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This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film and Media Studies, Philosophy and Aesthetics.

Culture --- Animated films --- Motion picture acting. --- Study and teaching. --- 799.912 --- experimentele films --- experimental animation --- inanimation --- animatiefilm, geschiedenis --- kunst --- animatiefilm --- animatiefilm, geschiedenis, landen afzonderlijk

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Avant-garde films --- Cinematografie --- Cinematography --- Cinéma expérimental --- Cinématographie --- Experimental films --- Experimentele films --- Home movies --- Personal films --- Photography--Animated pictures --- Photography--Motion pictures --- Underground films --- Gene Youngblood ; introd. by R. Buckminster Fuller --- film --- nieuwe media --- computers --- synesthetiche film --- Belson Jordan --- cybernetica --- televisie --- holografie --- 791.41

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0-312-17818-2

Cinematography --- Motion pictures --- #A9804CC --- 798.4 --- animatiefilm --- avant-garde --- documentaires --- experimentele films --- fictiefilm --- film --- filmgeschiedenis --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Photography --- Chronophotography --- film, geschiedenis der filmkunst --- History and criticism --- Animated pictures --- Film --- Beeldcommunicatie --- Film (cinematografie)

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"Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double-exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined. The work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods and concepts inherent to experimental uses of the camera, allowing students with a solid foundation of techniques and practices to be expanded upon in their own filmmaking. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com"--

Experimental films --- PERFORMING ARTS / Reference --- PERFORMING ARTS / Film & Video / Screenwriting --- Production and direction. --- History and criticism. --- 798.89 --- 798.75 --- experimentele films --- film --- geschiedenis --- filmproductie --- filmtechnieken --- camera's --- cameratechnieken --- kunst --- 20e eeuw (twintigste eeuw) --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Production and direction --- History and criticism --- film, overige filmvormen --- film, filmtechniek --- filmtechniek --- experimentele film --- filmcamera's --- filmgeschiedenis --- Verenigde Staten --- 791.42

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film --- kunst --- precinema --- filmtheorie --- experimentele film --- filmgeschiedenis --- Verenigde Staten --- Groot-Brittannië --- voorgeschiedenis film --- fotografie --- kubisme --- futurisme --- abstracte film --- Art Cinema --- filmgedichten --- absolute film --- dadaïsme --- surrealisme --- Frankrijk --- documentaires --- underground --- structuralisme --- poststructuralisme --- kunst en politiek --- Jarman Derek --- Greenaway Peter --- gender studies --- Ruttmann Walther --- Lye Len --- Fischinger Oskar --- Whitney John --- Whitney James --- Brakhage Stan --- Menken Marie --- Sharits Paul --- Snow Michael --- Gehr Ernie --- Frampton Hollis --- Landow George --- Le Grice Malcolm --- Welsby Chris --- Rybczynski Zbigniew --- Barber George --- Krikorian Tamara --- Dwoskin Stephen --- Goddard Judith --- Keiller Patrick --- Smith John --- Hamlyn Nicky --- Wearing Gillian --- Pfaffanbichler Norbert --- reMI --- Gidal Peter --- Rebello Samantha --- Raban William --- Mirza Karen --- Payne Simon --- Fanderl Helga --- Lowder Rose --- Ono Yoko --- 791.43 --- Cinéma expérimental --- experimentele films --- Experimental films --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- History and criticism. --- 798.4 --- avant-garde --- geschiedenis --- film, geschiedenis der filmkunst --- Films expérimentaux --- Histoire et critique --- Histoire et critique. --- #SBIB:309H1326 --- #SBIB:309H1320 --- #SBIB:39A8 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie