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Create, Produce, Consume explores the cycle of musical experience for musicians, professionals, and budding entrepreneurs looking to break into the music industry. Building on the concepts of his previous book, Making Money, Making Music, David Bruenger provides readers with a basic framework for understanding the relationships between the artist and audience and the producer consumer by examining the methods underlying creation-production-reception and creation-consumption-compensation. Each chapter offers a different perspective on the processes and structures that lead listeners to discover, experience, and interact with music and musical artists. Through case studies ranging from Taylor Swift's refusal to allow her music to be streamed on Spotify to the rise of artists supported through sites like Patreon, Bruenger offers highly relevant real-world examples of industry practices that shape our encounters with music. Create, Produce, Consume is a critical tool for giving readers the agile knowledge necessary to adapt to a rapidly changing music industry. Graphs, tables, lists for additional reading, and questions for further discussion illustrate key concepts. Online resources for instructors and students will include sample syllabi, lists for expanded reading, and more.

Music trade. --- Popular music --- Social aspects. --- adapt to changing music industry. --- artists supported through patreon. --- break into music industry. --- case studies. --- comprehensive. --- creation consumption compensation. --- creation production reception. --- critical. --- cycle of musical experience. --- entrepreneurs. --- examples of industry practices. --- guide to music business. --- music business textbook. --- musicians. --- professionals. --- taylor swift and spotify.

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• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

What's so special about music? We experience it internally, yet at the same time it is highly social. Music engages our cognitive/affective and sensory systems. We use music to communicate with one another--and even with other species--the things that we cannot express through language. Music is both ancient and ever evolving. Without music, our world is missing something essential.In Reflections on the Musical Mind, Jay Schulkin offers a social and behavioral neuroscientific explanation of why music matters. His aim is not to provide a grand, unifying theory. Instead, the book guides the reader through the relevant scientific evidence that links neuroscience, music, and meaning. Schulkin considers how music evolved in humans and birds, how music is experienced in relation to aesthetics and mathematics, the role of memory in musical expression, the role of music in child and social development, and the embodied experience of music through dance. He concludes with reflections on music and well-being. Reflections on the Musical Mind is a unique and valuable tour through the current research on the neuroscience of music.

Musical ability. --- Music --- Music --- Origin. --- Psychological aspects. --- Leonard Meyer. --- Williams syndrome. --- action. --- adaptation. --- aesthetics. --- art. --- auditory system. --- birds. --- birdsong. --- brain activation. --- brain. --- child development. --- cognition. --- cognitive physiology. --- cognitive systems. --- dance. --- developmental disorders. --- embodied cognition. --- emotions. --- epigenetic events. --- evolution. --- hypersocial behaviors. --- hyposocial behaviors. --- information molecules. --- language. --- lifelong learning. --- meaning. --- memory. --- movement. --- musement. --- music. --- musical expectations. --- musical experience. --- musical expression. --- musical sensibility. --- neurogenesis. --- neuroscience. --- probabilities. --- problem solving. --- social behaviors. --- social brain. --- social contact. --- social development. --- social harmonies. --- social instincts. --- song. --- sounds. --- speech. --- stability. --- steroid hormones. --- syntax. --- time. --- vocal expression. --- well-being. --- working memory.