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Photographic works; Francesca Woodman
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Year: 1992 Publisher: Zürich : Shedhalle,

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Francesca Woodman
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Year: 1998 Publisher: Paris : Fondation Cartier,

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Francesca Woodman
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Year: 1998 Publisher: Paris : Fondation Cartier pour l' art contemporain,

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Francesca Woodman : the Roman years, between flesh and film
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ISBN: 9788869653308 8869653307 Year: 2012 Publisher: Rome Contrasto

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Francesca Woodman : works from the Sammlung Verbund
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ISBN: 9783863353513 386335351X Year: 2014 Publisher: Köln Walther König

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Francesca Woodman.
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ISBN: 9781935202660 Year: 2011 Publisher: San Francisco (Calif.) Museum of modern art

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"Catalogue produced in conjunction with the exhibition Francesca Woodman, presented at the San Francisco Museum of Modern Art (November 5, 2011-February 20, 2012) and the Guggenheim Museum, New York (March 16-June 15, 2012)"--Provided by publisher.


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Huit photographies de Francesca Woodman
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Year: 2008 Publisher: Bruxelles: École de recherche graphique,

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Relative Positions.
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ISBN: 0936080701 Year: 2001 Publisher: Houston : Contemporary Arts Museum,

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Francesca Woodman.
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ISBN: 2742718036 9782742718030 Year: 1998 Publisher: Arles Paris Actes Sud Fondation Cartier pour l'art contemporain

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Francesca Woodman : scattered in space and time.
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ISBN: 0714844306 9780714844305 Year: 2010 Publisher: London Phaidon

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Interested in how people relate to space, and how the three-dimensional world can be reconciled with the two dimensions of the photographic image, Woodman played complex games of hide-and-seek with her camera. One of the enduring appeals of her work is the way in which she constructs enigmas that trap our gaze. She depicts herself seemingly fading into a flat plane, merging with the wall under the wallpaper, dissolving into the floor, or flattening herself behind glass. But is this disappearing act really the artist putting in an appearance? That we are never completely sure what we are looking at means that we keep looking. Woodman constantly compares the fragility of her own body with the physical environment around her. Fascinated by transformation and the permeability of seemingly fixed boundaries, Woodman’s work conjures the precarious moment between adolescence and adulthood, between presence and absence. This comprehensive monograph includes over 250 of Woodman’s works – some of which have never been exhibited or published before – as well as extracts from her journals selected by her father George Woodman. There are examples of her large-scale blueprints and reproductions of her photobooks, including Some Disordered Interior Geometries, which was published in 1981, the year she took her own life. An extensive text by Chris Townsend examines the influences of gothic literature, surrealism, feminism and post-minimalist art on Woodman’s photographs. Townsend places Woodman in relation to her contemporaries, such as Cindy Sherman and Richard Prince. This book confirms Woodman’s position as one of America's most talented photographers and important artists since 1970, with an influence lasting well beyond her own time.

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