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There is a story about a meatball which comes out of nowhere, hitting some people’s heads and changing their lives forever. There is a mouse that gets caught while trying to find a cheesy snack. There has been a 100% increase in the cost of rent in Berlin in the past 10 years and no increase in my wages. A bag full of basmati rice. A teacher stuck at work waiting for students stuck at work. There is the price one pays to purchase organic underwear so that their intimate parts are not stifled from nine hours in the office chair. There are 10 missed calls from my mother. There are places to which one cannot return and cities where it is impossible to live. There are fertility treatments that send fish oil straight into the veins two days before and two days after ovulation. The feeling of a needle in the middle of the uterus, which could be due to pregnancy, or due to fear. There is a Master’s thesis which is no Master’s thesis. There is a book that was not intended to be published, that was not intended to be read. Eva Ďurovec works as a software tester 40 hours per week and studies art at the same time. There are not enough hours in the day to complete everything, to comply with everything. And then there is also her desire to have children. The question: how can all of this be reconciled within the profession of artist? Ďurovec investigates the possibilities that arise from different class formats, and asks what we produce and reproduce—with our bodies, through our routines, trapped between the recurring desires and cruelties of daily life. She writes about forgotten dreams, social orders, and fantasizes about what kinds of new models for living together might be conceivable.

Ďurovec, Eva --- 7.071 --- kunst --- kunstenaars --- eenentwintgste eeuw --- Duitsland --- Berlijn --- kapitalisme --- neoliberalisme --- kunst en economie --- kunstenaarspraktijk --- sociologie --- kunstenaarsgeschriften --- dagboeken --- praxis

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A truly Transatlantique figure, Louise Bourgeois (1911-2010), born in Paris, spent most of her life in New York City. She moved to the United States in 1938, and became an American citizen in 1957. A sculptor of considerable talent with a polymorphous practice, she was recognized and celebrated far earlier in the United States than in France. Marie-Laure Bernadac, a leading expert in Bourgeois’s work, invites nine artists from both sides of the Atlantic to share their views of this major artistic figure of the 20th century. Their contributions prove the extent to which Louise Bourgeois continues to fascinate and inspire generations of artists.

kunst --- kunstenaars --- Europa --- Verenigde Staten --- 7.038 --- 7.071 --- kunstenaarspraktijk --- Bourgeois Louise --- Barlow Phyillida --- Emin Tracey --- Henrot Camille --- Holzer Jenny --- Piéron Benoît --- Rochette Anne --- Thurnauer Agnès --- Whiteread Rachel --- Yuan Shen --- Bourgeois, Louise --- Art --- art [discipline]

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Moments Before the Wind is a heterogeneous collection of notes on scenography that offers a glimpse into the poetics and artistic practice of Jozef Wouters. These reflections on space, scenography, art making and institutional critique have developed over the years as they were written out loud in various contexts. Now settling on the page among built and unbuilt spaces, they’re an invitation to the reader to think along or against, and think up space for oneself.

Wouters, Jozef --- Stage design. Scenography --- Stage design. --- scenography [discipline] --- philosophy of art --- kunst en stedenbouw --- kunst --- kunstenaars --- podiumkunsten --- theater --- scenografie --- eenentwintigste eeuw --- België --- Brussel --- Molenbeek --- Wouters Jozef --- Decoratelier --- 792.02 --- 792.071 --- kunstenaarspraktijk --- Damaged Goods --- kunst en maatschappij --- Theater ; nieuwe concepten --- Podiumkunsten ; uitrusting voor ; scènes ; podia --- Scenografie --- Wouters, Jozef °1986 (°België) --- Theater ; theatertechnieken, scenografie

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Pawel Althamer ; Francis Alÿs ; Marwa Arsanios ; Chto Delat ; Alice Creischer ; Anne teresa De Keersmaeker ; Jeremy Deller ; Maria Eichhorn ; Harun Farucki ; Claire Fontaine ; Andrea Fraser ; Liam Gillick ; Melanie Gilligan ; Gulf Labor Coalition ; Tehching Hsieh ; Lamia Joreige ; Lee Lozano ; Goshka Macuga ; Teresa Margolles ; Adrian Melis ; Annette Messager ; Jasmina Metwaly ; Jean-Luc Moulène ; Ahmet Ögüt ; Philip Rizk ; Precariasa la Deriva; Martha Rosler ; Mika Rottenberg ; Tino Seghal ; Santiago Sierra ; Tamas St Auby ; Mladen Stilinovic ; Mierle Laderman Ukeles ; W.A.G.E. ; Artur Zmijewski

Contemporary [style of art] --- economics --- Art --- thema's in de kunst --- labor --- Kunst --- economie --- arbeid --- hedendaagse kunst --- Work --- Labor in art --- werk --- praktijk --- kunstenaarspraktijk --- praxis --- kunst --- 130.2 --- 7.039 --- 7.01 --- neoliberalisme --- activisme --- kunst en economie --- kunst en politiek --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Industry (Psychology) --- Method of work --- Work, Method of --- Human behavior --- Labor --- Occupations --- Work-life balance --- Economic aspects --- Beeldende kunstenaars ; beroep ; vak ; bedrijf ; 21ste eeuw --- Kunsttheorie ; over kunst en economie --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Art - Economic aspects