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The book (‘The Cyclorama of the Slavic Word (A Test of Renaissance Humanism through a Cross-Section of the Complete Works of Primož Trubar and Maximus the Greek)’) presents a detailed cultural and historical analysis of the problems associated with the attempts to link Western and Eastern Christianity since the first century of Christianization onward, with special attention being paid to the importance of the Slavic presence in European history, including questions regarding the role of individual contributions (biographical and historical overviews) to the spiritual history of the Christian East and West. This book uses juxtaposition to present the work, creativity and views of two key figures in Slovenia and Russia, Primož Trubar and Maximus the Greek (St. Maxim the Greek). The said Slavic authors, who also wrote in Latin, German and Greek, but consciously chose Slavic for very specific reasons (Primož Trubar used it as his mother language and Maximus the Greek as a language of salvation), are studied on the basis of primary archival sources, with special regard to manuscripts (of Maximus the Greek) and to early printing (of Primož Trubar) in the sixteenth century. In addition, Neža Zajc also critically analyzes the Renaissance period and presents the option of viewing it from a different perspective: the hypotheses to date that were based on secondary literature have proven to be insufficiently explanatory or proved unsatisfactory. Knjiga, osnovana ne kot primerjava, temveč kot sopostavitev na način vzajemne zgolj osvetlitve dveh besedilnih opusov dveh pisateljev v (staro) slovenskem (Primoža Trubarja) in (staro) ruskem jeziku (Maksima Greka) XVI. stoletja, ponuja osamosvojeno od preteklih opredelitev (a ne od zgodovinskega obdobja) razumevanje njunega doprinosa k duhovni zgodovini človeštva, pa tudi nekoliko drugačen vpogled v obdobje, ki se je zapisalo v zgodovino pod naziv t. i. renesanse.

Russia --- History of ideas --- 16th century --- comparative studies --- cultural history --- exegesis --- Grek, Maksim --- Proto-Russian language --- Renaissance humanism --- Russian culture --- Slovene language --- Slovenian culture --- spiritual formation --- spirituality --- Trubar, Primož --- 16. st. --- duhovni nazori --- duhovnost --- eksegeza --- kulturna zgodovina --- primerjalne študije --- renesančni humanizem --- ruska kultura --- slovenščina --- slovenska kultura --- stara ruščina

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The monograph (‘The Slavic image of word : the forces of depiction in a Slavic language of the sixteenth century’) sets the groundwork for the elucidation of some historical development in the middle of the evolution of Slavic languages that also influenced the establishment of literary language both in Slovenia and Russia in the mid-sixteenth century (the beginning of Slavic literary and liturgy, the intertwining of Greek and Latin Christian linguistic patterns, connection to the East-West Schism in 1054). Knjiga ob prikazu ozadja vzpostavljanja t. i. slovanske pismenosti, s posebno pozornostjo na soodnosu med besedo in podobo (vsebino in obliko) ter upoštevajoč slovensko-ruske razlikovalnosti, obravnava besedilni in jezikovni dosežek pisateljev Primoža Trubarja in Maksima Greka, katerima je zaradi različnih okoliščin prav jezik s slovansko besedno osnovo v XVI. stoletju predstavljal tudi osebni izraz. Ob ponujenih vzporednicah z miselno-duhovnimi in umetniškimi nazori tedanje nastajajoče intelektualne Evrope je njun jezikovni izraz tokrat preučevan z zornega kota mogoče sposobnosti predstavljanja, prikazovanja ter upodabljanja neke idealne podobe, ki znotraj duhovnega krogozora obeh pisateljev ter strogo teocentričnega sveta ne more biti razumljena drugače kot Božja. Zasledovane možnosti besednega učinkovanja, ki niso približki t. i. literarnih postopkov, ponujajo ogrodje opredeljevanja značilnosti neke krščanske ikonografije, tesno zvezane z osebno teologijo obeh obravnavanih pisateljev. Zato je tudi – pogojno rečeno – poetika Maksima Greka in Primoža Trubarja globoko osebna.

Russia --- History of ideas --- Truber, Primus, --- Maximus, --- 16th century --- Christianity --- cultural history --- Grek, Maksim --- iconography --- Proto-Russian language --- Russian culture --- Slovene language --- Slovenian culture --- spiritual formation --- spirituality --- Trubar, Primož --- 16. st. --- duhovni nazori --- duhovnost --- ikonografija --- krščanstvo --- kulturna zgodovina --- ruska kultura --- slovenščina --- slovenska kultura --- stara ruščina

