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From the 1970s to the present, Cecilia Vicuñas work has both visually and poetically engaged with rituals from Aboriginal Australia, South Africa, Paleolithic Europe, and pre-Columbian America that involve red-colored thread. The Chilean artists performances, site-specific installations, paintings, and drawings relate to the symbolic function of textile and language as well as the ritual dimension of menstrual blood in the construction of solidarity through femininity and maternity, to support and continue life. 

Appearing on the occasion of Vicuñas installation in Athens for documenta 14, Read Thread tells the story of the sanguine thread in Vicuñas work. A tension arises in the asymmetry of Andean weaving and the artists quipuslarge-scale immersive installations of thread, wool, and yarn that reference the pre-Columbian language of knotting, a type of weaving-as-writing. Vicuñas translation of the quipu into a spatial and performative poetics conveys the tension of ecological disaster and reparation as well as a bodily sense of the cosmic scale of landscape, history, and time.

Alongside documentation of Vicuñas quipus, this publication includes hybrid compositionspoetic texts and narrativeswritten by the artist especially for this project, often relating the works to their political and historical context. Essays by documenta 14 curator Dieter Roelstraete and art historian José de Nordenflycht Concha complete the book.

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