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Gemma Augustea (Cameo).

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Portland vase --- Cameo glass, Roman

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Capital punishment --- Kelly, George, --- Trials, litigations, etc. --- Cameo Cinema (Liverpool, England)

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This catalogue of the largest collection of ancient cameos in private hands, represents forty years of collecting these historical documents in hardstone. While part of the collection was on public display at the Ashmolean Museum, Oxford (1990-2000), the whole collection has never been shown. Several recent publications have made it possible to draw more precise conclusions based on a larger sample of cameos available for comparative study. This increased number of published cameos has allowed studies of the popularity of particular subjects at certain periods, of the development of styles and techniques, and of the relative popularity of some gem materials over time. The development of digital photography has enabled gem photographers to show undreamt-of detail, allowing much closer study of tool marks and even individual artists' hands

Cameos, Ancient --- Catalogs. --- Themes, Motives. --- Sculpture --- cameos [sculptures] --- private collections --- art collections --- Content, Derek J. --- Antiquity --- cameo's --- sieraden, juwelen --- portretten --- mythologie --- dieren --- dagelijks leven --- cameo's. --- sieraden, juwelen. --- portretten. --- mythologie. --- dieren. --- dagelijks leven. --- private collections [object groupings] --- antieke beeldhouwkunst

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Glaspasten, Repliken von Gemmen in Glas, waren aufwendig in der Herstellung, seltener und teurer als z.B. Gips-Abgüsse in Daktyliotheken des 18. Jahrhunderts. Hersteller der Würzburger Glaspasten war Philipp Daniel Lippert (1702–1785), der die erste systematisch geordnete, von Verzeichnissen begleitete Daktyliothek herausbrachte. Die Sammlung ist die früheste dieser Art. Band 2 der Würzburger Glaspasten enthält vorwiegend Abdrücke von Kameen und Intaglien des 16. und 17. Jahrhunderts mit antiken Motiven, deren Originale meist verschollen sind. Im 18. Jahrhundert hielt man die meisten für antik. Erfasst wird hier der Beginn der wissenschaftlichen Gemmen-Forschung, als deren Vorreiter sich J. F. Christ (1700–1756) erweist. Anhang I: Lipperts Bücher. Anhang II: Otto Zwierlein, Plinius zur Kunst des Gemmen-Schneidens. Erstmalige Kommentierung der einzelnen Stücke einer „universalen" Daktyliothek Einzige Glaspasten-Daktyliothek Philipp Daniel Lipperts Pastes, replicas of gemstones made from a type of glass, were complex to produce; this made them rarer and more expensive than plaster casts, for example, in 18th century gemstone libraries. The manufacturer of the Würzburg pastes was Philipp Daniel Lippert (1702–1785), who also published the first systematically arranged gemstone library with accompanying indexes. The collection is the earliest of its kind. Volume 2 of the Würzburg Pastes contains mainly impressions of 16th and 17th century cameos and intaglios with antique motifs, whereby most of the originals have been lost. In the 18th century, most of them were considered antique. The beginning of scientific gem research is recorded here, with J. F. Christ (1700–1756) as its pioneer. Appendix I: Lippert’s books. Appendix II: Otto Zwierlein, Pliny on the Art of Gem Cutting. First systematic annotation of the individual pieces of a "universal" gemstone library Philipp Daniel Lippert’s only gemstone library

Gems. --- Antiquities. --- Archaeology. --- Classical Antiquity. --- Early Modern Period. --- Glyptics. --- cameo. --- collection history. --- dactyliotheca. --- engraved gems. --- gemstones. --- intaglio.