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Volksgeist --- Belgium

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This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art.Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the ";speculative theory."; According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between ";high art"; and popular art, and between artists and their public.Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes.";[A] remarkable work. [Schaeffer's] writing is governed by . the ideals of clarity and consequence, the ideas of logic, truth, and evidence. Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation.";--From the foreword by Arthur C. Danto

Aesthetics, Modern. --- Art --- Philosophy. --- Aesthetic Theory. --- Aestheticism. --- Aesthetics. --- Age of Enlightenment. --- Antinomy. --- Archetype. --- Art for art's sake. --- Arthur Schopenhauer. --- Avant-garde. --- Classicism. --- Concept. --- Consciousness. --- Critical philosophy. --- Culture industry. --- Determination. --- Explanatory model. --- Figurative art. --- Fine art. --- First principle. --- Genre. --- Historicism. --- Historicity. --- Historicization. --- Idealism. --- Idealization. --- Imagination. --- Intellectualization. --- Literariness. --- Literature. --- Martin Heidegger. --- Modern art. --- Modernity. --- Neoplatonism. --- Novalis. --- Objective idealism. --- Ontic. --- Ontology. --- Phenomenon. --- Philosopher. --- Philosophy. --- Poetry. --- Politique. --- Positivism. --- Postmodernism. --- Potentiality and actuality. --- Pre-established harmony. --- Precognition. --- Realism (arts). --- Reality. --- Reason. --- Relativism. --- Religion. --- Romanticism. --- Scholasticism. --- Scientism. --- Secularization. --- Solipsism. --- Spinozism. --- Subjectivism. --- The Soul of the World. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodicy. --- Theory of Forms. --- Theory of art. --- Theory. --- Thought. --- Transcendental idealism. --- Truism. --- Volksgeist. --- Work of art.

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"Erich Auerbach (1892-1957), best known for his classic literary study Mimesis, is celebrated today as a founder of comparative literature, a forerunner of secular criticism, and a prophet of global literary studies. This book presents a selection of Auerbach's essays, many of which are little known outside the German-speaking world."

Literary historians --- Criticism --- Critics --- Aeneid. --- Allegory. --- Antonomasia. --- Athalie. --- Avitus of Vienne. --- Blaise Pascal. --- Book. --- Christianity. --- Church Fathers. --- Classical Latin. --- Classical Philology (journal). --- Classical language. --- Classicism. --- Consummation. --- Cultural history. --- De Monarchia. --- Democritus. --- Dialectic. --- Divine law. --- Eclecticism. --- English poetry. --- Erich Auerbach. --- Essays (Montaigne). --- Etymology. --- Form of life (philosophy). --- G. (novel). --- Genre. --- Giambattista Vico. --- God. --- Hermeneutics. --- Historical fiction. --- Historical figure. --- Historical linguistics. --- Historical method. --- Historical realism. --- Historicism. --- Historicity. --- Historiography. --- Historism. --- Humanities. --- In Parenthesis. --- Intellectual history. --- Jacques Maritain. --- Jean Bolland. --- Jean-Jacques Rousseau. --- Johann Georg Hamann. --- Karl Kraus (writer). --- Lactantius. --- Late Antiquity. --- Leveling (philosophy). --- Literary criticism. --- Literature. --- Lucretius. --- Magnificence (history of ideas). --- Major Publications. --- Medieval literature. --- Medieval poetry. --- Meister Eckhart. --- Metonymy. --- Michel de Montaigne. --- Mysticism. --- Narrative. --- Neoplatonism. --- Nominalism. --- Novum. --- Of Education. --- Old Testament. --- Perspectivism. --- Petrarch. --- Philology. --- Philosophy of history. --- Philosophy. --- Plautus. --- Poetry. --- Polemic. --- Positivism. --- Prudentius. --- Quintilian. --- Reality. --- Relativism. --- Religion. --- Romanticism. --- Scholasticism. --- Sub specie aeternitatis. --- Suetonius. --- Synecdoche. --- Tertullian. --- The Book of the Law. --- The Meaning of Things. --- The New Science. --- The Philosopher. --- Theory of Forms. --- Theory. --- Thomas Aquinas. --- Thomism. --- Treatise. --- Volksgeist. --- World history. --- World literature. --- Writing.