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Cinquecento anni fa le persone vivevano in un mondo popolato di spiriti, sia buoni che malvagi: demoni e spiriti della foresta e del deserto, ma anche entità che minacciavano la vita quotidiana. Numerose erano anche le entità presenti sul fronte opposto, dominato da Dio, ma popolato da un’infinità di santi, spiriti benevoli, esseri protettori, e così via, che mescolavano disinvoltamente, soprattutto nel mondo popolare delle campagne, temi della religione cristiana dominante con elementi che traevano la loro origine dalle forme religiose pre-cristiane. I carnevali nascono in questo mondo e ne costituiscono parte integrante. Essi rivelano una concezione secondo la quale l’ordine sociale tiene a bada un caos primordiale, che costituisce sia il suo avversario sia la fonte di ogni energia. Lo sforzo necessario per tenere a bada il disordine e mantenere l’ordine della società umana era destinato ad estenuarsi, qualora tale ordine non venisse periodicamente immerso nuovamente nelle energie primordiali del caos per riemergere con forza rinnovata. I carnevali esprimevano tale concezione di un equilibrio precario che doveva essere periodicamente sconvolto e al tempo stesso ritemprato dall’irrompere delle forze del disordine. Nasce così il progetto che sta alla base di questo lavoro: il tentativo di costruire un percorso a ritroso, che porta ad attraversare tempi e civiltà del passato, alla ricerca di una genealogia dei motivi mitici e simbolici che sono identificabili nel sistema delle feste carnevalesche, ma che rivelano una serie di connessioni con molteplici aspetti del passato. Un esercizio di regressione attraverso il tempo, osservando come quei motivi si sono trasformati nel corso delle epoche e delle civiltà, che rivela trasformazioni e continuità, un intreccio complesso di somiglianze e di differenze.
Religion --- religione --- spiritualità --- carnevale --- cristianesimo --- religion --- spiritualité --- carnaval --- christianisme --- eligion --- spirituality --- carnival --- Christianity
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Il tempo del Carnevale rappresenta il momento “selvaggio” della fine dell’inverno e dell’inizio della nuova stagione, caratterizzato dall’irruzione di figure di confine, maschere animali, personaggi che richiamano il mondo dei morti e che portano con sé il germe della forza vitale, l’energia che produce il risveglio della natura e preannuncia la crescita e la fertilità dei nuovi raccolti. Questo mondo selvaggio si presenta sotto le forme di una contiguità tra l’uomo e l’animale: i travestimenti, le maschere, alludono a un mondo in cui le caratteristiche proprie dell’umano e dell’animale si confondono e si intrecciano. Tra queste figure spiccano in modo particolare quelle dell’Uomo Selvaggio, l’essere umano che assume attributi e aspetti del mondo animale, e l’orso, l’animale che più di tutti si avvicina all’uomo e sembra presentarne un’immagine deformata. Si tratta di figure simboliche che provengono da tempi e spazi lontani per raccontare qualcosa che appartiene alle nostre origini comuni. L’orso assume attributi e funzioni simili in contesti molto diversi, quali il mondo dei Sámi in Finlandia o i cacciatori-raccoglitori del Nord America, rappresentando il confine tra il mondo della natura e il mondo umano, tra l’animalità e la faticosa costruzione dell’umanità; un processo che è perdurato per secoli, forse per millenni, e che ancora non può dirsi compiuto.
Bears --- Folklore. --- Mythology. --- Symbolic aspects. --- Ursidae --- Carnivora --- Bears (in religion, folk-lore, etc.) --- Carnevale --- selvaggio --- animale --- antropologia --- umano --- rappresentazione --- uomo --- orso --- maschera
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Asis, Antonio --- Calos, Nino --- Carnevale, Renato --- Contreras-Brunet, Ivan --- Demarco, Hugo --- Durante, Armando --- Garcia-Rossi, Horacio --- Morellet, François --- Sobrino, Francisco --- Stein, Joël
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Contreras-Brunet, Ivan --- Garcia-Rossi, Horacio --- Morellet, François --- Asis, Antonio --- Calos, Nino --- Carnevale, Renato --- Demarco, Hugo --- Durante, Armando --- Sobrino, Francisco --- Stein, Joël
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renaissance --- Fra Carnevale --- Lippi, Filippo --- Piero della Francesca --- 15de eeuw --- Italië --- Exhibitions --- Art, Italian --- Art, Renaissance --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Carnevale, --- Corradini, Bartolomeo, --- Carnevale [Fra ] --- Art [Renaissance ] --- Italy --- Art [Italian ] --- 15th century --- Master of the Barberini panels, --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Fra Carnevale. --- Lippi, Filippo. --- Piero della Francesca. --- 15de eeuw. --- Italië.
