Listing 1 - 2 of 2 |
Sort by
|
Choose an application
This volume in the series Sociology of crime, law, and deviance edited by Mathieu Deflem addresses contemporary issues of policing with a focus on the characteristics of police power as a coercive force in society and its continued need for legitimacy in a democratic social order. The book brings scholars together to discuss a variety of important topics concerning police and policing. Developments and problems associated with police power are at the very front of current public debate. In the broader constellation of the culture of modern crime control, police institutions enjoy a privileged status. Continued developments in technology and surveillance have affected policing as have continued and new crime problems. Not least of all, of course, the legitimacy of policing has recently been questioned because of several highly-publicized incidents involving police violence. The chapters in this book provide clarification on these and related aspects of police and policing in society. This collection is valuable for students and scholars in sociology, criminology, law, political science, and public policy.
Police ethics. --- Police misconduct. --- Police --- Political aspects. --- Cops --- Gendarmes --- Law enforcement officers --- Officers, Law enforcement --- Officers, Police --- Police forces --- Police officers --- Police service --- Policemen --- Policing --- Ethics, Police --- Legal status, laws, etc. --- Criminal justice, Administration of --- Criminal justice personnel --- Peace officers --- Public safety --- Security systems --- Ethics --- Misconduct in office --- Complaints against --- Police ethics --- Police misconduct --- Political aspects --- E-books --- Police. --- Law enforcement --- Social Science --- Police procedures. --- Criminology.
Choose an application
Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their actions. Whereas anti-Communist propaganda films offered explicit political exhortation, allegory was the preferred vehicle for veiled or hidden political comment in many police procedurals, historical films, Westerns, and science fiction films. Jeff Smith examines the way that particular heuristics, such as the mental availability of exemplars and the effects of framing, have encouraged critics to match filmic elements to contemporaneous historical events, persons, and policies. In charting the development of these particular readings, Film Criticism, the Cold War, and the Blacklist features case studies of many canonical Cold War titles, including The Red Menace, On the Waterfront, The Robe, High Noon, and Invasion of the Body Snatchers.
Film --- anno 1900-1999 --- United States --- Motion pictures --- Cold War in motion pictures. --- Communism and motion pictures --- Blacklisting of entertainers --- Political aspects --- History --- Entertainers --- Communism and moving-pictures --- Motion pictures and communism --- Blacklisting --- 20th century american culture. --- 20th century american history. --- allegory. --- american entertainment culture. --- american films. --- anti communist propaganda. --- cold war. --- communism. --- critical lens. --- entertainment blacklist. --- film and television. --- film criticism. --- film history. --- historical films. --- hollywood blacklist. --- hollywood. --- house committee on un american activities. --- huac. --- literary allegory. --- movie studies. --- police procedures. --- political. --- politics. --- postwar period. --- propaganda films. --- propaganda. --- science fiction films. --- villains. --- westerns. --- United States of America
Listing 1 - 2 of 2 |
Sort by
|