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"Once upon a journey, ten contemporary storytellers of different cultures create an imaginary epic story. They each draw on their own style and own language to prolong the life of a nameless hero. The aromas of cultures, the taste of words and the perfume of travelling carry us from one storyteller to the next. Like an epic story, this film oscillates between imagination and reality, the inner world and the outside world, documentary and fiction. An ode to orality. This impressionistic film is the outcome of an overland odyssey by public transport from dusk to dawn, through Europe and Asia (Belgium, Slovakia, Turkey, Syria, Kurdistan, Iran, Pakistan, India, Nepal, Tibet, China, Vietnam). An audio-visual performance where imagination and creativity travel across borders."--
fotografie --- film --- documentaire --- road movies --- België --- Aigner Florence --- Van Lancker Laurent --- 791.471 AIGNER --- 791.471 VAN LANCKER --- 799.5 --- Van Lancker, Laurent --- Aigner, Florence --- 761.2 fotografen afzonderlijk --- documentaires --- documentairefotografie --- filmgenres en -motieven, documentaire films --- Documentaire --- 798.53 --- film, cineasten --- reportagefotografie (documentaire fotografie)
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For Issei Suda (1940–2019), photography was a means to document the ordinary and reveal the extraordinary. Traditional country festivals were a favourite subject, but he also saw theatre in Tokyo’s street life. Suda had a talent for square format compositions and is known for the technical perfection of his black-and-white prints as well as for his unique and surrealistic visual style. 'Issei Suda – My Japan' is an introduction to his life’s work, from the 1960s until the publication of his final book in 2018. It includes rarely seen photographs from his early stage photographer days for the avant-garde theatre troupe Tenjo Sajiki, and iconic series, such as Fushi Kaden and Waga Tokyo 100.
Suda, Issei, --- 761.2 fotografen afzonderlijk --- fotografie --- photography --- fotografen --- Japan --- zwart-wit fotografie --- documentairefotografie --- straatfotografie --- reportagefotografie (documentaire fotografie) --- J6360 --- Japan: Art and antiquities -- photography --- 77.092.07 --- Suda, Issei --- Experimentele fotografie --- Fotografie ; zwart-witfotografie --- Straatfotografie ; Japan --- Documentaire fotografie --- Fotografen A - Z --- Photography --- black-and-white photographs --- documentary photography
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"Lauren Greenfield: Generation Wealth is both a retrospective and an investigation into the subject of wealth over the last twenty-five years. Greenfield has traveled the world -- from Los Angeles to Moscow, Dubai to China -- bearing witness to the global boom-and-bust economy and documenting its complicated consequences. Provoking serious reflection, this book is not about the rich, but about the desire to be wealthy, at any cost"--
Photography --- Wealth --- Exhibitions. --- Social aspects --- Greenfield, Lauren --- Affluent consumers --- Luxuries --- Luxury --- Portrait photography --- Rich people --- Children of the rich --- Leisure class --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- fotografie --- reportagefotografie (documentaire fotografie) --- documentairefotografie --- nouveau riche --- rijkdom --- samenleving --- nieuwe rijken --- oud geld --- Kapitalisme --- portretfotografie --- Social classes --- Children of millionaires --- Rich children --- Wealthy children --- Affluent people --- High income people --- Rich --- Rich, The --- Wealthy people --- Economics --- Cost and standard of living --- Luxury goods --- Luxury services --- Commercial products --- Affluent market --- Rich as consumers --- Rich consumers --- Wealthy consumers --- Consumers --- Economic conditions --- snobs
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Sarajevo to Paris, fashion or reportage, deciding on the title of a book is mind-boggling. I call myself a documentary photographer that accidentally ended up doing fashion. The end of the '80s was an interesting and intense time in world history, and a particularly creative time in the world of fashion. As a young female photographer I was interested in both worlds. I was travelling for newspapers and magazines to the fashion weeks in Milan and Paris and to the conflict zones of Lebanon and Iraq. It was during the war in the former Socialist Federal Republic of Yugoslavia and the siege of Sarajevo that I matured in documentary photography, fortunately without being injured. Thirty years later, when looking back, those two worlds — documentary and fashion — still define my work. Both are equally represented in my archives. This book, of my fashion work, is the first to be published. I called it Sarajevo to Paris because sometimes I would travel directly from one to the other. These two cities had a big impact on my life.
