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The almost universal adulation given Edmund Waller in the late seventeenth and early eighteenth centuries -- an adulation which, often as not, attached to his reform of poetry -- has been commonly accepted with little question of the grounds on which it is based. In this essay Alexander Ward Allison presents for the first time a specific analysis of the changes from Jacobean modes which Waller made, suggesting in the course of his analysis that the seventeenth century saw not a dissociation of sensibility, but rather a new fusion, of which Waller is a type.By a careful and detailed reading of

English poetry --- Roman influences. --- History and criticism. --- Augustus, --- Waller, Edmund, --- Octavius Caesar, --- Gaius Octavius, --- Octavius, Gaius, --- Octavianus, --- Octavianus, Gaius Julius Caesar, --- Gaius Julius Caesar Octavianus, --- Octavian, --- Caius Julius Caesar Octavianus, --- T︠S︡ezarʹ Oktavian Avgust, --- Oktavian-Avgust, T︠S︡ezarʹ, --- Avgust, T︠S︡ezarʹ Oktavian, --- Octavianus Augustus, --- Augusto, --- Cesarz August, --- Ogusṭus, --- Augustus Caesar, --- Gaius Octavius Thurinus, --- Octavio Augusto, --- Cayo Octavio Turino, --- Thurinus, Gaius Octavius, --- Turino, Cayo Octavio, --- אוגוסטוס --- E. W. --- W., E. --- Gentleman that loves the peace, --- Waller, Edmond, --- Waller, --- True son of the Church of England and a lover of his countries liberty --- Influence.