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The global 1989 : continuity and change in world politics
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ISBN: 9780521147910 9780521761246 9780511778544 9780511860515 051186051X 0511778546 0521761247 0521147913 0511861931 1107216648 1282930672 9786612930676 0511859643 0511858779 051185790X 0511857039 Year: 2010 Publisher: Cambridge : Cambridge University Press,

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1989 signifies the collapse of Soviet communism and the end of the Cold War, a moment generally recognized as a triumph for liberal democracy and when capitalism became global. The Global 1989 challenges these ideas. An international group of prominent scholars investigate the mixed, paradoxical and even contradictory outcomes engendered by these events, unravelling the intricacies of this important moment in world history. Although the political, economic and cultural orders generated have, for the most part, been an improvement on what was in place before, this has not always been clear cut: 1989 has many meanings, many effects and multiple trajectories. This volume leads the way in defining how 1989 can be assessed both in terms of its world historical impact and in terms of its contribution to the shape of contemporary world politics.


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The long 1989 : decades of global revolution
Authors: ---
ISBN: 9633862841 9789633862841 9789633862834 Year: 2019 Publisher: New York CEU press

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The fall of communism in Central and Eastern Europe is now the frame of reference for any mass mobilization, from the Arab Spring to the Occupy movement to Brexit. The Long 1989 is about the slow, uneven spread of 'nineteen eighty-nine' across the world -- as a set of ideas, discourses, and normative models of revolution. This book's ten chapters consider how revolutionary events in Europe resonated many years later and thousands of miles away: in China and South Africa, Chile and Afghanistan, Turkey and the USA. They trace the circulation of people, practices, and ideas that linked these countries, turning local developments into a global phenomenon. It is now a platitude to call 1989 a 'world event,' but the chapters in this volume show -- for the first time in the scholarship -- how it actually became one. At the same time, they examine the many shifts that revolution underwent in transit. All ten chapters detail the process of mutation, adaptation, and appropriation by which foreign affairs gained meaning on the ground. They interrogate the uses and understandings of 'nineteen-eighty-nine' in particular national contexts, often many years after the fact. Taken together, the chapters in this volume ask how the fall of communism in Europe became the basis for revolutionary action around the globe. They invite us to rethink the revolutions of 1989 by expanding their chronological and geographic scope. In so doing, The Long 1989 meets 21st-century imperatives, highlighting both continuity and rupture in a world grappling with the resurgence of populism, fanaticism, and fear, but also powerful grassroots action crossing borders and oceans. In sum, this book proposes a paradigm shift in global thinking about revolution, protest, and the international system.


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1989 as a political world event : democracy, globalisation and the international system.
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ISBN: 9781138898158 9780415615891 9781315884493 0415615895 9781134654246 9781134654314 9781134654383 Year: 2014 Publisher: Abingdon Routledge

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"This book is not about the events of 1989, but about 1989 as a world event. Starting with the Fall of the Berlin Wall and the collapse of the Soviet bloc it examines the historical significance and the world brought about by 1989"--


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From 1989, or European music and the modernist unconscious
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ISBN: 9780520279360 9780520966505 0520279360 0520966503 Year: 2017 Publisher: Oakland University of California Press

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"What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European "New Music," Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center-stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing "joy" to "freedom" in Beethoven's Ninth; or David Hasselhoff lip-syncing "Looking for freedom" to thousands on New Year's Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing it restages earlier scenes of modernism. As world politics witnesses a turning-away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution-to-come"--Provided by publisher.


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1989 : Bob Dylan didn't have this to sing about
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ISBN: 1282772635 9786612772634 052094464X 9780520944640 9781282772632 9780520267879 0520267877 9780520252554 0520252551 Year: 2009 Publisher: Berkeley : University of California Press,

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In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."

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