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Eco-Deconstruction marks a new approach to the degradation of the natural environment, including habitat loss, species extinction, and climate change. While the work of French philosopher Jacques Derrida (1930–2004), with its relentless interrogation of the anthropocentric metaphysics of presence, has already proven highly influential in post humanism and animal studies, the present volume, drawing on published and unpublished work by Derrida and others, builds on these insights to address the most pressing environmental issues of our time. The volume brings together fifteen prominent scholars, from a wide variety of related fields, including eco-phenomenology, eco-hermeneutics, new materialism, posthum Nismo, animal studies, vegetal philosophy, science and technology studies, environmental humanities, eco-criticism, earth art and aesthetics, and analytic environmental ethics. Overall, eco-deconstruction offers an account of differential relationality explored in a non-totalizable ecological context that addresses our times in both an ontological and a normative register. The book is divided into four sections. “Diagnosing the Present” suggests that our times are marked by a facile, flattened-out understanding of time and thus in need of deconstructive dispositions. “Ecologies” mobilizes the spectral ontology of deconstruction to argue for an originary environmentality, the constitutive ecological embeddedness of mortal life. “Nuclear and Other Biodegradabilities,” examines remains, including such by-products and disintegrations of human culture as nuclear waste, environmental destruction, and species extinctions. “Environmental Ethics” seeks to uncover a demand for justice, including human responsibility for suffering beings, that emerges precisely as a response to original differentiation and the mortality and unmasterable alterity it installs in living beings. As such, the book will resonate with readers not only of philosophy, but across the humanities and the social and natural sciences.
Deconstruction. --- Environmental ethics. --- Ecology. --- Derrida, Jacques. --- Anthropocene. --- Derrida. --- Eco-Criticism. --- Eco-Phenomenology. --- Environmental Ethics. --- Environmental Philosophy. --- New Materialism. --- Posthumanism.
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Environmental sciences --- Science and the humanities --- Science and the humanities. --- Philosophy --- Philosophy. --- environmental humanities --- philosophy --- history --- eco-criticism --- anthropology --- STS --- Environmental protection. Environmental technology --- sts
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Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies is the third volume of essays produced as part of the TransCanada conferences project. The essays gathered in Critical Collaborations constitute a call for collaboration and kinship across disciplinary, political, institutional, and community borders. They are tied together through a simultaneous call for resistance--to Eurocentrism, corporatization, rationalism, and the fantasy of total systems of knowledge--and a call for critical collaborations. These collaborations seek to forge connections without perceived identity--linking concepts and communities without violating the differences that constitute them, seeking epistemic kinships while maintaining a willingness to not-know. In this way, they form a critical conversation between seemingly distinct areas and demonstrate fundamental allegiances between diasporic and indigenous scholarship, transnational and local knowledges, legal and eco-critical methodologies. Links are forged between Indigenous knowledge and ecological and social justice, creative critical reading, and ambidextrous epistemologies, unmaking the nation through translocalism and unsettling histories of colonial complicity through a poetics of relation. Together, these essays reveal how the critical methodologies brought to bear on literary studies can both challenge and exceed disciplinary structures, presenting new forms of strategic transdisciplinarity that expand the possibilities of Canadian literary studies while also emphasizing humility, complicity, and the limits of knowledge.
Canadian literature --- Criticism --- Literature and society --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Canadian literature (English) --- English literature --- History and criticism --- Theory, etc. --- Social aspects --- Technique --- Evaluation --- Canadian literature. --- Diaspora. --- Eco-criticism. --- Indigeneity. --- Interdisciplinarity.
