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Walter Gropius : Bauhaus, dessau, Germany, 1925-26; Fagus factory, Alfeld-an-der-Leine, Germany, 1911-25 (with Adolf Meyer)
Authors: ---
ISBN: 4871400700 9784871400701 Year: 1994 Volume: 70 Publisher: Tokyo : ADA ed.,

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Bauhaus world heritage site
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ISBN: 9783959051545 3959051549 Year: 2017 Publisher: Leipzig Spector Books

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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.

Bauhaus architecture : 1919-1933.
Authors: ---
ISBN: 3791325353 Year: 2001 Publisher: München Prestel


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Die Gärten des Bauhauses : Gestaltungskonzepte der Moderne.
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ISBN: 3936314349 Year: 2005 Publisher: Berlin Jovis


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Pedagogical sketchbook
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ISBN: 9783037785850 3037785853 Year: 2019 Volume: 2 Publisher: Zürich: Lars Müller,

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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879-1940) brought his expressive blend of color and line to the school ; and, with the second volume in the 'Bauhausbücher' series, beyond its walls. In his legendary 'Pedagogical Sketchbook', Paul Klee takes a theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies. And while Klee's method is deeply personal, in the context of the fundamentally multivocal Bauhaus, his individual approach to abstract form is typical in its idiosyncrasy. In this book, he presents his own theory about the relationships between line, shape, surface, and color in the visual space. In the present volume, the 1953 English translation by Sibyl Moholy-Nagy is combined with the design and physical qualities of the original German edition from 1925.

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