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Die Porträts von Chuck Close weisen seit den 1960er Jahren eine große Affinität zum Technischen auf: Seine seriellen Bildverfahren führen eine systematische Aneignung und Reflexion technischer Prinzipien mit malerischen Mitteln vor, die eine Zuordnung zum Fotorealismus widerlegen. Dieser technoide Grundzug reicht von der extremen Annäherung an die Fotografie bis zu quasi-digitalen Formen, die sich vor dem Hintergrund ihrer Zeit begreifen lassen. Sie antizipieren aber zugleich die technologisch veränderte Bildkultur und das Menschenbild der Gegenwart. Ce Christina Jian zeigt, dass Closes Werk für die Frage, wie Malerei auf neue Bildmedien reagieren kann, ohne ihren Eigenwert einzubüßen, nichts an Aktualität verloren hat.
German literature. --- Close, Chuck, --- Close, Charles Thomas, --- Malerei; Fotomalerei; Fotorealismus; Abstraktion; Amerikanische Kunst; Cool Art; Allover; Minimal Art; Process Art; Porträt; Serialität; Raster; Druckgrafik; Technisches Bild; Digitales Bild; Polaroid; Kybernetik; Kunst und Technologie; Kunst; Bild; Kunstgeschichte des 20. Jahrhunderts; Bildwissenschaft; Fotografie; Kunstwissenschaft; Painting; Photo Painting; Photorealism; Abstraction; American Art; Portrait; Seriality; Grid; Print; Technical Image; Digital Image; Cybernetics; Art and Technology; Art; Image; Art History of the 20th Century; Visual Studies; Photography; Fine Arts --- Abstraction. --- Allover. --- American Art. --- Art History of the 20th Century. --- Art and Technology. --- Art. --- Cool Art. --- Cybernetics. --- Digital Image. --- Fine Arts. --- Grid. --- Image. --- Minimal Art. --- Photo Painting. --- Photography. --- Photorealism. --- Polaroid. --- Portrait. --- Print. --- Process Art. --- Seriality. --- Technical Image. --- Visual Studies. --- Criticism and interpretation. --- 1900-1999
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Cindy Wright creates large-scale oil paintings on canvas. At first glance the monumental still life paintings appear to be photo-realistic, using the photographic methods of cropping compositions and intense source lighting. But on closer inspection, the range of mark making and painterly applications become astoundingly apparent. Wright's work echoes the morbide tradition of 'vanitas' from the Dutch Old Masters of the 16th and 17th Century. Between beauty and decay, archetypal symbols like the human scull, rotten fruit, raw flesh and dead animals traditionally represent the transience of life. Within a contemporary context, these symbols may refer to mass consumption or the exploitation of natural resources. However, this is not essentially the artist's intend. Rather than being shocking or moralising, the images evoke a sense of peacefulness, silence and fragility. Wright's subjects are taken from her immediate surroundings and are transformed into iconic images for our times. Exhibition: Gaasbeek Castle, Gaasbeek (Lennik), Belgium (07.09.-04.11.2018).
Painting --- easel paintings [paintings by form] --- still lifes --- Photorealist --- Wright, Cindy --- Photo-realism --- Still-life painting, Belgian --- 75.07 --- Wright, Cindy °1972 (°Herenthals, België) --- Belgische kunstenaars --- Fotorealisme --- Schilderkunst ; stillevens --- Belgian still-life painting --- Artificial realism --- Hyperrealism --- New New York naturalism --- New realism --- Photorealism --- Post-pop realism --- Radical realism --- Sharp-focus realism --- Super-realism --- Art, Modern --- Painting from photographs --- Pop art --- Realism in art --- Schilderkunst ; schilders A-Z --- Wright, Cindy, --- Exhibitions --- Photorealist [style]
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Art styles --- anno 1900-1999 --- North America --- Pop art --- Realism in art --- Painting, American --- Painting from photographs. --- Pop'art --- Réalisme dans l'art --- Peinture américaine --- Peinture d'après photographies --- Linda Chase ; Vorwort von Salvador Dali --- kunst --- schilderkunst --- beeldhouwkunst --- Verenigde Staten --- twintigste eeuw --- nieuw realisme --- hyperrealisme --- photorealism --- Estes Richard --- Parrish David --- Morley Malcolm --- Cottingham Robert --- Salt John --- Hanson Duane --- de Andrea John --- McLean Richard --- Gregor Harold --- Kacere John --- Goings Ralph --- Schonzeit Ben --- Bechtle Robert --- Eddy Don --- Rummelhoff John --- Close Chuck --- Kanovitz Howard --- Mahaffey Noël --- Blackwell Tom --- Staiger Paul --- Kleeman Ron --- 75.036 --- Réalisme dans l'art --- Peinture américaine --- Peinture d'après photographies --- 735.8 --- 20e eeuw (twintigste eeuw) --- realisme --- fotorealisme --- Close, Chuck --- Eddy, Don --- Estes, Richard --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen