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"In Common Things explores the implacable agency of five common substances--stone, wood, oil, salt, and moss--in the life and literature of the Romantic period. It argues that these substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Substance is both the natural object of Romantic literature and the commodity that has driven global climate change, and represents the paradox of the modern relation to materiality. In Common Things excavates the cultural, ecological and commodity histories of these substances, demonstrating qualities they share "in common" with literary form. What this book hopes to prompt in its readers is a reevaluation of the simple, the everyday, and the common in light of its contribution to our contemporary sense of ourselves and our societies."--
Commerce in literature. --- Culture in literature. --- Ecology in literature. --- English literature --- History and criticism. --- Felicia Hemans. --- John Clare. --- Mary Prince. --- Mary Wollstonecraft. --- Romantic literature. --- William Wordsworth. --- commodity history. --- cultural history. --- eco-criticism. --- environmental history. --- gothic. --- moss. --- oil. --- salt. --- stone. --- wood. --- 1700-1899
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Contemplative or “noetic” knowledge has traditionally been seen as the highest mode of understanding, a view that persists both in many non-Western cultures and in Eastern Christianity, where “theoria physike,” or the illumined understanding of creation that follows the purification of the heart, is seen to provide deeper insights into nature than the discursive rationality modernity has used to dominate and conquer it.Working from texts in Eastern Orthodox philosophy and theology not widely known in the West, as well as a variety of sources including mystics such as the Sufi Ibn ‘Arabi, poets such as Basho, Traherne, Blake, Hölderlin, and Hopkins, and nature writers such as Muir, Thoreau, and Dillard, The Noetics of Nature challenges both the primacy of the natural sciences in environmental thought and the conventional view, first advanced by Lynn White, Jr., that Christian theology is somehow responsible for the environmental crisis.Instead, Foltz concludes that the ancient Christian view of creation as iconic—its “holy beauty” manifesting the divine energies and constituting a primal mode of divine revelation—offers the best prospect for the radical reversal that is needed in our relation to the natural environment.
Aesthetics. --- Environmental ethics. --- Human ecology --- Nature --- Philosophy of nature. --- Religious aspects. --- Byzantine and Russian Philosophy. --- Eastern Orthodox Philosophy and Theology. --- Eco-criticism. --- Eco-theology. --- Ecology. --- Environmental Aesthetics. --- Environmental Philosophy. --- Environmental Studies. --- Intellectual History. --- byzantine philosophy. --- creation. --- environment. --- nature. --- philosophy of nature. --- russian philosophy.
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During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.
Christian art and symbolism --- Literature, Medieval --- Women in literature. --- Gardens in literature. --- Christianity in literature. --- Enclosed garden (Allegory) --- Gardens --- History and criticism. --- Women authors --- Religious aspects --- Christianity. --- Allegories --- Hortus conclusus (Allegory) --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- European literature --- Medieval literature --- Symbolic aspects --- Cistercians. --- Derrida. --- Hildegard of Bingen. --- Lacan. --- Song of Solomon. --- Song of Songs. --- eco-criticism. --- literary theory. --- patriarchal project.
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Humankind has always been fascinated by the world in which it finds itself, and puzzled by its relations to it. Today that fascination is often expressed in what is now called 'green' terms, reflecting concerns about the non-human natural world, puzzlement about how we relate to it, and anxiety about what we, as humans, are doing to it. So called green or eco-criticism acknowledges this concern.Greenery reaches back and offers new readings of English texts, both known and unfamiliar, informed by eco-criticism. After considering general issues pertaining to green criticism, Greenery moves on to a series of individual chapters arranged by theme (earth, trees, wilds, sea, gardens and fields) which provide individual close readings of selections from such familiar texts as Malory's Morte D'Arthur, Chaucer's Knight's and Franklin's Tales, Sir Gawain and the Green Knight and Langland's Piers Plowman. These discussions are contextualized by considering them alongside hitherto marginalized texts such as lyrics, Patience and the romance Sir Orfeo. The result is a study which reinvigorates our customary reading of late Middle English literary texts while also allows us to reflect upon the vibrant new school of eco-criticism itself.
Nature in literature. --- English literature --- Ecocriticism. --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- Nature in poetry --- History and criticism. --- Literary studies: ancient, classical & medieval. --- Literature. --- LITERARY CRITICISM / Medieval. --- Literary Studies: Classical, Early & Medieval. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Middle English. --- Middle English literature --- Thematology --- Old English literature --- History of the United Kingdom and Ireland --- anno 1200-1499 --- Sir Orfeo. --- earth. --- eco-criticism. --- fields. --- gardens. --- natural world. --- sea. --- trees. --- wilds.
