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Book
ISBN: 2729110186 9782729110185 Year: 1994 Publisher: Paris Editions de la Différence
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Painting --- scripts [writing] --- art [fine art] --- automatism --- Art styles --- Iconography --- painting [image-making] --- Art --- Raine, Jean --- anno 1900-1999 --- Belgium --- automatism [psychological concept] --- easel paintings [paintings by form]
Book
Year: 1964 Publisher: Amsterdam Stedelijk Museum Amsterdam
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Art styles --- Drawing --- Painting --- prints [visual works] --- etchings [prints] --- painting [image-making] --- automatism [psychological concept] --- Surrealist --- Masson, André --- anno 1900-1999 --- France
ISBN: 2940292035 Year: 2001 Publisher: Genève Bärtschi-Salomon Editions
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Although the pictorial work of Henri Michaux (1899-1984) has been widely shown over the last three decades, virtually nothing was known about the frottages he made during the Second World War. This is the first book on the subject, and presents the contents of two large sketchbooks which have never been seen before. The child-like technique of frottage can be said to have entered art history in 1925, when Max Ernst began using it in conjunction with other forms of "automatic" writing as part of the Surrealist exploration of the unconscious. It consists of rubbing a pencil against a sheet op paper that has been placed over a rough surface (bark, fabric, leaf, string etc.). The patterns that come through can then be used in a more complex compostion or left as they are. Michaux, who inclined towards frugal techniques, used frottage in order to reveal the "space within". Temperamentally alien to the dogmatism of André Breton, he was driven by a constant thirst for freedom as he created his strange formal universe. His exploration of the "lobe of monsters" (the title of a book of poems published in 1944) is wholly personal, intended simply to exercise his own anxieties. Michaux's works are like "snapshots" of his mind, peopled by familiar guests - plant-like slow worms, frogs and toads, praying mantises and octopuses. This book sheds light on unknown aspects of a medium, but also on some of the monsters that haunted Michaux at a time when everyday life was full of horror.
Painting --- art [fine art] --- automatism --- frottage --- Art styles --- painting [image-making] --- Art --- Michaux, Henri --- anno 1900-1999 --- France --- Belgium --- Bernard Comment, Claire Stoullig --- kunst --- twintigste eeuw --- Michaux Henri --- tekenkunst --- 7.071 MICHAUX --- 741.071 MICHAUX --- automatism [psychological concept]
Book
ISBN: 1894243153 Year: 2002 Publisher: Toronto Art Gallery of Ontario
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Graphics industry --- Art styles --- Art --- Drawing --- Painting --- Graphic arts --- prints [visual works] --- etchings [prints] --- painting [image-making] --- automatism [psychological concept] --- private collections [object groupings] --- typography --- Surrealist --- Gotlieb, Allan --- Masson, André --- Art Gallery of Ontario [Toronto, Ont.] --- anno 1900-1999 --- France
Book
Year: 1969 Publisher: München & Ahrebeck/Hannover Knorr & Hirth Verlag
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Art styles --- Iconography --- Art --- art appreciation --- automatism [psychological concept] --- outsider art --- verism --- Kinetic Art --- Matter art --- Action painting --- Orphist [modern French style] --- cobra --- zero --- Ecole de Paris --- De Stijl --- Neo-Plastic --- Suprematist --- Cubist --- Expressionist [style] --- Surrealist --- Hard-edge --- Der Blaue Reiter --- Die Brücke --- Tàpies, Antoni --- Jorn, Asger --- Bissière, Roger --- Corneille --- Dubuffet, Jean --- Delaunay, Robert --- Stella, Frank --- Ouborg, Piet --- Ernst, Max --- Picasso, Pablo --- Fontana, Lucio --- Doesburg, van, Theo --- Léger, Fernand --- Kruyder, Herman --- Francis, Sam --- Bazaine, Jean --- Miró, Joan --- Moholy-Nagy, László --- Klein, Yves --- Louis, Morris --- Kandinsky, Wassily --- Kokoschka, Oskar --- Braque, Georges --- Mondriaan, Piet --- Vasarely, Victor --- Gris, Juan --- Permeke, Constant --- Corbusier, le --- Chagall, Marc --- Bacon, Francis --- Mack, Heinz --- Indiana, Robert --- Appel, Karel --- Poliakoff, Serge --- Groupe de recherche d'art visuel [Paris] --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1900-1999 --- anno 2000-2099