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Bechtle, Robert ; Bell, Charles ; Blackwell, Tom ; Close, Chuck ; Cottingham, Robert ; Eddy, Don ; Estes, Richard ; Flack, Audrey ; Goings, Ralph ; Kleemann, Ron ; McLean, Richard ; Salt, John ; Schonzeit, Ben ; Baeder, John ; Besser, Arne ; Bull, Fran ; Chen, Hilo ; Clem Clarke, John ; Kacere, John ; Mahaffey, Noel ; Mendenhall, Jack ; Morley, Malcolm ; Ott, Jerry ; Parrish, David ; Rummelhoff, John ; Staiger, Paul ; Weber Idelle ; Ching-Jang Yao
75.039 --- 75 <73> --- Photo-realism --- Painting, Modern --- -Artificial realism --- Hyperrealism --- New New York naturalism --- New realism --- Photorealism --- Post-pop realism --- Radical realism --- Sharp-focus realism --- Super-realism --- 75.039 Hedendaagse schilderkunst. Post-moderne schilderkunst --- Hedendaagse schilderkunst. Post-moderne schilderkunst --- Modern painting --- Paintings, Modern --- 75 <73> Schilderkunst--Verenigde Staten van Amerika. VSA. USA --- Schilderkunst--Verenigde Staten van Amerika. VSA. USA --- Photo-realism. --- Foreword] --- hyperrealisme --- Bechtle robert --- Bell Charles --- Blackwell Tom --- Close Chuck --- Cottingham Robert --- Eddy don --- Estes Richard --- Flack audrey --- Goings Ralph --- Kleemann ron --- mcLean Richard --- Salt john --- Schonzeit Ben --- Baeder John --- Besser Arne --- Bull Fran --- Chen chilo --- Clarke John Clem --- Kacere John --- Mahaffey Noel --- Mendenhall Jack --- Morley malcolm --- Ott Jerry --- Parrish David --- Rummelhoff John --- Staiger Paul --- Weber idelle --- Yao ching-Jang --- 75.036 --- Artificial realism --- Art, Modern --- Painting from photographs --- Pop art --- Realism in art --- Groupe Mémoires (Group of artists) --- Art styles --- Painting --- Photography --- anno 1900-1999 --- kunst --- schilderkunst --- twintigste eeuw
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Painting, Modern --- Photo-realism --- 20e eeuw --- 735.8 --- Bacon, Linda --- Baeder, John --- Bechtle, Robert --- Bell, Charles --- Blackwell, Tom --- Brunelli, Anthony --- Cone, Davis --- Dudley, Randy --- Eddy, Don --- Estes, Richard --- fotorealisme --- Fox, Stephen --- Gertsch, Franz --- Gniewek, Robert --- Goings, Ralph --- Head, Clive --- Heinze, Gus --- Jacot, Don --- Kacere, John --- Kleemann, Ron --- Martin, Dennis --- McLean, Richard --- Mendenhall, Jack --- Mendenhall, Kim --- Meniel, Bertrand --- Milici, Reynard --- Parrish, David --- Penner, R.E --- Salt, John --- schilderkunst --- Artificial realism --- Hyperrealism --- New New York naturalism --- New realism --- Photorealism --- Post-pop realism --- Radical realism --- Sharp-focus realism --- Super-realism --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen --- Painting --- painting [image-making] --- realism [artistic form of expression] --- Hyperrealist --- Photorealist --- anno 1990-1999 --- anno 2000-2009 --- United States --- Art, Modern --- Painting from photographs --- Pop art --- Realism in art --- Groupe Mémoires (Group of artists) --- Photorealist [style] --- United States of America
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Photorealist --- art [fine art] --- Art styles --- Art --- anno 1900-1999 --- anno 2000-2099 --- Art, Modern --- -Photo-realism --- kunst --- hyperrealisme --- Morley Malcolm --- Artschwager Richard --- Close Chuck --- Peale raphaelle --- Harnett William Michael --- Laderman Gabriel --- Salt John --- Baeder John --- Danby Ken --- Estes Richard --- Stöcklin Niklaus --- Bravo Claudio --- Störtenbecker Nikolaus --- Grützke Johannes --- Munsky M.M. --- Ibbotson Diane --- Bond Douglas --- Pearlstein Philip --- McLean Richard --- Bechtle Robert --- Cottingham Robert --- Hepher David --- Neilan Brendan --- Haas Richard --- Parrish David --- Yvel Claude --- Raffael Joseph --- Flack Audrey --- Miller Mariann --- Kanovitz Howard --- De Filippi Fernando --- Gertsch Franz --- Gorman mike --- Roberts Paul --- Quintanilla Isabella --- Bussola Dionigi --- Prent Mark --- Hanson Duane --- Johns Jasper --- Segal George --- Poynter Malcolm --- de Andrea John --- Davies John --- Lopez Francesco --- van Leeuwen Jan --- Levine Marilyn --- Yoshimura Fumio --- Renonciat Christian --- 7.038 --- Artificial realism --- Hyperrealism --- New New York naturalism --- New realism --- Photorealism --- Post-pop realism --- Radical realism --- Sharp-focus realism --- Super-realism --- Painting from photographs --- Pop art --- Realism in art --- Modern art --- Photo-realism. --- Photo-realism --- Munsky M.M --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- art [discipline] --- Photorealist [style]
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