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Book
Die skepping duur voort
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Year: 1964 Publisher: Kaapstad : Human & Rousseau,

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Markus Lüpertz : Daphne fotografiert von Benjamin Katz
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ISBN: 3935166303 3938025751 Year: 2006 Publisher: Bedburg-Hau Stiftung Museum Schloss Moyland, Sammlung van der Grinten, Joseph Beuys Archiv, des Landes Nordrhein-Westfalen

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The five vertical elements of Piet Killaars
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Year: 1989 Publisher: Maastricht Gemeente Maastricht

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Centralités et territorialités artistiques dans la structuration des espaces urbains, le cas de Paris et Berlin : thèse
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ISBN: 9782729587666 Year: 2012 Publisher: Villeneuve d'Ascq Atelier National de Reproduction des Thèses

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Mémoires collectives européennes
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ISBN: 9782379240201 2379240205 2379242267 9782379242267 Year: 2019 Publisher: Saint-Denis : Presses Universitaires de Vincennes,

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L'Europe dite "en crise" subit des critiques marquées quant à sa représentativité et à son fonctionnement jugé trop technocratique. Pour tenter d'y répondre, des acteurs organisent des usages politiques du passé, suggérant qu'une mémoire collective européenne serait susceptible de renforcer l'émergence d'un "nous" européen. D'autres, au contraire, proposent de s'éloigner de la glorification de nouveaux romans nationaux. Le présent ouvrage propose une étude critique inédite de l'usage politique des passés relatifs à la construction européenne.


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Histoire du ciel : où l'on recherche l'origine de l'idolâtrie et les méprises de la philosophie, sur la formation des corps célestes, et de toute la nature
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Year: 1771 Publisher: Paris : Estienne,

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Il poema della creazione (Enūma Elīs︣) : traduzione, introduzione e note
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Year: 1934 Publisher: Bologna : Nicola Zanichelli,


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Erkenntnistheoretisches zur Schöpfungsgeschichte der Genesis
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Year: 1932 Publisher: Tübingen : J.C.B. Mohr,

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Phantasmal media
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ISBN: 0262317664 9780262317665 9781461952176 1461952174 9780262019330 0262019337 1306140587 9781306140584 Year: 2013 Publisher: Cambridge, Massachusetts

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"In Phantasmal Media, D. Fox Harrell considers the expressive power of computational media. He argues, forcefully and persuasively, that the great expressive potential of computational media comes from the ability to construct and reveal phantasms -- blends of cultural ideas and sensory imagination. These ubiquitous and often-unseen phantasms -- cognitive phenomena that include sense of self, metaphors, social categories, narrative, and poetic thinking -- influence almost all our everyday experiences. Harrell offers an approach for understanding and designing computational systems that have the power to evoke these phantasms, paying special attention to the exposure of oppressive phantasms and the creation of empowering ones. He argues for the importance of cultural content, diverse worldviews, and social values in computing. The expressive power of phantasms is not purely aesthetic, he contends; phantasmal media can express and construct the types of meaning central to the human condition. Harrell discusses, among other topics, the phantasm as an orienting perspective for developers; expressive epistemologies, or data structures based on subjective human worldviews; morphic semiotics (building on the computer scientist Joseph Goguen's theory of algebraic semiotics); cultural phantasms that influence consensus and reveal other perspectives; computing systems based on cultural models; interaction and expression; and the ways that real-world information is mapped onto, and instantiated by, computational data structures. The concept of phantasmal media, Harrell argues, offers new possibilities for using the computer to understand and improve the human condition through the human capacity to imagine."


Book
Creating together : participatory, community-based, and collaborative arts practices and scholarship across Canada
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ISBN: 9781771120234 9781771120241 177112024X 1771120231 9781771120258 1771120258 Year: 2015 Publisher: Waterloo, Ontario : Ottawa, Ontario : Wilfrid Laurier University Press, Canadian Electronic Library,

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Creating Together explores an emerging approach to research that combines arts practices and scholarship in participatory, community-based, and collaborative contexts in Canada across multiple disciplines. Looking at a variety of art forms, from photography and mural painting to performance art and poetry, the contributors explore how the process of creating together generates and disseminates collective knowledge. The artistic processes and works in an arts-based approach to scholarship make use of aesthetic, experiential, embodied, and emotional ways of knowing and creating knowledge in addition to traditional intellectual ways. The anthology also addresses the growing trend in arts-based research that takes a participatory, community-based, or collaborative focus, and encourages scholars to work together, with other professionals, and with community groups to explore questions, create knowledge, and express shared understandings. The collection highlights three forms of research: participatory arts-based research that engages participants in all stages of the inquiry and aims to produce practical knowing to benefit the community; community-based arts research that has community/public space at the heart of practice; and collaborative arts approaches involving multi-levelled, multi-layered, and interdisciplinary collaboration from diverse perspectives. To illustrate how such innovative work is being accomplished in Canada, the collection includes examples from British Columbia to Newfoundland and across disciplines, including the fine arts, education, the health sciences, and social work.

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