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Winckelmann, Johann Joachim --- Assassination. --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Winckelmann, Johann Joachim,
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Architecture, Classical. --- Art. --- Architecture, Classical --- Classical architecture --- Classical antiquities --- Winckelmann, Johann Joachim --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Criticism and interpretation.
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It is the aim of this work to examine the pivotal role of Johann Joachim Winckelmann (1717-1768) as a judge of classical sculpture and as a major contributor to German art criticism. John Harry North seeks to identify the key features of his treatment of classical beauty, particularly in his famous descriptions of large-scale classical sculpture. Five case studies are offered to demonstrate the academic classicism that formed the core of his philosophy of art. North aims to establish Winckelm...
Art criticism --- Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Arts --- Criticism --- History --- Philosophy. --- Analysis, interpretation, appreciation --- Winckelmann, Johann Joachim, --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Criticism and interpretation. --- Influence.
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This volume provides a new perspective on the emergence of the modern study of antiquity, Altertumswissenschaft, in eighteenth-century Germany through an exploration of debates that arose over the work of the art historian Johann Joachim Winckelmann between his death in 1768 and the end of the century. Winckelmann's eloquent articulation of the cultural and aesthetic value of studying the ancient Greeks, his adumbration of a new method for studying ancient artworks, and his provision of a model of cultural-historical development in terms of a succession of period styles, influenced both the public and intra-disciplinary self-image of classics long into the twentieth century. Yet this area of Winckelmann's Nachleben has received relatively little attention compared with the proliferation of studies concerning his importance for late eighteenth-century German art and literature, for historians of sexuality, and his traditional status as a 'founder figure' within the academic disciplines of classical archaeology and the history of art. Harloe restores the figure of Winckelmann to classicists' understanding of the history of their own discipline and uses debates between important figures, such as Christian Gottlob Heyne, Friedrich August Wolf, and Johann Gottfried Herder, to cast fresh light upon the emergence of the modern paradigm of classics as Altertumswissenschaft: the multi-disciplinary, comprehensive, and historicizing study of the ancient world.
Classical antiquities --- Antiquités gréco-romaines --- Study and teaching --- History --- Historiography --- Etude et enseignement --- Histoire --- Historiographie --- Winckelmann, Johann Joachim, --- Influence. --- Historiography. --- Antiquités gréco-romaines --- Classicism --- Germany --- Intellectual life --- Pseudo-classicism --- Aesthetics --- Literature --- Civilization, Classical --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Archaeology. --- Antiquities.
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Archaeology --- History --- Winckelmann, Johann Joachim, --- Influence --- -Archeology --- Anthropology --- Auxiliary sciences of history --- Antiquities --- -Winckelmann, Johann Joachim --- -Influence --- -History --- Archeology --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Influence. --- Winckelmann, Johann Joachim --- Archaeology - Germany - History - 19th century --- Winckelmann, Johann Joachim, - 1717-1768 - Influence --- Winckelmann, Johann Joachim, - 1717-1768
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Der deutsch-italienische Band präsentiert die Ergebnisse einer interdisziplinären Tagung in der Villa Vigoni, die sich mit der Konstituierung neuer Diskursformen zur Wahrnehmung und Bewertung der bildenden Kunst im Verlauf des 18. Jahrhunderts befasst hatte. Vor dem Hintergrund einer kulturpolitisch spannungsreichen Antikenrezeption werden, ausgehend von Winckelmanns Umdeutung der Ekphrase zu einem Medium ästhetischer Selbstanalyse, Versprachlichungsprozesse der Kunstbetrachtung untersucht, die sich an dem bis weit ins 19. Jahrhundert gültigen Konstrukt einer zeitlosen griechischen Klassik orientieren. Deren mythologischer, nunmehr unter anthropologischen und ästhetischen Gesichtspunkten neu definierter Kontext gewinnt in der Literatur der Kunstperiode eine Eigendynamik, die sich in großen kulturgeschichtlichen Erzählungen, exemplarischen Novellen wie in sozialutopischen Entwürfen manifestiert. Aus der Deskription und Reflexion von Kunsterfahrung entwickeln sich narrative Formen, in denen das archaische Kunstwerk als Leitbild einer künftigen, weltbürgerlich vereinten Menschheit hervortritt und sich zugleich in seinem für die Moderne charakteristischen autonomen Status des Kunstwerks profiliert.
Art and mythology --- Mythology, Classical, in art --- Ekphrasis --- Winckelmann, Johann Joachim, --- Criticism and interpretation --- Aesthetics --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Mythology and art --- Mythology in art --- Mythology --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Aesthetics. --- Mythology. --- Reception of Antiquity. --- Winckelmann, Johann Joachim.
