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In this bilingual collection, Vicuña and her translator, Rosa Alcalá, are artist witnesses to a natural world that is a storehouse of sacred words, seeds, threads and songs. Present everywhere, they are sources for a rebalancing in human relationships and for new forms of grace and healing. In Vicuña's vision, art is life and intimacy with it is transformative.--Publisher's description.
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In this brilliant intergenerational dialogue, curator Camila Marambio (born 1979) and Cecilia Vicuña (born 1948), one of the leading Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang. The result is a unique book that presents a conversation that is both poetic and critical. The dialogue crosses over from Spanish to English, from poetry to academic argumentation, and from art to science. Defining true performance as that of our species on Earth: the way we cause suffering to others, the way we warm the atmosphere or cause others species to disappear,Slow Down Fast, A Toda Raja proposes a necessary method for decolonial liberation, which reveals the transformative power of art in search of an ecology of the soul, the resplendence of our connectivity to each other and the cosmos.
Artists --- Artists' writings --- Marambio, Camila --- Vicuña, Cecilia
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"Cecilia Vicuña: About to Happen traces the artist's long career to stage a conversation about discarded and displaced people, places, and things in a time of global climate change. The first major U.S. solo exhibition of the influential Chilean-born artist is comprised of Vicuña's multidisciplinary work in performance, sculpture, drawing, video, text, and site-specific installations over the course of the past 40 years. Reframing dematerialization as both a formal consequence of 1960s conceptualism and radical climate change-the exhibition examines a process that shapes public memory and responsibility. Operating fluidly between concept and craft, text and textile, Vicuña's practice weaves together disparate disciplines as well as communities-with shared relationships to land and sea, and to the economic and environmental disparities of the 21st century."
Vicuña, Cecilia --- Interviews --- Art --- sculpture [visual works] --- drawing [image-making] --- ecology --- video art --- performance art --- found object sculpture --- site-specific works --- milieuverontreiniging --- klimaatverandering --- pollution --- artists' books [books] --- climate change --- Vicuña, Cecilia - Exhibitions --- Vicuña, Cecilia - Interviews
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Overlapping autobiography with sharp political reflections, Vicuña weaves visceral entanglements between word and seed, sound and thread, quipu and blood, body and dust, or rubbish and cosmos. This exhibition and accompanying publication is the most comprehensive survey today of a groundbreaking work that has been deeply influential among her peers and for later generations. As the exhibition, this publication gives an overview of Vicuña's artistic practice as a poet, visual artist, and activist from the 1960s to the present day. It is edited by López, designed by Studio Manuel Raeder in Berlin, and includes a forward by Sofía Hernández Chong Cuy, new essays by Miguel A. López, Julia Bryan-Wilson and Carla María Macchiavello, existing essays by Lucy Lippard and Dawn Adès, an anthology of texts authored by Cecilia Vicuña, and a number of previously unpublished visual documentation that expands our understanding of her work.
Art --- installations [visual works] --- performance art --- easel paintings [paintings by form] --- gender issues --- political art --- mixed media works --- Vicuña, Cecilia --- Chile --- Vicuña, Cecilia --- paintings [visual works]
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From the 1970s to the present, Cecilia Vicuñas work has both visually and poetically engaged with rituals from Aboriginal Australia, South Africa, Paleolithic Europe, and pre-Columbian America that involve red-colored thread. The Chilean artists performances, site-specific installations, paintings, and drawings relate to the symbolic function of textile and language as well as the ritual dimension of menstrual blood in the construction of solidarity through femininity and maternity, to support and continue life. Appearing on the occasion of Vicuñas installation in Athens for documenta 14, Read Thread tells the story of the sanguine thread in Vicuñas work. A tension arises in the asymmetry of Andean weaving and the artists quipuslarge-scale immersive installations of thread, wool, and yarn that reference the pre-Columbian language of knotting, a type of weaving-as-writing. Vicuñas translation of the quipu into a spatial and performative poetics conveys the tension of ecological disaster and reparation as well as a bodily sense of the cosmic scale of landscape, history, and time. Alongside documentation of Vicuñas quipus, this publication includes hybrid compositionspoetic texts and narrativeswritten by the artist especially for this project, often relating the works to their political and historical context. Essays by documenta 14 curator Dieter Roelstraete and art historian José de Nordenflycht Concha complete the book.
menstruatie --- Art --- vrouw in de kunst --- Vicuña, Cecilia --- Cecilia Vicuna --- Menstrual cycle in art --- Menstruation --- Women in art --- Feminism in art --- Menstrual cycle in art - Exhibitions --- Menstruation - In art - Exhibitions --- Women in art - Exhibitions --- Feminism in art - Exhibitions --- Vicuña, Cecilia - Exhibitions
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"What happens between the knots? is the third book in the annual A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis's year-long research seasons dedicated to single artists. Each book takes the work of a single artist as its point of departure and spirals outward from there to create an expansive and carefully edited ecosystem of ideas and voices. This third issue is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility."
Feminism and the arts --- Arts and society --- kunst --- kunstenaars --- kunstkritiek --- eentwintigste eeuw --- Vicuña Cecilia --- feminisme --- ecologie --- antropoceen --- tekenkunst --- fotografie --- grafiek --- prentkunst --- 7.039 --- 7.038/7.039 --- Arts and feminism --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- 7.038/039 --- Vicuña, Cecilia
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In Generations and Geographies in the Visual Achallenge of Arts: Feminist Readings the challenge of contemporary feminist theory encounters the provocation of the visual arts made by women in the twentieth century. The major issue is difference: sexual, cultural and social. The book points to the singularity of each artist's creative negotiation of time and historical and political circumstance. Griselda Pollock calls attention to the significance of place, location and cultural diversity, connecting issues of sexuality to those of nationality, imperialism, migration, diaspora and genocide.
Vicuña, Cecilia --- Sherman, Cindy --- Lichtenberg-Ettinger, Bracha --- Kollwitz, Käthe --- Jin-me Yoon --- Shimada, Yoshiko --- Mendieta, Ana --- Saville, Jenny --- Modersohn-Becker, Paula --- women [female humans] --- feminism --- vrouw in de kunst --- Art --- gender
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Iconography --- Art --- Sculpture --- Photography --- outdoor sculpture --- installations [visual works] --- multimedia works --- photography [process] --- sound [acoustics] --- performance art --- Nature --- scripts [writing] --- textile materials --- sculpting --- biological material --- Vicuña, Cecilia --- anno 1900-1999 --- United States of America --- Chile
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