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FAO --- FAO --- catch composition --- catch composition --- Multispecies fisheries --- Multispecies fisheries --- Mediterranean Sea --- Mediterranean Sea
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The environmental emergency of the last century, highlighted by the pandemic, has led to an urgent need to reformulate the predominant role of human beings on the planet by undertaking a less anthropocentric design approach. This urgency has been especially outlined by a re-evaluation of the concept of the Anthropocene, which can be defined as a geological era characterized by the significant human impact on the geology and ecosystems of the Earth. Within this theoretical framework, the book explores the role of Design as a multifaceted discipline capable of exploring the complexity of a changing world, and reconsiders the human being’s position in a pervasive relationship with the contemporary environments (physical and abstract) through a More-than-Human approach. This volume illustrates reflections, analyses, and interventions guided by or intersected with the concept of the post-Anthropocene, and traces two different scales of observation. The first, explored in the two starting chapters, highlights how the complexity of the topic requires a large-scale analysis perspective in order to be fully understood. The concept of the post-Anthropocene does not exclude the human being as a fundamental component but takes the latter as a departing point to frame wider contemporary needs and issues and to support a call for action to envision and shape the future. The second part of the book instead explores the possibility to include, within this broad discussion, the theme of More-than-Human applied to specific disciplines – linked to the culture of Design – analyzing different aspects that move from taxonomy, application, and creativity.
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The environmental emergency of the last century, highlighted by the pandemic, has led to an urgent need to reformulate the predominant role of human beings on the planet by undertaking a less anthropocentric design approach. This urgency has been especially outlined by a re-evaluation of the concept of the Anthropocene, which can be defined as a geological era characterized by the significant human impact on the geology and ecosystems of the Earth. Within this theoretical framework, the book explores the role of Design as a multifaceted discipline capable of exploring the complexity of a changing world, and reconsiders the human being’s position in a pervasive relationship with the contemporary environments (physical and abstract) through a More-than-Human approach. This volume illustrates reflections, analyses, and interventions guided by or intersected with the concept of the post-Anthropocene, and traces two different scales of observation. The first, explored in the two starting chapters, highlights how the complexity of the topic requires a large-scale analysis perspective in order to be fully understood. The concept of the post-Anthropocene does not exclude the human being as a fundamental component but takes the latter as a departing point to frame wider contemporary needs and issues and to support a call for action to envision and shape the future. The second part of the book instead explores the possibility to include, within this broad discussion, the theme of More-than-Human applied to specific disciplines – linked to the culture of Design – analyzing different aspects that move from taxonomy, application, and creativity.
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"Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. Exploring the innovative and thriving field of animal geographies, this Research Agenda analyses how humans think about, place, and engage with animals. Chapters explore how animals shape human identities and social dynamics, as well as how broader processes influence the circumstances and experiences of animals. This Research Agenda presents recent forays into theories of power, methodological innovations unearthing animal lifeworlds, and commitments to praxis. It demonstrates opportunities for animal geographies to engage creatively with diverse movements, including industrial farm workers' rights, intersectional feminism, the environmental movement, racial equality, and decolonization. Critical and timely, contributions from top and emerging scholars suggest that it is time to bring the animals outwards into broader geographical dialogue to address pressing contemporary issues such as climate change. An important read for animal and human geographers, this will be a foundational text for emerging scholars interested in critical perspectives on human-environment relations and societal dynamics. Its grounding in historical evaluation, discussion of scholarly innovation in the field and the opportunities to reflect on the topic in a time of socio-ecological crisis will also be helpful for more established scholars"--
Zoogeography --- multispecies methods --- animal communication --- telepathy --- human-nature dualism --- cognitive justice --- Research. --- multispecies methods --- animal communication --- telepathy --- human-nature dualism --- cognitive justice
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Fishery biology --- Fishery biology --- FAO --- FAO --- Saltwater fishes --- Saltwater fishes --- Marine fisheries --- Marine fisheries --- catch composition --- catch composition --- Multispecies fisheries --- Multispecies fisheries --- Mediterranean Sea --- Mediterranean Sea
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The environmental emergency of the last century, highlighted by the pandemic, has led to an urgent need to reformulate the predominant role of human beings on the planet by undertaking a less anthropocentric design approach. This urgency has been especially outlined by a re-evaluation of the concept of the Anthropocene, which can be defined as a geological era characterized by the significant human impact on the geology and ecosystems of the Earth. Within this theoretical framework, the book explores the role of Design as a multifaceted discipline capable of exploring the complexity of a changing world, and reconsiders the human being’s position in a pervasive relationship with the contemporary environments (physical and abstract) through a More-than-Human approach. This volume illustrates reflections, analyses, and interventions guided by or intersected with the concept of the post-Anthropocene, and traces two different scales of observation. The first, explored in the two starting chapters, highlights how the complexity of the topic requires a large-scale analysis perspective in order to be fully understood. The concept of the post-Anthropocene does not exclude the human being as a fundamental component but takes the latter as a departing point to frame wider contemporary needs and issues and to support a call for action to envision and shape the future. The second part of the book instead explores the possibility to include, within this broad discussion, the theme of More-than-Human applied to specific disciplines – linked to the culture of Design – analyzing different aspects that move from taxonomy, application, and creativity.
