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basic Islamic studies --- philosopy and religious studies --- Islam history and art studies --- basic islamic studies --- islam history and art studies --- Esoteric sciences --- General ethics --- Islam

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Engineering --- Architecture --- art studies --- cultural heritage --- monument conservation --- museology and collecting --- conservation science --- heritage science

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Arts --- Periodicals. --- Périodiques --- Arts. --- art studies --- Portugal --- Latin America --- hermeneutics --- artists perspective --- Arts, Daghestan --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Art --- History --- portugal --- latin america --- Arts, Primitive

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Tanz findet gegenwärtig vermehrt im Ausstellungskontext statt: Tänzer*innen bewegen sich durch originär für Kunstobjekte geschaffene Säle, Choreograf*innen bespielen Museen und werden zu Ausstellungsgestalter*innen. Mit Blick auf das Beziehungsgeflecht von Tanz, Bildender Kunst, Museum und Ausstellung von Beginn des 20. Jahrhunderts bis zur Gegenwart zeigt Katharina de Andrade Ruiz auf, wie die Tanzkunst in den Ausstellungskontext gelangte. Im Fokus ihrer Analyse stehen choreografische Arbeiten von Xavier Le Roy, Anne Teresa De Keersmaeker sowie Boris Charmatz, die als Beispiele für Live-Tanz-Ausstellungen, Fusionen von zeitgenössischer Tanzkunst und der Ausstellung als Präsentationsformat dienen.

Dance --- Exhibitions. --- Anne Teresa De Keersmaeker. --- Boris Charmatz. --- Xavier Le Roy. --- art history of the 21#u#st#e# century. --- contemporary art. --- contemporary dance. --- dance studies. --- exhibition history. --- exhibition. --- live art. --- museum. --- visual art studies.

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"Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings--a video artist herself--reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, 'pictures of nothing, ' but rather amorphous, ungovernable spaces that encourage contemplation and innovation. Featuring renowned artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater and Jennifer West, alongside emerging artists, this volume offers fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art"--Provided by publisher.

hedendaagse kunst --- installations [visual works] --- motion pictures [visual works] --- interactive art --- multimediakunst --- video art --- sound [acoustics] --- Art --- abstraction --- computer art [visual works] --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Video art. --- Art, Abstract. --- 778.5.01 --- Videokunst ; video-installaties ; 21ste eeuw ; theorie --- Beeldende kunst en bewegend beeld --- Abstracte kunst en film --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Video art --- Art, Abstract --- Time-based art --- 21st century. --- abstract art. --- abstract video. --- abstraction. --- art criticism. --- art critics. --- art historians. --- art history. --- art installations. --- art students. --- art studies. --- art theory. --- art writers. --- art. --- artists. --- contemporary art. --- curators. --- emerging artists. --- essay collection. --- experimental art. --- experimental film. --- historical perspective. --- media studies. --- modern art. --- moving images. --- net art. --- new media. --- nonfiction essays. --- photographers. --- video artists. --- visual art. --- visual music.