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Le monde contemporain – postcolonial, post-11 septembre, globalisé – doit se confronter au défi de l'histoire immédiate, face à une inflation événementielle et simultanément face à une diffusion médiatique massive, rapide, internationale où le présent se raconte dans l'urgence. Cette pression des faits renforce pourtant le besoin de fictions, non pour se détacher du « présentisme » de notre époque mais bien pour s'y mesurer. Interrogeant aussi la valeur exacte des mots, elle donne une résonance autre au débat concernant les relations entre littérature et histoire et impose d'en reformuler les présupposés. Les littératures contemporaines s'attellent ainsi à reconstruire une phénoménologie de l'événement, à mettre en scène l'autorité possible de l'auteur comme à mettre à l'épreuve la force et la vertu du récit fictionnel dans ses dimensions éthique, épistémologique et également poétique ainsi que dans les logiques de l'imaginaire qu'il élabore. Ce faisant, elles définissent leur corpus par le souci du politique et repensent leur histoire sous le régime de l'immédiat. Les études de ce volume explorent donc les réponses apportées à ce défi du présent et de l'histoire par les fictions contemporaines dans le cadre d'une littérature envisagée en régime mondial : les analyses croisent ainsi, hors de leurs cloisonnements géographiques, linguistiques et historiques, les corpus européens (France, Belgique, Allemagne, Grande-Bretagne, Espagne, Hongrie), américains (Canada, États-Unis, Caraïbe, Chili) et africains francophones, anglophones et lusophones (Algérie, Maroc, Rwanda, Togo, Guinée, Congo, Somalie, Nigéria, Angola, Mozambique), moins en raison d'un cosmopolitisme nommé World Literature / Littérature-monde que d'une réflexion convergente sur l'imaginaire historique et d'une rencontre effective des références et des modèles littéraires. Actualisant leur force de décentrement et la puissance de figures paradigmatiques, les fictions composent ainsi un récit transnational,…
World politics in literature --- Literary Theory & Criticism --- histoire du temps présent --- évènement --- roman
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International relations in literature --- World politics in literature --- Politics and literature --- Fiction --- Fiction --- History and criticism --- History and criticism
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This text attempts to resituate the problem of 'world literature', considered as a revived category of theoretical enquiry, by pursuing the literary-cultural implications of the theory of combined and uneven development.
Literature --- World politics in literature. --- World history in literature. --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- Appraisal --- Evaluation
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Imperialism --- Imperialism --- World politics in literature. --- Postcolonialism in literature. --- Imperialism in literature. --- Literature, Modern --- Literature, Modern --- History --- History --- History and criticism. --- History and criticism.
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Spy stories, English --- Spy stories, American --- Politics and literature --- World politics in literature. --- Espionage in literature. --- Spies in literature. --- American spy stories --- American fiction --- History and criticism. --- History --- Espionage in literature --- Spies in literature --- World politics in literature --- History and criticism
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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
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American fiction --- Cold War in literature --- Communism in literature --- Historical fiction, American --- Literature and society --- Trials (Conspiracy) in literature --- Trials (Espionage) in literature --- World politics in literature --- History and criticism --- History --- Rosenberg, Ethel, --- Rosenberg, Julius, --- In literature.
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In December 2010 the U.S. Embassy in Kabul acknowledged that it was providing major funding for thirteen episodes of Eagle Four-a new Afghani television melodrama based loosely on the blockbuster U.S. series 24. According to an embassy spokesperson, Eagle Four was part of a strategy aimed at transforming public suspicion of security forces into something like awed respect. Why would a wartime government spend valuable resources on a melodrama of covert operations? The answer, according to Timothy Melley, is not simply that fiction has real political effects but that, since the Cold War, fiction has become integral to the growth of national security as a concept and a transformation of democracy. In The Covert Sphere, Melley links this cultural shift to the birth of the national security state in 1947. As the United States developed a vast infrastructure of clandestine organizations, it shielded policy from the public sphere and gave rise to a new cultural imaginary, "the covert sphere." One of the surprising consequences of state secrecy is that citizens must rely substantially on fiction to "know," or imagine, their nation's foreign policy. The potent combination of institutional secrecy and public fascination with the secret work of the state was instrumental in fostering the culture of suspicion and uncertainty that has plagued American society ever since-and, Melley argues, that would eventually find its fullest expression in postmodernism. The Covert Sphere traces these consequences from the Korean War through the War on Terror, examining how a regime of psychological operations and covert action has made the conflation of reality and fiction a central feature of both U.S. foreign policy and American culture. Melley interweaves Cold War history with political theory and original readings of films, television dramas, and popular entertainments-from The Manchurian Candidate through 24-as well as influential writing by Margaret Atwood, Robert Coover, Don DeLillo, Joan Didion, E. L. Doctorow, Michael Herr, Denis Johnson, Norman Mailer, Tim O'Brien, and many others.
American fiction --- Espionage in literature --- Literature and history --- National security --- Popular culture --- Secrecy in literature --- Spy stories, American --- Terrorism in literature --- World politics in literature --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- American spy stories --- National security policy --- NSP (National security policy) --- Security policy, National --- Economic policy --- International relations --- Military policy --- History and criticism --- Social aspects --- Political aspects --- History --- Government policy --- World politics in literature. --- Secrecy in literature. --- Terrorism in literature. --- Espionage in literature. --- History and criticism.
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Anarchism in literature --- Imperialism in literature --- Political fiction, English --- Politics and literature --- Politics and literature --- Utopias in literature --- World politics in literature --- History and criticism --- History --- History --- Collins, Wilkie, --- Conrad, Joseph, --- Schreiner, Olive, --- Cunninghame Graham, R. B. --- Political and social views. --- Political and social views.
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"Suzanne Clark describes here how the Cold War excluded women writers on several levels, together with others - African Americans, Native Americans, the poor, men as well as women - who were ignored in the struggle over white male identity."--Jacket.
American literature --- Literature and society --- National characteristics, American, in literature. --- World War, 1939-1945 --- Rhetoric --- Gender identity in literature. --- World politics in literature. --- Masculinity in literature. --- Cold War in literature. --- Soldiers in literature. --- English language --- Masculinity (Psychology) in literature --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- World War, 1939-1945, in literature --- History and criticism. --- History --- Literature and the war. --- Political aspects --- Rhetoric. --- Germanic languages
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