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Arden Quin, Carmelo ; Arp, Hans (Jean) ; Artaud, Antonin ; Bacon, Francis ; Baumeister, Willi ; Baziotes, William ; Bellmer, Hans ; Bill, Max ; Bissier, Julius ; Bissière, Roger ; Blaszko, Martin ; Bonnard, Pierre ; Brauner, Victor ; Bryen, Camille ; Burri, Alberto ; Calder, Alexander ; Consagra, Pietro ; Cornell, Joseph ; Debré, Olivier ; Domela, César ; Dorazio, Piero ; Dubuffet, Jean ; Duchamp, Marcel ; Eble, Theo ; Ernst, Max ; Fautrier, Jean ; Fontana, Lucio ; Franchina, Nino ; Friedrich, Clara ; Giacometti, Alberto ; Gorky, Arshile ; Gottlieb, Adolph ; Graeser, Camille ; Guston, Philip ; Hartung, Hans ; Hayter, Stanley William ; Hlito, Alfredo ; Hofmann, Hans ; Iommi, Enio ; Jorn, Asger ; Kemeny, Zoltan ; Kline, Franz ; de Kooning, Willem ; Krasner, Lee ; Lam, Wifredo ; Leger, Fernand ; Loewensberg, Verena ; Lohse, Richard Paul ; Lozza, Raul ; Magnelli, Alberto ; Maldonado, Tomàs ; Masson, Andre ; Mathieu, Georges ; Matisse, Henri ; Matta (Roberto Antonio Sebastian Matta Echaurren) ; Mele, Juan ; Michaux, Henri ; Miro, Joan ; Moholy-Nagy, Laszlo ; Monachesi, Sante ; Mortensen, Richard ; Munari, Bruno ; Nigro, Mario ; Noguchi, Isamu ; Ossorio, Alfonso ; Paalen, Wolfgang ; Perilli, Achille ; Picasso, Pablo ; Pollock, Jackson ; Reinhardt, Ad ; Richier, Germaine ; Rothko, Mark ; Sage, Kay ; Santomaso, Giuseppe ; Seligmann, Kurt ; Smith, David ; Soulages, Pierre ; de Staël, Nicolas ; Sutherland, Graham ; Tal-Coat, Pierre ; Tanguy, Yves ; Tàpies, Antoni ; Tobey, Mark ; Vantongerloo, Georges ; Vardanega, Gregorio ; Vedova, Emilio ; van Velde, Bram ; Villalba, Virgilio ; Villeglé, Jacques ; Wols
History --- Abstract Expressionist --- figurative art --- Iconography --- Art styles --- automatism --- art history --- Art --- Art Informel --- art [fine art] --- Surrealist --- Graeser, Camille Louis --- Franchina, Nino --- Hartung, Hans --- Calder, Alexander --- Vantongerloo, Georges --- Léger, Fernand --- Munari, Bruno --- Domela, César --- Rothko, Mark --- Soulages, Pierre --- Richier, Germaine --- Hlito, Alfredo --- Mele, Juan --- Dorazio, Piero --- Bonnard, Pierre --- Baumeister, Willi --- Burri, Alberto --- Cornell, Joseph --- Velde, van, Bram --- Bill, Max --- Santomaso, Giuseppe --- Lohse, Richard Paul --- Artaud, Antonin --- Picasso, Pablo --- Brauner, Victor --- Still, Clyfford --- Tanguy, Yves --- Iommi, Enio --- Vedova, Emilio --- Moholy-Nagy, László --- Lozza, Raúl --- Ossorio, Alfonso --- Michaux, Henri --- Paalen, Wolfgang --- Pollock, Jackson --- Bissière, Roger --- Guston, Philippe --- Duchamp, Marcel --- Lam, Wifredo --- Gottlieb, Adolph --- Magnelli, Alberto --- Monachesi, Sante --- Wols --- Jorn, Asger --- Arp, Hans --- Tàpies, Antonio --- Fontana, Lucio --- Friedrich, Clara --- Matta, Roberto --- Tal-Coat, Pierre --- Hayter, Stanley W. --- Loewensberg, Verena --- Consagra, Pietro --- Bacon, Francis --- Nigro, Mario --- Miró, Joan --- Perilli, Achille --- Villeglé, Jacques --- Villalba, Virgilio --- Blaszko, Martin --- Hofmann, Hans --- Krasner, Lee --- Matisse, Henri --- Mortensen, Richard --- Kline, Franz --- Fautrier, Jean --- Arden Quin, Carmelo --- Seligmann, Kurt --- Debré, Olivier --- Smith, David --- Dubuffet, Jean --- Tobey, Mark --- Kooning, de, Willem --- Bryen, Camille --- Giacometti, Alberto --- Ernst, Max --- Mathieu, Georges --- Bissier, Julius Heinrich --- Bellmer, Hans --- Vardenega, Gregorio --- Staël, de, Nicolas --- Baziotes, William --- Noguchi, Isamu --- Reinhardt, Ad --- Sutherland, Graham --- Masson, André --- Kemeny, Zoltan --- Gorky, Arshile --- Sage, Kay --- Maldonado, Tomás --- anno 1900-1999 --- anno 1940-1949 --- anno 2000-2099 --- anno 1950-1959 --- Geneva --- naoorlogse periode --- Art [Modern ] --- 20th century --- Exhibitions --- Art [Abstract] --- automatism [psychological concept] --- Hayter, Stanley William --- Melé, Juan --- fine arts [discipline] --- Tàpies, Antoni
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