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Private associations organized around a common cult, occupation, ethnic identity, neighborhood or family were among the principal means of organizing social and economic life in the ancient Mediterranean. They offered opportunities for sociability, cultic activities, mutual support and contexts in which to display and recognize virtuous achievement. This volume collects 140 inscriptions and papyri from Ptolemaic and early Roman Egypt, along with translations, notes, commentary, and analytic indices. The dossier of association-related documents substantially enhances our knowledge of the extent, activities, and importance of private associations in the ancient Mediterranean, since papyri, unavailable from most other locations in the Mediterranean, preserve a much wider range of data than epigraphical monuments. The dossier from Egypt includes not only honorific decrees, membership lists, bylaws, dedications, and funerary monuments, but monthly accounts of expenditures and income, correspondence between guild secretaries and local officials, price and tax declarations, records of legal actions concerning associations, loan documents, petitions to local authorities about associations, letters of resignation, and many other papyrological genres. These documents provide a highly variegated picture of the governance structures and practices of associations, membership sizes and profiles, and forms of interaction with the State.
Ancient Sources. --- Social structure. --- Ancient Mediterranean. --- Social organization.
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Art, Ancient --- Art, Prehistoric --- -Art, Ancient --- -Art, Prehistoric --- -Prehistoric art --- Art, Primitive --- Europe --- Mediterranean Region --- Antiquities. --- -Europe --- Art [Ancient ] --- Addresses, essays, lectures --- Prehistoric art --- Art, Ancient - Europe. --- Art, Ancient - Mediterranean Region. --- Art, Prehistoric - Europe. --- Art, Prehistoric - Mediterranean Region.
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Textile fabrics, Ancient --- Terminology. --- Textile industry --- Bronze Age --- History --- Middle East --- Mediterranean Region --- Antiquities. --- Textile industry and fabrics --- Textiles industry --- Manufacturing industries --- Bronze age --- Textile fabrics, Ancient - Middle East - Terminology --- Textile fabrics, Ancient - Mediterranean Region - Terminology
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Pottery, Ancient --- Pottery --- Céramique antique --- Céramique --- Technique --- Ceramics --- Ceramics. --- Pottery, Ancient. --- Keramik. --- Mediterranean Region. --- Mittelmeerraum. --- Céramique antique --- Céramique --- Pottery [Ancient ] --- Mediterranean region --- Identification --- Pottery, Ancient - Mediterranean Region - Congresses. --- Ceramics - Mediterranean Region - Congresses
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Coins, Ancient --- Numismatics --- Facing heads (Numismatics) --- Coins, Greek --- Coins, Roman --- History --- Congresses --- Coins, Ancient - Mediterranean Region - Congresses --- Numismatics - Mediterranean Region - History - To 1500 --- Facing heads (Numismatics) - Congresses --- Coins, Greek - Congresses --- Coins, Roman - Congresses
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Stele (Archaeology) --- Textile fabrics, Ancient --- Inscriptions, Greek --- -Ancient textile fabrics --- Stela (Archaeology) --- Stelae (Archaeology) --- Stelai (Archaeology) --- Steles (Archaeology) --- Archaeology --- Menhirs --- Greek inscriptions --- Greek language --- Greek philology --- -Inscriptions, Greek --- Textiel. --- Inscripties. --- Textile --- Archeologie. --- Ancient history --- Textile fabrics, Ancient - Mediterranean Region
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The eighth and seventh centuries BCE were a time of flourishing exchange between the Mediterranean and the Near East. One of the period’s key imports to the Hellenic and Italic worlds was the image of the griffin, a mythical monster that usually possesses the body of a lion and the head of an eagle. In particular, bronze cauldrons bore griffin protomes—figurative attachments showing the neck and head of the beast. Crafted in fine detail, the protomes were made to appear full of vigor, transfixing viewers. Bronze Monsters and the Cultures of Wonder takes griffin cauldrons as case studies in the shifting material and visual universes of preclassical antiquity, arguing that they were perceived as lifelike monsters that introduced the illusion of verisimilitude to Mediterranean arts. The objects were placed in the tombs of the wealthy (Italy, Cyprus) and in sanctuaries (Greece), creating fantastical environments akin to later cabinets of curiosities. Yet griffin cauldrons were accessible only to elites, ensuring that the new experience of visuality they fostered was itself a symbol of status. Focusing on the sensory encounter of this new visuality, Nassos Papalexandrou shows how spaces made wondrous fostered novel subjectivities and social distinctions.
Kettles --- Griffins in art. --- Pots --- Bronze bowls --- Art, Ancient --- Material culture --- Oriental influences. --- Mediterranean Region --- Antiquities. --- Greek Art, illusionism, preclassical antiquity, clasical antiquity, bronze sculpture, ancient mediterranean, hellenic, griffin, art history.
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The first comprehensive history of the cultural impact of the Phoenicians, who knit together the ancient Mediterranean world long before the rise of the Greeks. Imagine you are a traveler sailing to the major cities around the Mediterranean in 750 BC. You would notice a remarkable similarity in the dress, alphabet, consumer goods, and gods from Gibraltar to Tyre. This was not the Greek world—it was the Phoenician. Based in Tyre, Sidon, Byblos, and other cities along the coast of present-day Lebanon, the Phoenicians spread out across the Mediterranean building posts, towns, and ports. Propelled by technological advancements of a kind unseen since the Neolithic revolution, Phoenicians knit together diverse Mediterranean societies, fostering a literate and sophisticated urban elite sharing common cultural, economic, and aesthetic modes. The Phoenician imprint on the Mediterranean lasted nearly a thousand years, beginning in the Early Iron Age. Following the trail of the Phoenicians from the Levant to the Atlantic coast of Iberia, Carolina López-Ruiz offers the first comprehensive study of the cultural exchange that transformed the Mediterranean in the eighth and seventh centuries BC. Greeks, Etruscans, Sardinians, Iberians, and others adopted a Levantine-inflected way of life, as they aspired to emulate Near Eastern civilizations. López-Ruiz explores these many inheritances, from sphinxes and hieratic statues to ivories, metalwork, volute capitals, inscriptions, and Ashtart iconography. Meticulously documented and boldly argued, Phoenicians and the Making of the Mediterranean revises the Hellenocentric model of the ancient world and restores from obscurity the true role of Near Eastern societies in the history of early civilizations.
Phoenician antiquities. --- Phoenicians. --- Mediterranean Region --- History --- Etruscan culture. --- Iron Age Sardinia. --- Mediterranean studies. --- Phoenicians in Sicily. --- Tartessos. --- ancient Iberia. --- ancient Mediterranean. --- ancient colonization. --- archaic Cyprus. --- archaic Greece. --- archaic sculpture. --- postcolonial studies. --- western Mediterranean.
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