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Museums not only facilitate encounters among visitors, objects and stories, but they also facilitate the staging of these visits. They organize tours of the exhibition spaces as well as provide additional publicly accessible spaces, including entrances, corridors, auditoriums and museum cafés. In nineteenth-century monumental art museums, the transition from city to museum interior was dramatized. Climbing the stairs of Schinkel's Altes Museum in Berlin or traversing the pergola between the ponds in Berlage's Kunstmuseum in The Hague urges visitors to leave the everyday world behind. The post-war, ‘barrier-free' museum, with squares and streets inside and out, seems to want to abolish this city-museum boundary. At the same time, other internal boundaries are being revised, namely those between front stage and backstage. Depots are being made accessible and visitors can now take a look inside restoration studios. This edition of OASE examines how historical and contemporary buildings stage museum visits and museum activities, how permanent furnishings and temporary scenography interact, and how museums display their activities either transparently or imaginatively.

Architecture --- architectural history --- Exhibition space. --- Museum buildings

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Wie lassen sich Wörter, Sätze, Gespräche und andere sprachbasierte Kommunikationsformen ausstellen? Und wie verändern Gesprächsmodi - als Konzept, Performance, Sound oder Code, Notiz oder Aufzeichnung - das Format und den Raum der Ausstellung? Die Beiträge des Bandes widmen sich diesen Fragen und stellen dabei gegenwärtige künstlerische Positionen aus verschiedenen kulturellen Zusammenhängen ins Zentrum. Ausgangspunkt der Diskussionen sind zwei kuratorische Projekte in Frankfurt am Main: Die Ausstellung 215 mit Leo Asemota und Nástio Mosquito im Portikus und Subject:Fwd:Unknown mit Michal Heiman, Nora Turato, Tim Etchells und Yutie Lee im Projektraum fffriedrich. Mit Beiträgen u.a. von Fiona Geuß, Heike Gfrereis, Christina Lehnert, Bonaventure Soh Bejeng Ndikung und Philippe Pirotte.

Kuratieren; Ausstellen; Gegenwartskunst; Sprache; Kommunikation; Ausstellung; Raum; Museum; Kultur; Museumswissenschaft; Praktische Museumskunde; Kulturtheorie; Curating; Exhibiting; Contemporary Art; Language; Communication; Exhibition; Space; Culture; Museology; Practical Museography; Cultural Theory; --- Communication. --- Contemporary Art. --- Cultural Theory. --- Culture. --- Exhibiting. --- Exhibition. --- Language. --- Museology. --- Museum. --- Practical Museography. --- Space.

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Christian Reading shifts the assumption that study of the Bible must be about the content of the Bible or aimed at confessional projects of religious instruction. Blossom Stefaniw focuses on the lesson transcripts from the Tura papyri, which reveal verbatim oral classroom discourse, to show how biblical texts were used as an exhibition space for the traditional canon of general knowledge about the world. Stefaniw demonstrates that the work of Didymus the Blind in the lessons reflected in the Tura papyri was similar to that of other grammarians in late antiquity: articulating the students' place in time, their position in the world, and their connection to their heritage. But whereas other grammarians used revered texts like Homer and Menander, Didymus curated the cultural patrimony using biblical texts: namely, the Psalms and Ecclesiastes. By examining this routine epistemological and pedagogical work carried out through the Bible, Christian Reading generates a new model of the relationship of Christian scholarship to the pagan past.

Greek language --- Manuscripts, Greek (Papyri) --- 276 =75 DIDYMUS CAECUS ALEXANDRINUS --- Classical languages --- Indo-European languages --- Classical philology --- Greek philology --- 276 =75 DIDYMUS CAECUS ALEXANDRINUS Griekse patrologie--DIDYMUS CAECUS ALEXANDRINUS --- 276 =75 DIDYMUS CAECUS ALEXANDRINUS Patrologie grecque--DIDYMUS CAECUS ALEXANDRINUS --- Griekse patrologie--DIDYMUS CAECUS ALEXANDRINUS --- Patrologie grecque--DIDYMUS CAECUS ALEXANDRINUS --- Grammar --- History --- Didymus, --- Didymus Alexandrinus --- Didymus Caecus Alexandrinus --- Didyme l'aveugle --- Didymus de Blinde --- Didymus van Alexandrie --- Didymus the Blind --- Dídimo, --- Didimo, --- Didyme, --- Didymos, --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Criticism, interpretation, etc. --- History. --- Greek language - Grammar - History - To 1500. --- Manuscripts, Greek (Papyri) - Egypt. --- Didymus, - the Blind, - approximately 313-approximately 398. --- biblical texts. --- christ. --- christianity. --- church. --- confessional projects. --- connection to heritage. --- cultural patrimony. --- didymus the blind. --- ecclesiastes. --- exhibition space. --- general knowledge about the world. --- god. --- grammarians. --- homer. --- late antiquity. --- menander. --- oral classroom discourse. --- place and time. --- position in the world. --- psalms. --- religion. --- religious instruction. --- study of the bible. --- traditional canon. --- tura papyri.