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Film --- film [discipline] --- romantic fiction [popular fiction] --- actors [performing artists]
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Fiction --- Sociology of literature --- popular culture --- romantic fiction [popular fiction] --- reading culture
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French fiction --- Popular fiction --- Roman français --- History and criticism. --- History and criticism. --- Histoire et critique
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popular culture --- victorian fiction --- nineteenth century literature --- popular fiction --- English fiction --- English fiction. --- History and criticism --- 1800-1899 --- English literature
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When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?
American fiction --- English fiction --- Racism in literature. --- Asians in literature. --- Black people in literature. --- Group identity in literature. --- Race discrimination --- Literature and society. --- History and criticism. --- African American. --- Asian American. --- Fantasy. --- Genre. --- Plantation Romance. --- Popular fiction. --- Race. --- Science Fiction.
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"Tracing the intersections between archival documents and immensely popular adventure fiction set in Africa, Penetrating Critiques highlights the anxieties surrounding the vulnerability of the white male body by assessing the destabilization of narrative itself. The author considers texts ranging from private letters, governmental correspondence, periodicals, and archives to the popular works of H. Rider Haggard, Richard Marsh, and Joseph Conrad. These texts trouble the notions of bounded male bodies, impermeable histories, and solid virtues while underscoring the grotesqueness of male forms, narratives, and moralities. Although dominant representations of martial bodies frequently emphasized boundaries, containment, and solidity, the fiction and imperial archives explored in this book expose problems of stability through tropes, images, and material evidence of perforation, penetration, and dissolution. In emphasizing the relationship between institutional imperial writing and popular discourse, Penetrating Critiques reveals that more complex, fraught, and critical approaches to imperialism and masculinity were circulating throughout Victorian culture than previously recognized. "--
Masculinity in literature. --- 1800-1899 --- Africa. --- Afrique --- Africa --- Dans la litterature. --- In literature. --- H. Rider Haggard. --- Heart of Darkness. --- Joseph Conrad. --- Richard Marsh. --- Victorian literature. --- adventure writing. --- archival. --- empire. --- fin-de-siècle literature. --- gender. --- masculinity. --- military. --- popular fiction.
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Ivanov, Sacha --- Consumptieliteratuur --- Massaliteratuur --- Paralittérature --- Populaire literatuur --- Populaire roman --- Popular fiction --- Popular literature --- Prose (Littérature) --- Prose literature --- Proza (Literatuur) --- Pulp --- Roman populaire --- Triviaalliteratuur --- Volksroman --- #SBIB:309H241 --- #SBIB:309H515 --- #SBIB:316.7C213 --- Andere media: functies, genres, historiek --- Literatuurwetenschap, literatuursociologie --- Cultuursociologie: letterkunde, literatuur --- Ivanov, Sacha.
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Finance Fictions takes the measure of what it means to live in a world ruled by high finance by examining the tension between psychosis and realism that plays out in the contemporary finance novel. When the things traded at the center of the economy cease to be things at all, but highly abstracted speculations, how do we come to see the real? What sorts of narrative can accurately approach the actual workings of a neoliberal economy marked by accelerating cycles of market crashes, economic and political crisis, and austerity? Revisiting such twentieth-century classics of the genre as Tom Wolfe's Bonfire of the Vanities and Bret Easton Ellis’s American Psycho, De Boever argues that the twenty-first century is witnessing the birth of a new kind of realistic novel that can make sense of complex financial instruments like collateralized debt obligations, credit default swaps, and digital algorithms operating at speeds faster than what human beings or computers can record. If in 1989 Wolfe could still urge novelists to work harder to “tame the billion-footed beast of reality,” today’s economic reality confronts us with a difference that is qualitative rather than quantitative: a new financial ontology requiring new modes of thinking and writing. Mobilizing the philosophical thought of Quentin Meillassoux in the close reading of finance novels by Robert Harris, Michel Houellebecq, Ben Lerner and less well-known works of conceptual writing such as Mathew Timmons’ Credit, Finance Fictions argues that realism is in for a speculative update if it wants to take on the contemporary economy—an “if” whose implications turn out to be deeply political. Part literary study and part philosophical inquiry, Finance Fictions seeks to contribute to a new mindset for creative and critical work on finance in the twenty-first century.
Money in literature --- Finance in literature --- Financial crises in literature --- American fiction --- History and criticism --- American fiction. --- Finance in literature. --- Financial crises in literature. --- Money in literature. --- 1900-1999. --- History and criticism. --- Biopolitics. --- Finance Novels. --- Finance. --- Marxism. --- Neoliberalism. --- Popular fiction. --- Psychosis. --- Realism. --- Speculative Realism. --- Wall Street.
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Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-office success. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was long neglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. But consequently she escaped the reaction against Victorianism that did so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
Litteraturhistorie. --- Austen, Jane, --- Criticism and interpretation --- History. --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- English literature --- LITERARY CRITICISM / American / General. --- 1800s. --- English. --- Victorian age. --- analysis. --- female authors. --- fiction. --- literary criticism. --- literature history. --- nineteenth century literature. --- nineteenth century. --- popular fiction. --- pride and prejudice. --- romance. --- story. --- 19th century.
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This is the first book to study the cultural impact of the Armistice of 11 November 1918. It contains 14 new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style.
World War, 1914-1918 --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Armistices --- Social aspects. --- Armistice. --- Austria. --- Britain. --- British popular fiction. --- First World War. --- Germany. --- archival research. --- art criticism. --- art history. --- cultural history. --- historical analysis. --- literary criticism. --- memory studies. --- military history. --- musical analysis. --- peace treaties. --- post-war uncertainties.
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