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Art styles --- Kinetic Art --- Op art --- Contreras-Brunet, Ivan --- Morellet, François --- Asis, Antonio --- Calos, Nino --- Carnevale, Renato --- Demarco, Hugo --- Durante, Armando --- Sobrino, Francisco --- Stein, Joël --- Groupe de recherche d'art visuel [Paris] --- anno 1960-1969 --- anno 1900-1999 --- anno 2000-2099
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Art --- art [discipline] --- performance art --- Halprin, Anna --- Rainer, Yvonne --- Forti, Simone --- Hirsch, Nikolaus --- Horwitz, Channa --- Abramovic, Marina --- Sela, Ruti --- Baczynski-Jenkins, Alex --- Carnevale, Graciela --- Smedt, De, Christine --- Hoffmann, Reinhild --- Kaklea, Lenio --- Ritsema, Jan --- Siegmund, Gerald --- Hershman, Lynn --- Piper, Adrian --- Iveković, Sanja --- Charmatz, Boris --- Stuart, Meg --- anno 1900-1999 --- anno 2000-2099
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Art --- art [discipline] --- dissident art --- political art --- Andrade, Sonia --- Bruscky, Paulo --- Camnitzer, Luis --- Caro, Antonio --- Barros, de, Lenora --- Dias, Antonio --- Ferrari, León --- Geiger, Anna Bella --- Manuel, Antonio --- Motta, Carlos --- Parente, Letícia --- Pazos, Luis --- Reyes, Pedro --- Rosenfeld, Lotty --- Zabala, Horacio --- Maiolino, Anna Maria --- Carnevale, Graciela --- Adasme, Elías --- Araújo, Martha --- Franco, Nicolás --- Gutiérrez Marx, Graciela --- Jarpa, Voluspa --- Magalhães, de, Gastão --- Yeguas del Apocalipsis --- Zevallos, Sergio --- Meireles, Cildo --- Dittborn, Eugenio --- Minujin, Marta --- 3Nós3 [São Paulo] --- Colectivo Acciones de Arte --- Grupo de Arte Callejero [Buenos Aires] --- anno 1900-1999 --- anno 2000-2099 --- Latin America
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- Theoretical frameworks. The poetics of the Open work / Umberto Eco ##- The death of the author / Roland Barthes ##- The negation of the autonomy of art by the Avant-garde / Peter Bürger ##- The inoperative community / Jean-Luc Nancy ##- Poetics of relation / Édouard Glissant ##- Chaosmosis: an ethico-aesthetic paradigm / Félix Guattari ##- Problems and transformations in critical art / Jacques Rancière. Artists writings. Towards a situationist international / Guy Debord ##- Notes on the elimination of the audience / Allan Kaprow ##- Dance in my experience / Hélio Oiticica ##- Letters 1968-69 / Lygia Clark and Hélio Oiticica ##- Project for the experimental art series, Rosario / Graciela Carnevale ##- Report of a day's proceedings at the Bureau for Direct Democracy / Joseph Beuys and Dirk Schwarze ##- I am searching for field character / Joseph Beuys ##- Ten appearances ##- Notes on funk, I-II / Adrian Piper ##- On democracy ##- Transnacionala/A journey from the East to the West / Eda Cufer ##- The Baudouin/Boudewijn experiment: a deliberate, non-fatalistic, large-scale group experiment in deviation / Carsten Höller ##- The battle of Orgreave / Jeremy Deller ##- No ghosts in the wall / Rirkrit Tiravanija ##- 24h Foucault / Thomas Hirschhorn. Critical and curatorial positions. Relational aesthetics / Nicolas Bourriaud ##- Social aesthetics / Lars Bang Larsen ##- What is a station? / Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija ##- Chat rooms / Hal Foster.
