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Musical virtuosity --- Stijl [Muzikale ] --- Style [Musical ] --- Virtuositeit in muzikale prestatie --- Virtuositeit in muzikale uitvoering --- Virtuosity (Music) --- Virtuosity in music --- Virtuosity in musical performance --- Virtuosité dans l'exécution musicale --- Virtuosité dans la performance musicale --- Virtuosité en musique --- Virtuosité instrumentale --- Virtuosité musicale --- Virtuosité vocale --- concerten --- muziekleven --- Style, Musical. --- Virtuosité --- Virtuosity in musical performance. --- Virtuosité --- Music --- anno 1700-1799 --- anno 1800-1899 --- Paris --- Musique --- Style musical --- History and criticism. --- Histoire et critique --- France --- Paris (France) --- 19th century --- History and criticism --- 18th century --- 78.21.2 Paris

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Virtuosity in music. --- Music --- Virtuosité --- Musique --- History and criticism. --- Histoire et critique --- Virtuosity in musical performance. --- Virtuosité --- Interpretation (Phrasing, dynamics, etc.) --- 78.50

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Composers --- Virtuosity in music --- Violin music --- Compositeurs --- Virtuosité --- Violon, Musique de --- History --- Congresses --- History and criticism --- Histoire --- Congrès --- Histoire et critique --- Wieniawski, Henri, --- Wieniawski, Henryk --- Virtuosity in musical performance --- Virtuosité --- Congresses. --- Congrès

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Music appreciation. --- Music --- Virtuosity in musical performance. --- Musique --- Musique --- Virtuosité --- Philosophy and aesthetics --- Appréciation --- Philosophie et esthétique

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This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes études (1837), and their reworking as Douzes études d'exécution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.

Music --- Virtuosity in musical performance. --- History and criticism. --- Musical analysis --- Piano music --- Analyse musicale --- Piano, Musique de --- Virtuosité --- History and criticism --- Histoire et critique --- Liszt, Franz, --- Musical virtuosity --- Virtuosity (Music) --- Virtuosity in music --- Performance --- Liszt, Franz --- List, Frant︠s︡, --- Liszt, Ferenc, --- Liszt, F. --- Liszt, Franciszek, --- List, Ferent︠s︡, --- Liszt, Francesco, --- Lists, F., --- Liszt, Ferencz, --- Liszt, Francisco, --- Criticism and interpretation. --- 78.21.1 Liszt --- 78.43.7