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Humanity is a dominant presence in the Exeter Book riddle collection. It is frequently shown using, shaping and binding the physical world in which it lives. The riddles depict master and craftsman and use the familiar human world as a point of orientation within a vast, overwhelming cosmos. But the riddles also offer an eco-centric perspective, one that considers the natural origins of man-made products and the personal plight of useful human resources. This study offers fresh insights into the collection, investigating humanity's interaction with, and attitudes towards, the rest of the created world. Drawing on the principles of eco-criticism and eco-theology, the study considers the cultural and biblical influences on the depiction of nature in the collection, arguing that the texts engage with post-lapsarian issues of exploitation, suffering and mastery. Depictions of marginalised perspectives of sentient and non-sentient beings, such as trees, ore and oxen, are not just characteristic of the riddle genre, but are actively used to explore the point of view of the natural world and the impact humanity has on its non-human inhabitants. The author not only explores the riddles' resistance to anthropocentrism, but challenges our own tendency to read these enigmas from a human-centred perspective. Corinne Dale gained her PhD from Royal Holloway, University of London.
Riddles. --- Conundrums --- Enigmas --- Riddles, English --- Amusements --- Folk literature --- Literary recreations --- Questions and answers --- Wit and humor --- Charades --- Puzzles --- Riddles, English (Old) --- English poetry --- Riddles in literature. --- Nature in literature. --- History and criticism. --- Exeter book. --- Nature in poetry --- Anglo-Saxon riddles --- English riddles, Old --- Old English riddles --- Riddles, Anglo-Saxon --- Riddles, Old English --- Codex exoniensis --- Exeterbuch --- Exeter Dean and Chapter MS 3501 --- 450-1100 --- Old English Language, Period of --- Anglo-Saxon literature. --- Anthropocentrism. --- Eco-criticism. --- Eco-theology. --- Exeter Book. --- Medieval Literature. --- Medieval. --- Metaphor. --- Middle Ages. --- Old English riddles. --- Old English. --- Riddle. --- enigmatography. --- joke riddle. --- neck-riddle. --- translation. --- vernacular riddles.
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Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.
Research & information: general --- Environmental economics --- Allen Ginsberg --- Beat Generation --- poetry --- poetics --- memory --- Guy Debord --- psychogeography --- landscape --- ecocriticism --- pilgrimage --- Geoffrey Chaucer --- The Canterbury Tales --- Jack Kerouac --- On the Road --- ecopoetics --- slow travel --- vernacular --- William S. Burroughs --- Naked Lunch --- dark ecology --- consumption --- control --- Timothy Morton --- speciesism --- consumerism --- mass extinction --- climate change --- environmental humanities --- posthuman --- non-philosophy --- Beat women --- eco-criticism --- green reading --- Diane di Prima --- Anne Waldman --- Kerouac --- frontier --- ecotopia --- ecopoetry --- New York School --- New American Poetry --- reparative reading --- environment --- Black Mountain --- Queer --- Ghost of Chance --- Yage Letters --- Madagascar --- experimental film --- cyberpunk --- nature --- sound --- animals --- beat generation --- comparative literature --- white shamanism --- Beat poetry --- anthropocentric materialism --- Buddhist poetics --- biotic community
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Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.
Research & information: general --- Environmental economics --- Allen Ginsberg --- Beat Generation --- poetry --- poetics --- memory --- Guy Debord --- psychogeography --- landscape --- ecocriticism --- pilgrimage --- Geoffrey Chaucer --- The Canterbury Tales --- Jack Kerouac --- On the Road --- ecopoetics --- slow travel --- vernacular --- William S. Burroughs --- Naked Lunch --- dark ecology --- consumption --- control --- Timothy Morton --- speciesism --- consumerism --- mass extinction --- climate change --- environmental humanities --- posthuman --- non-philosophy --- Beat women --- eco-criticism --- green reading --- Diane di Prima --- Anne Waldman --- Kerouac --- frontier --- ecotopia --- ecopoetry --- New York School --- New American Poetry --- reparative reading --- environment --- Black Mountain --- Queer --- Ghost of Chance --- Yage Letters --- Madagascar --- experimental film --- cyberpunk --- nature --- sound --- animals --- beat generation --- comparative literature --- white shamanism --- Beat poetry --- anthropocentric materialism --- Buddhist poetics --- biotic community
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