qui sont à la fois des documents et des oeuvres en elles-mêmes.

Photography, Artistic --- Photography of the human body --- Human body --- Performance art --- Happenings (Art) --- Happening (Art) --- 7.038 --- 77.038 --- 77.044 --- Acconci Vito --- Brus Günter --- Burden Chris --- documentaire fotografie --- Export Valie --- fotografie --- happenings --- Journiac Michel --- kunst --- lichamelijkheid --- Mühl Otto --- Nitsch Hermann --- Oppenheim Dennis --- Pane Gina --- performances --- Schneemann Carolee --- Schwarzkogler Rudolf --- twintigste eeuw --- Valie Export --- Wiener Aktionismus --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Arts, Modern --- Performing arts --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Action theater --- Event art --- Manifestations (Happenings) --- Mixed means, Theater of --- Painter's theater (Happenings) --- Realizations (Happenings) --- Theater of mixed means --- Total art (Happenings) --- Total theater (Happenings) --- Art, Modern --- Pantomime --- Aesthetics --- Happening. --- Photographie d'action et de mouvement

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Staged bodies is gewijd aan de talrijke manieren waarop de kunstfotografie sinds 1970 het lichaam ensceneert. De interesse van de postmoderne cultuur voor bepaalde vormen van fictie, hybridisatie en simulatie, leidde tot ingrijpende veranderingen in de benadering van het lichaam. Dit laatste wordt niet langer gezien als een gesloten en stabiele entiteit, maar veeleer als een flexibel projectiescherm, dat toelaat om fundamentele vragen te stellen over representatie, identiteit en de relatie tussen de geslachten. In plaats van een onveranderlijk biologisch gegeven, is het lichaam voortaan een sociale constructie, die we moeten bekijken doorheen het prisma van diverse ensceneringen in bepaalde historische en culturele contexten. In de fotografie komt deze overgang van een natuurlijk en permanent lichaam naar een ideologisch bepaald en modelleerbaar lichaam neer op het loslaten van een documentaire benadering en het vervangen daarvan door een ‘staged photography’, een geënsceneerde fotografie. Deze pretendeert niet langer dat ze de realiteit reproduceert, maar maakt ze tot theater en fictie. Staged bodies toont werk van beroemde kunstenaars als Eleanor Antin, Balthasar Burkhard, Victor Burgin, Lili Dujourie, Valie Export, Patrick Faigenbaum, Nan Goldin, Michel Journiac, Jürgen Klauke, Les Krims, Zoe Leonard, Urs Lüthi, Duane Michals, Shirin Neshat, Orlan, Luigi Ontani, Martin Parr, Cindy Sherman, Hiroshi Sugimoto en Jan Vercruysse.

fotografie --- portretfotografie --- enscenering --- zelfportret --- zelfportretten --- performances --- twintigste eeuw --- Burkhard Balthasar --- Dujourie Lili --- Leonard Zoe --- Orlan --- Sherman Cindy --- Sugimoto Hiroshi --- Vercruysse Jan --- Antin Eleanor --- Valie Export --- Goldin Nan --- Journiac Michel --- Klauke Jürgen --- Lüthi Urs --- Michals Duane --- Ontani Luigi --- Faigenbaum Patrick --- Krims Les --- Neshat Shirin --- Parr Martin --- Burgin Victor --- 77.041 --- Exhibitions --- 760.4 --- 766.2 --- lichaamstaal --- lichaam in de kunst --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- LGBT (lesbian, gay, bisexual, transgender) --- genderexpressie --- seksualiteit --- Burgin, Victor --- Parr, Martin --- Neshat, Shirin --- Krims, Leslie --- performance --- conceptuele kunst --- Faigenbaum, Patrick --- Ontani, Luigi --- Michals, Duane --- Lüthi, Urs --- Klauke, Jürgen --- Journiac, Michel --- Goldin, Nan --- Export, Valie --- Antin, Eleanor --- Vercruysse, Jan --- Sugimoto, Hiroshi --- Sherman, Cindy --- Leonard, Zoe --- Dujourie, Lili --- Burkhard, Balthasar --- fotografie als kunst --- portretfotografie - kinderfotografie, naaktfotografie --- Photography --- self-portraits --- commercial portraiture --- body arts [discipline] --- anno 1900-1999 --- artistieke fotografie