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Dissertation
L'opéra de Sydney

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Sydney Opera House : from the outside in
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ISBN: 0949134384 Year: 2000 Publisher: Sydney : Pymble, Australia. : Sydney Opera House Trust ; Playbill,

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Two centuries of opera at Covent Garden
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Year: 1958 Publisher: London Putnam

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25 years of opera and ballet : Victoria and Albert Museum, 19 August - 10 October 1971 : [catalogue of] an exhibition
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Year: 1971 Publisher: London Royal Opera House

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Two centuries of opera at Covent Garden
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Year: 1958 Publisher: London : Putnam,

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Utzon and the Sydney opera house : statement in the public interest.
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Year: 1967 Publisher: [Sydney : Morgan Publications,

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[1996 05 15] Fine continental manuscripts, printed and manuscript music including the Napoleon I collection of the late Mr. Allan Lazarus. Sale LN 6286 ... 15th May, 1996 ... London
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Year: 1997 Publisher: London Sotheby's London

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Sydney Opera House glass walls,
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ISBN: 0959883207 Year: 1972 Publisher: Sydney : H. Sowden,

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L'Opéra de Sydney : Australie ; la Plate-forme Graythorp I : Mer du Nord
Year: 1981 Publisher: [Paris] : Hachette : Atelier du livre et de la presse,

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The annals of Covent Garden Theatre from 1732 to 1897.
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ISBN: 110723896X 1108068677 Year: 2013 Publisher: Cambridge : Cambridge University Press,

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Commissioned by the enterprising actor-manager John Rich, Covent Garden's Theatre Royal first opened its doors in December 1732. Principally a playhouse during its first century, the venue has had an eventful history involving two disastrous fires and riots over ticket prices. Most notably, it hosted Handel's incomparable operas and oratorios, and was where he presented regular seasons from 1735 until his death in 1759. Not until 1847, under Michael Costa, did the theatre dedicate itself to opera, and in 1892 it received the name by which it is known today: the Royal Opera House. Secretary of the Guildhall School of Music from 1901 to 1935, Henry Saxe Wyndham (1867-1940) published this richly illustrated two-volume account in 1906, celebrating the venue's legendary personalities and productions. Volume 1 covers the period 1732 to 1819 and includes discussion of John Rich, John Philip Kemble, Sarah Siddons, and Handel's operas.

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