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eebo-0113
Armstrong, Thomas, --- Ferguson, Robert, --- Elegy on Sir Thomas Armstrong
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Gray (thomas), poète britannique, 1716-1771 --- Elegy --- Critique et interprétation
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eebo-0216
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This book investigates the complex reception of Terence in Ovid and a number of allusions to the Terentian comedies in the love elegies and the exilic elegiac epistle Tristia 2. The genres of Latin love elegy and New Comedy are often seen as closely connected in research, and one leading view is that Latin love elegy to a large degree springs out of the comic genre. However, though both genres are strongly rooted in social practise and presents interpersonal relationships in a non-mythological, everyday setting, there are also major differences between them. Marriage, for instance, is the conventional goal for the young lover withing the comic genre, whereas the elegiac lover should avoid it. Taking into account both the similarities and the crucial differences between the comic genre and Latin love elegy, and key elegiac topoi such as seruitium amoris and militia amoris, this book demonstrates an intricate connection between Ovid and Terence, and a complex nexus of allusions that goes straight to the core of Ovid’s elegiac authorship. Winner of the Trends in Classics Book Prize 2023
Classical poetry --- Love in literature. --- Literature, Ancient --- History and criticism. --- Latin love elegy. --- Ovid. --- Roman comedy. --- Terence.
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Ekelof, Gunnar --- Ekelöf, Gunnar, --- Ekelöf, Gunnar, --- Ekelöf (Gunnar) / en Eliot (Thomas Stearns). --- Eliot (Thomas Stearns) / en Ekelöf (Gunnar). --- Ekelöf (Gunnar). A Molna Elegy. Critique. --- Ekelöf (Gunnar) / et Eliot (thomas Stearns). --- Eliot (Thomas Stearns) / et Ekelöf (Gunnar). --- Ekelöf (Gunnar). A Molna Elegy. Kritiek. --- Ekelöf (gunnar), poete suedois, 1907-1968 --- A moelna elegy --- Critique et interpretation
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The Epistula ex Ponto III 1, composed by Ovid to his wife in the 2nd period of his relegatio, is the summary of the leitmotives of his exile poetry and lacks a recent accurate analysis. This linguistic-philological commentary, the most updated and comprehensive available since the 1965 Staffhorst's one, reveals dense intertextual connections with the author's other writings, with the previous Latin love poetry and the ways of the Ciceronian and Horatian decorum, by underlining an articulated literary dialogue that, in the recovery of the original mournful connotation of ancient elegy, employs also typically tragic contents and styles. The request to the wife to intercede with Livia is modelled according to the structural and conceptual modules of the suasoria around the main theme of conjugal fides and includes the consideration of historic and sociological themes (such as the wife's figure and her play in the imperial society, the relationships of the intellectual person with power towards the end of the Augustan principality and the increasing importance of the role of the empress during the last years of the princeps' life).
Epistolary poetry, Latin --- Exile (Punishment) in literature. --- Exiles in literature. --- History and criticism. --- Ovid, --- Constanța (Romania) --- In literature. --- Elegy. --- Exile literature. --- Ovid.
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Elegiac poetry, English --- English poetry --- Gray, Thomas --- Melancholy in literature. --- History and criticism. --- History and criticism --- Elegy written in a country churchyard. --- Gray, Thomas.
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Deportment is a selection of poems -- surreal, cerebral, and defiant -- by Alice Burdick. Burdick examines the dangers of dogma, women's rights, and environmental degradation in biting satires, moving elegies, and anti-sentimental lyrics filled with mischievous wordplay. The selection includes some of Burdick's most iconic poems as well as rare work from the beginning of her career in 1990s Toronto and previously unpublished material. Burdick's later poetry, more expansive in form and subject matter, addresses motherhood, the rural landscape, and sex and desire at middle age. Deportment makes the case for Alice Burdick as one of Canada's best poets, alongside figures such as Lisa Robertson, Karen Solie, and Sina Queyras. Alessandro Porco's introduction situates Burdick's early work within the Toronto small press scene, focusing on her fugitive chapbooks, broadsides, and literary ephemera while highlighting her formative relationships with Victor Coleman and Stuart Ross. He traces her move from Toronto to Nova Scotia in the early 2000s and the impact of publishing from the social and spatial margins of Canadian literature. In her afterword, Burdick reflects on everyday life -- as a poet and citizen, daughter and mother -- in both the zombieland of downtown Toronto and the alien geography of Eastern Canada. She explores how the comparative speed, sound, and density of urban and rural spaces have shaped her literary imagination.
Canadian poetry --- Canadian surrealism. --- Stuart Ross. --- elegy. --- feminist poetics. --- motherhood. --- nature poetry. --- poetics of place. --- small and micropress publishing. --- the analytic lyric.
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