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Violence in music. --- Music and violence. --- Violence dans la musique. --- Musique et violence. --- Geweld --- Muziekwetenschappen --- Muziekgeschiedenis
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Children and violence --- Video games industry --- Violence in motion pictures. --- Violence in music.
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Children and violence --- Video games industry --- Violence in motion pictures. --- Violence in music. --- United States.
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Children and violence --- Video games industry --- Violence in motion pictures. --- Violence in music.
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Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions—San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.
Rap (Music) --- Mexican Americans --- Sex in music. --- Violence in music. --- History and criticism. --- History and criticism.
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Children and violence --- Video games industry --- Violence in motion pictures. --- Violence in music. --- United States.
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"This book examines the concept of 'dark sound', a strand of contemporary music that links the ideas of death, desire and violence with women's and gender studies"--
Music by women composers --- Women in music. --- Sex role in music. --- Desire in music. --- Death in music. --- Violence in music. --- History and criticism.
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"La chanson populaire est la bande-son d'une culture banale de la violence. La culture du viol y est omniprésente ; la chanson anarchiste prêche la révolution autour de l'imaginaire sanglant du « Grand Soir » ; Mai 1968 a produit un florilège de morceaux contre l'État policier. De nos jours, le rap est sexiste jusqu'au féminicide ; aux violences des forces de l'ordre répond une exécration de la police et de l'État. Toutes ces violences font réagir, car les rappeurs sont accusés de donner le mauvais exemple. Une question se pose cependant, celle de la liberté artistique. La réponse est toujours la même : en matière de chanson, comme pour toute oeuvre artistique, priorité doit être donnée à la liberté d'expression."
Violence --- Chansons --- Liberté d'expression --- Rap --- Dans la musique. --- Thèmes, motifs. --- Le Chat noir (Paris). --- Liberté d'expression --- Songs, French --- Violence in music. --- Freedom and art --- Popular music --- History and criticism.
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