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Contributors who share a deep passion for the cinema recount their personal recollections of cinema-going in this anthology, which describes open-air film shows in Baghdad or Australia, childhood memories of the cinema in London, fashionable art cinemas in New York and dingy flea-pits elsewhere.
Sociology of culture --- Film --- Motion pictures --- 791.43 --- bioscopen --- cinefilie --- film --- filmgeschiedenis --- twintigste eeuw --- Anecdotes
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The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future.
Motion pictures --- film --- filmtheorie --- filmgeschiedenis --- cinefilie --- receptie-esthetica --- twintigste eeuw --- eenentwintigste eeuw --- 791.43 --- Appreciation of motion pictures --- Appreciation --- Psychological aspects --- History --- History and criticism --- Appreciation.
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Motion pictures --- Cinéma --- Appreciation. --- Aesthetics. --- Technological innovations --- Philosophy. --- Appréciation --- Esthétique --- Innovations --- Philosophie --- film --- filmtheorie --- cinefilie --- filmconsumptie --- digitale cultuur --- eenentwintigste eeuw --- twintigste eeuw --- filmproductie --- 791.41 --- Appreciation --- Technological innovations. --- Cinéma --- Appréciation --- Esthétique
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They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as Franois Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
Film --- Motion pictures --- 791.41 --- cinefilie --- eenentwintigste eeuw --- film --- filmproductie --- filmtheorie --- twintigste eeuw --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Motion pictures. --- motion pictures
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Film --- Sociology of culture --- Motion pictures --- Cinéma --- Philosophy. --- Social aspects. --- Philosophie --- Aspect social --- 791.43 --- #SBIB:309H520 --- Paul Willemen ; introd. by Meagham Morris --- film --- filmtheorie --- Sirk Douglas --- pornografie --- ophuls Max --- Gitai Amos --- cinefilie --- 791.41 --- Filmkunst. Films. Cinema --- Audiovisuele communicatie: algemene werken --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Philosophy --- Social aspects --- CDL
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The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
Motion pictures --- Film criticism --- film --- twintigste eeuw --- eenentwintigste eeuw --- filmtheorie --- filmkritiek --- cinefilie --- 791.41 --- Motion picture criticism --- Moving-picture criticism --- Criticism --- History --- Evaluation --- History and criticism --- History. --- Performing Arts. --- Performing arts. --- Film history, theory & criticism. --- Motion pictures. --- Film criticism. --- PERFORMING ARTS --- Show business --- Arts --- Performance art --- Film & Video --- History & Criticism. --- Reference. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film theory, criticism, history, aesthetics, culture.
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Goodbye cinema, hello cinephilia -- In defense of spoilers -- Potential perils of the director's cut -- Southern movies, actual and fanciful: a personal survey -- À la recherche de Luc Moullet: 25 propositions -- Bushwhacked cinema -- What dope does to movies -- Fever dreams in Bologna -- From playtime to the world: the expansion and depletion of space within global economies -- Kim Novak as midwestern independent -- Marilyn Monroe's brains -- A free man: white hunter, black heart -- Bit actors -- Rediscovering Charlie Chaplin -- Second thoughts on Stroheim -- Sweet and sour: Lubitsch and Wilder in old Hollywood -- Ritwik Ghatak: reinventing the cinema -- Introducing Pere Portabella -- Portabella and continuity -- Neglected filmmakers: Eduardo de Gregorio and Sara Driver -- Vietnam in fragments: William Klein in 1967-68: a radical reevaluation -- Movie heaven: defending your life -- The world as a circus: Tati's parade -- The sun also sets: the films of Nagisa Oshima --
Motion pictures. --- Motion pictures --- Motion picture producers and directors. --- Motion picture actors and actresses. --- Cinéma --- Films --- Producteurs et réalisateurs de cinéma --- Acteurs et actrices de cinéma --- Reviews --- Comptes rendus --- film --- filmtheorie --- filmgeschiedenis --- filmanalyse --- eenenwtintigste eeuw --- cinefilie --- 791.41 --- Cinéma --- Producteurs et réalisateurs de cinéma --- Acteurs et actrices de cinéma --- Motion picture actors and actresses --- Motion picture producers and directors --- Film reviews --- Motion picture plays --- Motion picture reviews --- Movie reviews --- Reviews of motion pictures --- Cinema --- Feature films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Film actors --- Film stars --- Motion picture stars --- Movie stars --- Moving-picture actors and actresses --- Stars, Movie --- Actors --- Actresses --- History and criticism --- Persons
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