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Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their actions. Whereas anti-Communist propaganda films offered explicit political exhortation, allegory was the preferred vehicle for veiled or hidden political comment in many police procedurals, historical films, Westerns, and science fiction films. Jeff Smith examines the way that particular heuristics, such as the mental availability of exemplars and the effects of framing, have encouraged critics to match filmic elements to contemporaneous historical events, persons, and policies. In charting the development of these particular readings, Film Criticism, the Cold War, and the Blacklist features case studies of many canonical Cold War titles, including The Red Menace, On the Waterfront, The Robe, High Noon, and Invasion of the Body Snatchers.

Film --- anno 1900-1999 --- United States --- Motion pictures --- Cold War in motion pictures. --- Communism and motion pictures --- Blacklisting of entertainers --- Political aspects --- History --- Entertainers --- Communism and moving-pictures --- Motion pictures and communism --- Blacklisting --- 20th century american culture. --- 20th century american history. --- allegory. --- american entertainment culture. --- american films. --- anti communist propaganda. --- cold war. --- communism. --- critical lens. --- entertainment blacklist. --- film and television. --- film criticism. --- film history. --- historical films. --- hollywood blacklist. --- hollywood. --- house committee on un american activities. --- huac. --- literary allegory. --- movie studies. --- police procedures. --- political. --- politics. --- postwar period. --- propaganda films. --- propaganda. --- science fiction films. --- villains. --- westerns. --- United States of America

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The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.

African Americans in motion pictures. --- African Americans in the motion picture industry. --- African Americans --- Motion picture audiences --- Migrations --- History --- African Americans in motion pictures --- African Americans in the motion picture industry --- Afro-Americains dans l'industrie du film --- Afro-Amerikanen in de film --- Afro-Amerikanen in de filmindustrie --- Afro-americains dans le cinéma --- Amerikanen [Zwarte ] in de film --- Noirs américains dans le cinéma --- Zwarte Amerikanen in de film --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Afro-Americans in the motion picture industry --- Negroes in the moving-picture industry --- Motion picture industry --- Race films --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Motion pictures --- Audiences --- United States --- 20th century --- Black people --- african american actors. --- african american directors. --- african americans. --- america. --- american entertainment. --- american history. --- black americans. --- black audiences. --- black film culture. --- black urban life. --- black urban modernity. --- chicago. --- cinema and culture. --- cinema. --- cinematic representations. --- early films. --- film history. --- illustrated. --- influence of cinema. --- migration. --- modern history. --- movie theaters. --- nonfiction. --- northern migration. --- oscar micheaux. --- race films. --- silent movie era. --- urban populations. --- urban setting.

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2 <05> --- 2 <05> Godsdienst. Theologie--Tijdschriften --- Godsdienst. 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