art criticism --- kunstenaarsgeschriften --- philosophy of art --- hedendaagse kunst --- art [fine art] --- kunstbeschouwing --- Contemporary [style of art] --- Art --- interactive art --- Tiravanija, Rirkrit --- Höller, Carsten --- Hirschhorn, Thomas --- Beuys, Joseph --- Clark, Lygia --- Deller, Jeremy --- Kaprow, Allan --- Oiticica, Hélio --- Interactive art --- Arts audiences --- Authorship --- Sociological aspects --- kunst --- nineties --- eenentwintigste eeuw --- participatie --- 82:7 --- interactieve kunst --- interactiviteit --- kunsttheorie --- Barthes Roland --- Beuys Joseph --- Bourriaud Nicolas --- Bürger Peter --- Carnevale Graciela --- Clark Lygia --- Collective Actions --- Cufer Eda --- Debord Guy --- Deller Jeremy --- Eco Umberto --- Foster Hal --- Glissant Edouard --- Group Material --- Guattari Félix --- Hirschhorn Thomas --- Höller Carsten --- Kaprow Allan --- Larsen Lars Bang --- Nancy Jean-Luc --- Nesbit Molly --- Obrist Hans Ulrich --- Oiticica Hélio --- Piper Adrian --- Rancière Jacques --- Schwarze Dirk --- Tiravanija Rirkrit --- 7.038/039 --- Literatuur en kunst --- Arts audiences. --- Interactive art. --- Sociological aspects. --- 7.01 --- 82:7 Literatuur en kunst --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- public art --- community art --- Kunst --- gemeenschapskunst --- openbare kunst --- kunstkritiek --- kunstfilosofie --- Rapport du spectateur à l'objet créé --- Participation --- Performance --- Eco, Umberto --- Barthes, Roland, --- Bourriaud, Nicolas --- Bürger, Peter --- Carnevale, Graciela --- Cufer, Eda --- Debord, Guy --- Foster, Hal --- Glissant, Édouard, --- Guattari, Félix --- Hirschhorn, Thomas, --- Larsen, Lars Bang --- Nancy, Jean-Luc --- Nesbit, Molly --- Obrist, Hans Ulrich --- Piper, Adrian, --- Rancière, Jacques, --- Schwarze, Dirk --- artists' statements --- Authorship - Sociological aspects --- Barthes, Roland, 1915-1980 --- Glissant, Édouard, 1928-2011 --- Guattari, Félix 1930-1992 --- Hirschhorn, Thomas, 1957 --- -Höller, Carsten --- Piper, Adrian, 1948 --- -Rancière, Jacques, 1940 --- -Schwarze, Dirk
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Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).
kunst --- twintigste eeuw --- eenentwintigste eeuw --- Eichhorn Maria --- Weibel Peter --- Walter Thibault --- Wallach Alan --- Villeglé Jacques --- Vautier Ben --- Vallier Dora --- Trbuljak Goran --- Tomii Reiko --- Takis --- Suter Olivier --- Sottsass Ettore --- Schulmann Fanny --- Schmeling Sören --- Saladin Matthieu --- Rutault Claude --- Ribemont-Dessaignes Georges --- Rainer Yvonne --- Quintyn Olivier --- Pires do Vale Paulo --- Picard Lil --- Perret Mai-Thu --- Parrino Steven --- Page Robin --- Oxley Nicola --- de Oliveira Nicolas --- Nickas Bob --- Morris Robert --- Mendini Alessandro --- Mbembe Achille --- Maciunas George --- Lurie Boris --- Lunch Lydia --- Lovay Balthazar --- Lefevre Jean Claude --- Laks Déborah --- Laderman Ukeles Mierle --- Labelle-Rojoux Arnaud --- James Gareth --- Jakobsen Jakob --- Jacoby Roberto --- Home Stewart --- Holmberg Ryan --- Hollein Hans --- Van Helsing Storm --- Heger Swetlana --- GX Jupitter-Larsen --- Guggenheim Katie --- Gruijthuijsen Krist --- Griffin Tim --- Goodman Sam --- Goldstein Richard --- Goldsmith Kenneth --- Giroud Michel --- Gilardi Piero --- Genpei Akasegawa --- Gauthier Michel --- Toche Jean --- Silvianna --- Johnson Poppy --- Hendricks Jon --- Guerilla Art Action Group --- Friedman Yona --- Follet Véronique --- Flynt Henry --- Fisher Stanley --- Drobnick Jim --- Dimitrijevic Branislav --- Dejanov Plamen --- Copeland Mathieu --- Colomina Beatriz --- Clert Iris --- Cladders Johannes --- Thomson Charles --- Childish Billy --- Carnevale Graciella --- Buren Daniel --- Bullot Erik --- Genesis Breyer P-orridge --- Archizoom Associati --- Branzi Andrea --- Blas Zach --- Bellini Andrea --- Barry Robert --- Armleder John --- Apollinaire Guillaume --- 069 --- 7.01 --- 7.038/039 --- 7.036/039 --- kunsttheorie --- tentoonstellingen --- concept art --- conceptuele kunst --- museologie --- musea --- Kunst ; theorie, filosofie, esthetica --- art criticism --- manifestoes --- anti-art --- criticism --- Art --- Kunsttheorie ; het anti-museum ; anti-kunst ; alles is kunst --- Art museums --- Art, Modern --- Art, Modern. --- Art museums. --- History --- 1900-2099. --- MAD-faculty 17 --- kunsttentoonstellingen --- kunstkritiek --- writings [documents] --- political art --- social criticism
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