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Schetsen --- Voorstudies --- Duitsland --- Methodes --- 18e eeuw
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voorstudies --- Artists' preparatory studies --- Art, Renaissance --- Art, Modern --- Exhibitions. --- voorstudie --- voorstudie.
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Art --- Saarland Museum [Saarbrücken] --- Saarland Museum (Saarbrücken) --- beeldhouwkunst --- tekeningen --- voorstudies --- 19de eeuw --- 20ste eeuw --- voorstudie --- Saarland Museum (Saarbrücken). --- sculptuur. --- tekeningen. --- voorstudie. --- 19de eeuw. --- 20ste eeuw. --- sculptuur
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The realistic character of seventeenth-century Dutch art seems to suggest that artists painted from life, but they often executed their paintings on the basis of preliminary drawings. Accompanying the international loan exhibition Drawings for Paintings in the Age of Rembrandt, this richly illustrated volume demonstrates the important role of drawings in the creative process. Among the drawings discussed are quick compositional sketches, figure studies, and careful construction drawings. Underdrawings on panel and canvas supports are also studied. Such preparatory studies are juxtaposed with their related paintings in the catalog to provide new insights into this important aspect of Dutch art.
voorstudies --- Drawing --- Painting --- drawings [visual works] --- painting [image-making] --- anno 1600-1699 --- tekeningen --- 17de eeuw --- Noordelijke Nederlanden --- Holland --- Drawing, Dutch --- Artists' preparatory studies --- Underdrawing --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Technique --- Exhibitions --- voorstudie --- tekeningen. --- voorstudie. --- 17de eeuw. --- Noordelijke Nederlanden. --- Holland. --- Hollandse school --- tekenkunst, Nederlanden
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Painting "without color" has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l'oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer's attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual -- epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck -- to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly.
Painting --- monochrome --- black-and-white prints [prints on paper] --- grisaille --- easel paintings [paintings by form] --- Exhibitions --- Black in art --- Gray in art --- Monochrome painting --- White in art --- 75.048.3 --- Thema's in de schilderkunst ; licht en schaduw --- Glasschilderkunst ; Grisaille --- Monochrome schilderkunst --- Voorstudies --- Schilderkunst ; licht, beweging, kleur --- MAD-faculty 18 --- schilderkunst --- tekenkunst --- technieken --- beeldhouwkunst --- fotografie --- grafiek --- grisailles --- installaties --- monochroom --- wit --- zwart --- kleuren, pigmenten en kleurstoffen: zwart --- kleuren, pigmenten en kleurstoffen: wit --- monochroom. --- grisailles. --- kleuren, pigmenten en kleurstoffen: zwart. --- kleuren, pigmenten en kleurstoffen: wit. --- schilderkunst. --- sculptuur. --- installaties. --- sculptuur --- paintings [visual works]
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underdrawings --- Art --- infrared reflectography --- tempera --- pentimenti --- lacquerware --- Rubens, Peter Paul --- Royal Museum of Fine Arts [Antwerp] --- Painting, Flemish --- Peinture flamande --- Rubens, Peter Paul, --- Criticism and interpretation. --- Koninklijk Museum voor Schone Kunsten (Belgium) --- Catalogs --- Rubens, Pieter Paul --- voorstudies --- pigmenten --- schildertechnieken --- Exhibitions --- Exhibitions. --- Flemish painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Antwerp (Belgium). --- Museum van Schoone Kunsten (Antwerp, Belgium) --- Museum voor Schone Kunsten (Antwerp, Belgium) --- Royal Museum of Antwerp --- Antwerp. --- Musée royal des beaux-arts (Belgium) --- Royal Museum of Fine Arts (Belgium) --- KMSK --- Museu de Belas-Artes de Antuérpia --- Musée royal d'Anvers --- Musée royal des beaux-arts d'Anvers --- Koninklijk Museum voor Schone Kunsten Antwerpen --- KMSKA --- Königliches Museum für Schöne Künste zu Antwerpen --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Criticism and interpretation --- Koninklijk Museum voor Schone Kunsten (Antwerpen) --- Painting [Flemish ] --- 16th century --- 17th century --- Kunst --- ondertekeningen --- lakwerk --- infraroodreflectografie --- Koninklijk Museum voor Schone Kunsten [Antwerpen] --- departement Beeldende Kunst 10 --- schilderkunst 16-17e eeuw --- Antwerp (Belgium). Koninklijk Museum van Schoone Kunsten --- Antwerp. Musée royal des beaux-arts --- Antwerp (Belgium). Musée royal des beaux-arts --- Antwerp (Belgium). Royal Museum --- Koninklijk Museum van Schone Kunsten Antwerpen --- voorstudie --- voorstudie. --- pigmenten. --- schildertechnieken. --- Rubens, Peter Paul. --- vergroten van een paneel
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