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German letters --- Art critics --- Art criticism --- Aesthetics, Modern --- Letter writing, German. --- History and criticism. --- History --- Winckelmann, Johann Joachim --- Correspondence --- History and criticism --- Germany --- Intellectual life --- 18th century --- Scholars --- Learning and scholarship --- Winckelmann, Johann Joachim, --- German letters - History and criticism. --- Art critics - Germany - Correspondence. --- Art criticism - History - 18th century. --- Aesthetics, Modern - 18th century. --- German letter writing --- Aesthetics --- Art --- Arts --- Criticism --- Critics --- Analysis, interpretation, appreciation --- Winkelmann, M. --- Winckelmann, Johann Jacob
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Der Frage nach der ursprünglichen Bemalung antiker Skulptur widmet sich die Liebieghaus Skulpturensammlung seit vielen Jahren. Sie ist auf dem Forschungsgebiet führend. Die beiden Archäologen Vinzenz Brinkmann und Ulrike Koch-Brinkmann erstellen Rekonstruktionen, die dem heutigen Betrachter die ursprüngliche Bemalung der Skulpturen lebendig vor Augen führen. Die Erfolgsausstellung "Bunte Götter" tourt seit 2003 um die ganze Welt und machte bereits 2008 in der Liebieghaus Skulpturensammlung in Frankfurt am Main Station. Mit bislang noch nie gezeigten Rekonstruktionen und neuen Forschungsergebnissen kehrt die Ausstellung nun zurück nach Frankfurt. In der Gegenüberstellung von Farbrekonstruktionen und ausgewählten Meisterwerken der Liebieghaus Skulpturensammlung wird die Geschichte der farbig bemalten Skulptur erlebbar.
Sculpture --- sculpture [visual works] --- gilding [technique] --- Antique, the --- polychromy --- Winckelmann, Johann Joachim --- Antiquity --- Sculpture, Ancient --- Polychromy --- Sculpture, Classical --- Gods in art --- Goddesses in art --- kunst --- 73.032 --- 7.032 --- 7.017 --- kleurenleer --- kleur --- polychromie --- Rome --- Griekenland --- Oudheid --- beeldhouwkunst --- Idols and images --- Ancient sculpture --- Classical sculpture --- Classical antiquities --- Color in sculpture --- Historiography --- Color --- Winckelmann, Johann Joachim, --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Influence --- (Produktform)Hardback --- Antike --- Kunst Antike --- Skulptur --- Rekonstruktion --- Wanderausstellung --- Liebieghaus Skulpturensammlung Frankfurt am Main --- Städel Museum Frankfurt --- Koloration Skulpturen --- Bildhauerei --- Kunstgeschichte --- (VLB-WN)1580: Hardcover, Softcover / Kunst
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Aesthetics, German --- -Aesthetics, German --- -Aesthetics, Modern --- -Modern aesthetics --- German aesthetics --- Study and teaching --- Goethe, Johann Wolfgang von --- -Winckelmann, Johann Joachim --- -Aesthetics --- Aesthetics --- -Study and teaching --- Aesthetics, Modern --- Modern aesthetics --- Goethe, Johann Wolfgang von, --- Winckelmann, Johann Joachim, --- Winkelmann, M. --- Winckelmann, Johann Jacob --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- Aesthetics. --- ゲーテ --- Goethe, Johann Wolfgang --- Winckelmann, Johann Joachim --- Aesthetics [Modern ] --- 18th century --- 19th century --- Aesthetics [German ] --- Von Goethe, Johann Wolfgang, --- Gete, Volʹfgang, --- Ko-tê, --- Gede, --- Gete, Jogann, --- Gette, --- Gʹote, Ĭokhan Volʹfgang, --- Jūtah, Yūhān Fūlfjānj, --- Goethe, J. W. --- Jītī, --- Gete, V. --- Koetʻe, --- Goetʻe, --- Getė, --- Goethe, --- Gkaite, --- Gitah, Y. Ṿ., --- Goethe, Jan Wolfgang, --- Gëte, Iogann Volʹfgang, --- Göte, --- Gyoete, --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon-, --- Giteh, Yohan Ṿolfgang Fon-, --- Gete, Johan Volfgang, --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank, --- Katē, --- Katē, Yōkān̲ Vulpkēṅk Vān̲, --- Гете, Иоганн Вольфганг, --- Qöte, Y. V. --- Qöte, Yohan Volfqanq, --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Goethe --- Von Goethe, Johann Wolfgang --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Jītī --- Koetʻe --- Goetʻe --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Yohan Volfqanq --- ゲエテ
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