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Après dix années de succès dans la photographie pictorialiste, il sera le pionnier d'une nouvelle école de représentation précise et directe, la "Sraight Photography". Ces photographies parfaitement composées sont des monuments de réalisme et de sensualité, quel que soit le sujet (légume, paysage, coquillage, corps nu...)
Photography, Artistic. --- Corps humain, thème --- Nu (thème) --- Paysage (thème) --- Photographie d'art --- Weston, Edward, --- Weston, Edward --- Criticism and interpretation. --- 77.092.07 --- Edward Weston 1886-1958 (°Highland Park, Illinois, VS) --- Fotografen ; Edward Weston --- Straight photography --- 77.071 WESTON --- Verenigde Staten --- Weston Edward --- essay by Terence Pitts ; a personal portrait by Ansel Adams ; ed. by Manfred Heiting --- fotografie --- straight photography --- twintigste eeuw --- 1920 --- -1930 --- -1940 --- -761.2 --- 766.2 --- naaktfotografie --- portretfotografie --- Fotografen A - Z --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- Photography, Artistic --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Weston, Edward, - 1886-1958 - Criticism and interpretation. --- Weston, Edward, - 1886-1958 --- Weston (edward), 1886-1958
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Imogen Cunningham(1883-1976) connue pour ses admirables gros plans de fleurs, voua sa dernière passion à l'art du portrait. Elle a saisi beaucoup d'individus tels que Herbert Hoover, Ansel Adams, Frida Kahlo, Man Ray, Gertrude Stein, Gary Grant. Elle réalisa également des photographies de nus
Fleur (thème) --- Nature, thème --- Nu (thème) --- Photographie d'art --- Portrait --- Photography, Artistic --- Cunningham, Imogen --- Cunningham, Imogen, --- essay by Richard Lorenz; a personal portrait by Edward Weston; edited by Manfred Heiting --- fotografie --- twintigste eeuw --- Cunningham Imogen --- portret --- portretfotografie --- natuur --- natuurfotografie --- planten --- stillevens --- naakt --- naaktfotografie --- industriële fotografie --- gebouwen --- 77.071 CUNNINGHAM --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Cunningham, Imogen, - 1883-1976
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Everett Ruess was twenty years old when he vanished into the canyonlands of southern Utah, spawning the myth of a romantic desert wanderer that survives to this day. It was 1934, and Ruess was in the fifth year of a quest to record wilderness beauty in works of art whose value was recognized by such contemporary artists as Dorothea Lange, Ansel Adams, and Edward Weston. From his home in Los Angeles, Ruess walked, hitchhiked, and rode burros up the California coast, along the crest of the Sierra Nevada, and into the deserts of the Southwest. In the first probing biography of Everett Ruess, acclaimed environmental historian Philip L. Fradkin goes beyond the myth to reveal the realities of Ruess's short life and mysterious death and finds in the artist's astonishing afterlife a lonely hero who persevered.
Poets, American --- Explorers --- Discoverers --- Navigators --- Voyagers --- Adventure and adventurers --- Heroes --- Discoveries in geography --- Ruess, Everett, --- 20th century artists. --- american artists. --- american disappearances. --- american legends. --- american mystery. --- american southwest. --- american west. --- ansel adams. --- art history. --- artist biography. --- crime. --- criminal investigation. --- depression era art. --- dorothea lange. --- edward weston. --- great depression. --- historical disappearances. --- history. --- into the wild. --- mysteries of the west. --- mysterious death. --- mystery and adventure. --- southwestern history. --- unsolved disappearances. --- unsolved mysteries. --- utah artists. --- utah history. --- utah mysteries. --- vagabond artists.
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