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Multispecies Storytelling in Intermedial Practices is a speculative endeavor asking how we may represent, relay, and read worlds differently by seeing other species as protagonists in their own rights. What other stories are to be invented and told from within those many-tongued chatters of multispecies collectives? Could such stories teach us how to become human otherwise?Often, the human is defined as the sole creature who holds language, and consequently is capable of articulating, representing, and reflecting upon the world. And yet, the world is made and remade by ongoing and many-tongued conversations between various organisms reverberating with sound, movement, gestures, hormones, and electrical signals. Everywhere, life is making itself known, heard, and understood in a wide variety of media and modalities. Some of these registers are available to our human senses, while some are not.Facing a not-so-distant future catastrophe, which in many ways and for many of us is already here, it is becoming painstakingly clear that our imaginaries are in dire need of corrections and replacements. How do we cultivate and share other kinds of stories and visions of the world that may hold promises of modest, yet radical hope? If we keep reproducing the same kind of languages, the same kinds of scientific gatekeeping, the same kinds of stories about “our” place in nature, we remain numb in the face of collapse.Multispecies Storytelling in Intermedial Practices offers steps toward a (self)critical multispecies philosophy which interrogates and qualifies the broad and seemingly neutral concept of humanity utilized in and around conversations grounded within Western science and academia. Artists, activists, writers, and scientists give a myriad of different interpretations of how to tell our worlds using different media – and possibly gives hints as to how to change it, too.
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The Unnaming of Aliass performs a paradoxical quest for wildly “untold” stories in the company of one special donkey companion, a femammal of the species Equus asinus and, significantly, a registered “American Spotted Ass.” Beast of burden that she is, this inscrutable companion helped carry a ridiculous load of human longings and quandaries into a maze of hot, harrowing miles, across the US South from Mississippi to Virginia, in the summer of 2002 -- all the while carrying her own onerous and unreckoned burdens and histories. Over two decades, the original journey evolved -- from the cracking-open of a quasi-Western novel-that-never-was by an implosive pun, into an ongoing philosophical and assthetic adventure: a hybrid roadside- and barnyard-based living-art practice, wherein “Aliass” un/names something much harder to grasp than the body of a lovely little ass: protagonist, setting, and traditional Western narratives turn inside-out around this “name-that-ain’t.” Through a deeply dug-in questioning of its own authorial assumptions, The Unnaming of Aliass makes space for untold autobiographies and bright dusty lacunae, tracing ineffable tales through the tangled shapes and shadows that interweave in any environment.
USA --- Südoststaaten --- artistic research --- companion species --- multispecies narrative --- Equus asinus --- husbandry --- US South
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Le sanctuaire du collectif 269 Libération Animale a été fondé par Tiphaine Lagarde et Ceylan Cirik en 2016 à Saint-Etienne (France). Exfiltrés illégalement d'abattoirs et d'élevages par les membres de 269 Libération Animale, les animaux cohabitent sur un grand espace où les frontières d'espèce ne séparent pas. Au regard des deux idéaux-types de sanctuaires construits par Sue Donaldson et Will Kymlicka (2015), en quoi le sanctuaire de 269 Libération Animale rejoint ou varie de ces deux-ci ? Cette problématique est essentiellement explorée dans ce mémoire à travers une ethnographie multispécifique du sanctuaire.
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The Unnaming of Aliass performs a paradoxical quest for wildly “untold” stories in the company of one special donkey companion, a femammal of the species Equus asinus and, significantly, a registered “American Spotted Ass.” Beast of burden that she is, this inscrutable companion helped carry a ridiculous load of human longings and quandaries into a maze of hot, harrowing miles, across the US South from Mississippi to Virginia, in the summer of 2002 -- all the while carrying her own onerous and unreckoned burdens and histories. Over two decades, the original journey evolved -- from the cracking-open of a quasi-Western novel-that-never-was by an implosive pun, into an ongoing philosophical and assthetic adventure: a hybrid roadside- and barnyard-based living-art practice, wherein “Aliass” un/names something much harder to grasp than the body of a lovely little ass: protagonist, setting, and traditional Western narratives turn inside-out around this “name-that-ain’t.” Through a deeply dug-in questioning of its own authorial assumptions, The Unnaming of Aliass makes space for untold autobiographies and bright dusty lacunae, tracing ineffable tales through the tangled shapes and shadows that interweave in any environment.
Esel --- Reise --- Darstellende Kunst --- artistic research --- companion species --- multispecies narrative --- Equus asinus --- husbandry --- US South --- USA --- Südoststaaten --- artistic research --- companion species --- multispecies narrative --- Equus asinus --- husbandry --- US South
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