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Denken vollzieht sich nicht bloß in Wörtern, sondern auch - wesentlich - in kinästhetisch fundierten mentalen Bildern. Unsere alltäglichen Zeitmetaphern entsprechen bildlich vermittelten leiblichen Erfahrungen und führen zu einer Common-Sense-Auffassung der Wirklichkeit der Zeit, welche von der Philosophie nicht widerlegt, sondern gerechtfertigt werden sollte. Kristóf Nyíri argumentiert auf der Grundlage einer nicht-konventionalistischen Auffassung der bildlichen Bedeutung für die These der Realität der Zeit. Er zeigt: Die Grenzen des Vorstellbaren fallen sowohl in der Religion als auch in der Wissenschaft mit den Grenzen des Verbildlichbaren zusammen. Besprochen in: VKRG Inform, 4 (2012) Theologische Literaturzeitung, 140/3 (2015), Malte Dominik Krüger
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CAUSALITY IN PHILOSOPHY --- PHILOSOPHY OF REST --- PHILOSOPHY OF TIME --- TIME IN PHILOSOPHY --- TIME IN PSYCHOLOGY
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CAUSALITY IN PHILOSOPHY --- PHILOSOPHY OF REST --- PHILOSOPHY OF TIME --- TIME IN PHILOSOPHY --- TIME IN PSYCHOLOGY
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CAUSALITY IN PHILOSOPHY --- PHILOSOPHY OF REST --- PHILOSOPHY OF TIME --- TIME IN PHILOSOPHY --- TIME IN PSYCHOLOGY
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CAUSALITY IN PHILOSOPHY --- PHILOSOPHY OF REST --- PHILOSOPHY OF TIME --- TIME IN PHILOSOPHY --- TIME IN PSYCHOLOGY
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Wir sind Teil einer Natur, die uns übersteigt - Grund genug, die Natur wieder zum Gegenstand philosophischer Reflexionen zu machen. Durch den Essentialismus-Verdacht schien der Begriff bereits für die Philosophie disqualifiziert. Doch Robert Hugo Ziegler zeigt, gestützt unter anderem auf Lukrez und Spinoza, dass die Natur, sobald man sie ernsthaft ins Auge fasst, alles andere als essentialistisch ist. Er ordnet das philosophische Problem der Natur damit in eine Wiederentdeckung metaphysischer Fragestellungen ein, die er originell vorantreibt - und beweist, dass sich die Philosophie dadurch nicht nur zur bloßen Kommentatorin der Naturwissenschaften machen muss.
Philosophy of nature. --- History of Philosophy. --- Philosophy of Nature. --- Philosophy of Time. --- Philosophy. --- Spinoza. --- Time.
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Das Datum ist ein Ready-made der Zeiterfahrung. Es ist gegenüber den kalendarisch fixierten Katastrophen unschuldig und gibt doch Anlass: zu Erinnerung und Wiederholung; zu Erzählung und Ereignis. Das Buch untersucht das Hervortreten des Datums aus dem Paratext, die Transgression seiner vermeintlichen Funktion, reine Indikation zu sein. Die Möglichkeitsform ist im Datum nicht nur mitgegeben, sondern mitaufgegeben. Das Buch stellt Phänomene aus bildender Kunst und Literatur des 20. Jahrhunderts in der Sowjetunion und Russland vor, in denen dies sichtbar, erzählbar, denkbar wird: Konstruktivistische Datumsbilder, Umdatierungen, Zeitungstage als Beispieltage, remontierende narrative Interventionen als Zeitgenoss*innenschaft, Datumsgedichte.
Datum; Literatur; Fiktionstheorie; Zeitphilosophie; Ästhetische Erfahrung; Russland; Geschichtstheorie; Allgemeine Literaturwissenschaft; Kulturwissenschaft; Geschichtswissenschaft; Literature; Philosophy of Time; Theory of History; General Literature Studies; Cultural Studies; History --- Cultural Studies. --- General Literature Studies. --- History. --- Philosophy of Time. --- Theory of History.
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This book argues that time travel fiction is a narrative “laboratory,” a setting for thought experiments in which essential theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are represented in the form of literal devices and plots.Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, the book links innovations in time travel fiction to specific shifts in the popularization of science, from evolutionary biology in the late 1800s, through relativity and quantum physics in the mid–20th century, to more recent “multiverse” cosmologies. Wittenberg shows how increasing awareness of new scientific models leads to surprising innovations in the literary “time machine,” which evolves from a “vehicle” used chiefly for sociopolitical commentary into a psychological and narratological device capable of exploring with great sophistication the temporal structure and significance of subjects, viewpoints, and historical events.The book covers work by well-known time travel writers such as H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, as well as pulp fiction writers of the 1920s through the 1940s, popular and avant-garde postwar science fiction, television shows such as “The Twilight Zone” and “Star Trek,” andcurrent cinema. Literature, film, and TV are read alongside theoretical work ranging from Einstein, Schrödinger, and Stephen Hawking to Gérard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers.
Literature --- Narration (Rhetoric) --- Time perception in literature. --- Time travel in literature. --- film. --- narrative theory. --- narratology. --- philosophy of time. --- popular culture. --- science fiction. --- television. --- time travel. --- Philosophy. --- film. --- narrative theory. --- narratology. --- philosophy of time. --- popular culture. --- science fiction. --- television. --- time travel.
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Waiting is an inescapable part of life in modern societies. We all wait, albeit differently and for different reasons. What does it mean to wait for a long period of time? How do people narrate their waiting? Waiting is about the senses. If you do not sense it, there is no waiting. We sense waiting in the form of boredom, despair, anxiety and restlessness, but also anticipation and hope. Prolonged waiting is like insomnia - a state of wakefulness, a kind of mood, an emotional state. But it is also about politics; affecting and affected by gender, citizenship, class, and race. Blending ethnography, philosophy, poetry, art, and fiction, this book is a collection of works by scholars, visual artists, writers, architects and curators, exploring different forms of waiting in diverse geographical contexts, and the enduring effects of history, power, class, and coloniality.
Waiting; Art; Visual Culture; Migration; Human; Culture; Cultural Anthropology; Cultural Studies; Philosophical Anthropology; Philosophy of Time --- Art. --- Cultural Anthropology. --- Cultural Studies. --- Culture. --- Human. --- Migration. --- Philosophical Anthropology. --- Philosophy of Time. --- Visual Culture.
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Temps --- Tijd --- Time --- Temps (Philosophie) --- Philosophy --- Hegel, Georg Wilhelm Friedrich, --- Hegel, Georg Wilhelm Friedrich --- Contributions in philosophy of time
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