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Fascinating new research into Pre-Raphaelite painters and collectors in Northern England positions Liverpool as the Victorian art capital of the north in Pre-Raphaelites: Beauty and Rebellion.

This catalogue accompanies the first exhibition to examine Liverpool's role in the history of the Pre-Raphaelite movement. The exhibition will be held at the Walker Art Gallery, Liverpool, from 12 February to 5 June 2016, and is being produced by National Museums Liverpool, working with the specialist art historian Christopher Newall, whose insightful essays will feature in the book.

Containing new research on Pre-Raphaelite patrons and painters in Liverpool, including the collector John Miller and the artist John Ingle Lee, the book examines the relationship between artists like Ford Madox Brown and Rossetti with their Liverpool contemporaries, collectors, and the institutions that welcomed them, notably the forward-thinking Liverpool Academy. It will serve as an account of an important aspect of British artistic culture in the 19th century - and yet one for which there is no previous source of information.

It will also feature approximately 100 works from the exhibition.

Pre-Raphaelitism. --- Pre-Raphaelites. --- Painting, Victorian. --- Victorian painting --- Painting, Modern --- Preraphaelites --- Artists --- Preraphaelitism --- Art

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This correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, whom she eventually married, dates from the period 1845 to 1861. They were all friends of Rossetti and his circle, but in addition Henry and Joanna both studied in Paris, and Joanna wrote extensively about her time there, training with Thomas Couture. She wrote for The Saturday Review as well as painting a small number of very interesting and much admired pictures. Her brother George established himself as a successful watercolourist and member of the Old Watercolour Society, having been encouraged both by David Cox on his Welsh sketching expeditions, and by Ruskin, whose letters advising him what to paint in Venice are included here. Henry Wells was primarily a portrait painter. At first he specialised in miniatures, and was commissioned to paint Mary, princess of Cambridge by Queen Victoria. There are vivid accounts of visits to country houses to carry out commissions from their owners. The three wrote constantly about techniques of painting and about the new colours that became available at this period, and about their visits to exhibitions both in Paris and London. They all contributed to the Royal Academy and other exhibitions. In addition, there is the extraordinary story of Joanna's and Henry's courtship and marriage, at first encouraged and then viciously opposed by Joanna's recently widowed mother. The correspondence survives only in an unpublished transcript made in the 1940s, as the originals were all destroyed in a bombing raid on Bath during the second world war. Excerpts from George P. Boyce's diaries were published in the 1930s, but the present edition contains a considerable amount of new material.

Pre-Raphaelites --- Wells, Joanna Mary, --- Wells, Henry Tanworth, --- Boyce, George Price, --- Preraphaelites --- Artists --- George Boyce. --- Henry Wells. --- Joanna Boyce. --- Pre-Raphaelites. --- Pre-raphaelites. --- Rossetti. --- Victorian painting.

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Published to accompany an exhibition at the Royal Academy of Arts in London, Victorian Fairy Painting reveals the enormous popularity of the fairy world as depicted in Victorian English painting, literature, and the theatre.

mythologische figuren --- feeën --- Victoriaanse schilderkunst --- 19de eeuw --- 20ste eeuw --- Fairies in art --- Painting, British --- Painting, Victorian --- Exhibitions. --- Exhibitions --- CDL --- 75.035 --- Victorian painting --- Painting, Modern --- 19de eeuw. --- 20ste eeuw.

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Mannelijkheid in de kunst --- Masculinity in art --- Masculinité dans l'art --- Painting, British --- Painting, Victorian --- Peinture britannique --- Peinture victorienne --- Themes, motives --- Thèmes, motifs --- -Painting, Victorian --- -Masculinity in art --- Masculinity (Psychology) in art --- Victorian painting --- Painting, Modern --- British painting --- Paintings, British --- Masculinité dans l'art --- Thèmes, motifs --- Masculinity in art. --- Painting --- anno 1800-1899 --- Great Britain --- Themes, motives. --- Painting [British ] --- Painting [Victorian ]

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75 <41> --- 7.074 --- -Victorian painting --- Schilderkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Kunstverzameling. Activiteiten van verzamelaars --- Elizabeth II, Queen of Great Britain --- -Schilderkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 7.074 Kunstverzameling. Activiteiten van verzamelaars --- 75 <41> Schilderkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -7.074 Kunstverzameling. Activiteiten van verzamelaars --- Painting, Victorian --- Painting --- Victorian painting --- Painting, Modern --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Catalogs --- Private collections&delete& --- Elizabeth, --- Elisabetta --- אליזבטה --- Art collections --- Catalogs. --- Private collections --- Painting [Victorian ] --- Elisabeth II --- Great Britain --- Painting, Victorian - Catalogs. --- Elizabeth, II, Queen of Great Britain, 1926- - Art collections - Catalogs. --- Painting - Private collections - Great Britain - Catalogs. --- Elizabeṭah --- Mountbatten-Windsor, Elizabeth, --- Windsor, Elizabeth, --- Windsor, Elizabeth Alexandra Mary, --- Windsor-Mountbatten, Elizabeth, --- Windsor (Royal house : --- Elizabeth