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The monograph (‘The Slavic image of word : the forces of depiction in a Slavic language of the sixteenth century’) sets the groundwork for the elucidation of some historical development in the middle of the evolution of Slavic languages that also influenced the establishment of literary language both in Slovenia and Russia in the mid-sixteenth century (the beginning of Slavic literary and liturgy, the intertwining of Greek and Latin Christian linguistic patterns, connection to the East-West Schism in 1054). Knjiga ob prikazu ozadja vzpostavljanja t. i. slovanske pismenosti, s posebno pozornostjo na soodnosu med besedo in podobo (vsebino in obliko) ter upoštevajoč slovensko-ruske razlikovalnosti, obravnava besedilni in jezikovni dosežek pisateljev Primoža Trubarja in Maksima Greka, katerima je zaradi različnih okoliščin prav jezik s slovansko besedno osnovo v XVI. stoletju predstavljal tudi osebni izraz. Ob ponujenih vzporednicah z miselno-duhovnimi in umetniškimi nazori tedanje nastajajoče intelektualne Evrope je njun jezikovni izraz tokrat preučevan z zornega kota mogoče sposobnosti predstavljanja, prikazovanja ter upodabljanja neke idealne podobe, ki znotraj duhovnega krogozora obeh pisateljev ter strogo teocentričnega sveta ne more biti razumljena drugače kot Božja. Zasledovane možnosti besednega učinkovanja, ki niso približki t. i. literarnih postopkov, ponujajo ogrodje opredeljevanja značilnosti neke krščanske ikonografije, tesno zvezane z osebno teologijo obeh obravnavanih pisateljev. Zato je tudi – pogojno rečeno – poetika Maksima Greka in Primoža Trubarja globoko osebna.

Truber, Primus, --- Maximus, --- 16th century --- Christianity --- cultural history --- Grek, Maksim --- iconography --- Proto-Russian language --- Russian culture --- Slovene language --- Slovenian culture --- spiritual formation --- spirituality --- Trubar, Primož --- 16. st. --- duhovni nazori --- duhovnost --- ikonografija --- krščanstvo --- kulturna zgodovina --- ruska kultura --- slovenščina --- slovenska kultura --- stara ruščina

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In this book (' The Spaces of Slovenian Literature'), a team of researchers from the ZRC SAZU and the Faculty of Arts in Ljubljana led by Marko Juvan develops a new discipline, which is formed at the intersection between the analysis of the literary system and geography and relies on geographic information systems. Based on the spatial humanities approach presented in the introductory chapters, the following analyses, thematic maps and graphs try to explain how the “national space” was formed both ideologically and materially due to the interaction between geographical factors and literary practices in Slovenian from 1780 to 1940. The argument is based on spatial statistical analysis of data sets of biographies of literary actors, development of the press, publishing, literary clubs and theaters, the places represented in historical novels, and a constellation of memorial objects and designations dedicated to Slovenian writers. Systemic treatment is supplemented with discussions on the depicted and living spaces of selected writers from the 17th to the 21st century. Skupina raziskovalcev z ZRC SAZU in ljubljanske Filozofske fakultete pod vodstvom Marka Juvana v knjigi razvija novo disciplino, ki se oblikuje na presečišču med analizo literarnega sistema in geografijo, opira pa se na geografske informacijske sisteme. Na literarnogeografskem pristopu, predstavljenem v uvodnih poglavjih, temeljijo študije, tematski zemljevidi in grafi, ki skušajo razložiti, kako se je prek interakcije med geografskimi dejavniki in književnimi praksami v slovenščini od 1780 do 1940 materialno-ideološko oblikoval »narodni prostor« Slovencev. Argumentacija temelji na prostorsko-statističnih analizah množice podatkov o biografijah literarnih akterjev, razvoju tiska, založništva, literarnih društev in gledališč, o krajih, predstavljenih v zgodovinskih romanih, in konstelaciji spominskih objektov in poimenovanj, posvečenih slovenskim književnikom. Sistemska obravnava je dopolnjena z razpravami o predstavljenih in življenjskih prostorih izbranih književnikov od 17. do 21. stoletja.

Slovenian literature --- Space and time in literature. --- Geography in literature. --- Geography and literature --- Geographic information systems --- Human geography --- History and criticism. --- Social aspects. --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Geographical information systems --- GIS (Information systems) --- Information storage and retrieval systems --- Literature and geography --- Literature --- Space and time as a theme in literature --- Slovenian --- Literary theory --- Geographical information systems (GIS) & remote sensing --- geographic information systems --- geography --- interdisciplinarity --- literary geography --- literary history --- literary interpretation --- literary studies --- Slovenia --- Slovenian culture --- Slovenian literary history --- Slovenian literary studies --- space --- spatial literary studies --- studies --- geografija --- geografski informacijski sistemi --- interdisciplinarnost --- literarna geografija --- literarna interpretacija --- literarna zgodovina --- literarne študije --- prostor --- prostorska literarna veda --- Slovenija --- slovenska književnost --- slovenska kultura --- slovenska literarna veda --- slovenska literarna zgodovina --- študije