Photography, Artistic --- Fashion photography --- 761.2 fotografen afzonderlijk --- fotografie --- photography --- modefotografie --- mode --- fashion --- 766.7 --- documentairefotografie --- Yamamoto, Yohji --- Viktor & Rolf --- Theyskens, Olivier --- Van Noten, Dries --- Mc Queen, Alexander --- Demeulemeester, Ann --- Vandevorst, A.F --- Bikkembergs, Dirk --- Simons, Raf --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Fashion --- Advertising photography --- reclamefotografie, modelfotografie --- Aesthetics --- Daniëls, Marleen. --- Sarajevo (Bosnia and Herzegovina) --- Paris (France) --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Париж (France) --- Parigi (France) --- Bārīs (France) --- باريس (France) --- Lutetia (France) --- Paryż (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Παρίσι (France) --- Parys (France) --- Parij (France) --- Parĩ (France) --- Bali (France) --- Pa-lí (France) --- 巴黎 (France) --- Horad Paryz︠h︡ (France) --- Горад Парыж (France) --- Paryz︠h︡ (France) --- Парыж (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Lutèce (France) --- City of Paris --- Paris --- Seine (France) --- Bosna-Serai (Bosnia and Herzegovina) --- Serajevo (Bosnia and Herzegovina) --- Serayevo (Bosnia and Herzegovina) --- Sarayevo (Bosnia and Herzegovina) --- Saragievo (Bosnia and Herzegovina) --- Saraevo (Bosnia and Herzegovina) --- reportagefotografie (documentaire fotografie) --- Portretfotografie --- Modefotografie --- fashion photography --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019
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"Vergleicht man die Jahre 1989 und 1990, zeigt sich, dass sie in der kollektiven Erinnerung höchst unterschiedlich präsent sind. Die Meisten können sich das Jahr 1989 rasch ins Gedächtnis rufen. Auch mit dem Abstand von knapp dreißig Jahren fällt es leicht, die Abfolge der Ereignisse dieses Herbstes zu erzählen? alles verdichtete sich hier auf wenige, hochdramatische Wochen. 1990 dagegen wirkt in der Erinnerung wie ein blinder Fleck. Das Gedächtnis, von den sich überschlagenden Ereignissen ebenso gefordert wie von unerfüllten Wünschen und nicht eingestandenen Kränkungen fasst ein solches Jahr nur schwer. Das Jahr 1990 freilegen beschäftigt sich mit den verschiedenen Aspekten des Jahres 1990 und ihrer Aktualität. Es montiert Bilddokumente und Stimmen aus dem Jahr 1990 mit essayistischen Reflexionen und Geschichten, in denen aus der Perspektive der Gegenwart auf dieses Jahr zurückgeschaut wird."--Publisher's description "A comparison of the years 1989 and 1990 shows that they are present in very different ways in the collective memory. Most can quickly recall the year 1989. Even with a gap of almost thirty years, is it easy to tell the sequence of events that autumn -- everything condensed into a few, highly dramatic weeks. 1990, on the other hand, looks like a blind spot in memory. The memory, which is as much a requirement of the overturning of events as of unfulfilled wishes and unacknowledged insults, is difficult for such a year. Das Jahr 1990 Freilegen reveals the various aspects of 1990 and their topicality. It assembles image documents and voices from 1990 with essayistic reflections and stories that look back at this year from a contemporary perspective."--Translation of publisher's description
Geschichte --- Photographie --- Festival --- Années 1990 --- Frank, Robert --- Deutschland (seit 1990) --- Allemagne --- Documentary photography --- Duitsland --- twintigste eeuw --- fotografie --- fotografiegeschiedenis --- fotografie en politiek --- documentairefotografie --- 77.038 --- geschiedenis --- politiek --- historiografie --- boeken --- internet --- archieven --- DDR --- Bondsrepubliek Duitsland --- Photography, Documentary --- Photography --- Germany --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- 德国 --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Герман Улс --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- History
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