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24.45 sociology of music. --- Electronic music. --- 1900-2000. --- 2445 sociology of music.
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Günther Anders (de son vrai nom Günther Stern) fut formé par la musique et les beaux-arts qu’il pratiquait lui-même activement. S’il n’est pas devenu musicien, ses expériences ont marqué sa pensée et nourri sa réflexion philosophique ultérieure. En témoignent les « Recherches philosophiques sur les situations musicales » (1930-1931), projet de thèse d’habilitation demeuré inédit, qui porte l’influence de ses professeurs Edmund Husserl et Martin Heidegger. Les écrits rassemblés dans cet ouvrage constituent l’une des toutes premières réflexions phénoménologiques appliquées à la musique, avant que le philosophe ne se tourne vers une approche sociologique, présentée dans la seconde partie du volume. « Qui la musique socialise-t-elle ? Qui est-elle censée toucher, et à l’initiative de qui ? Qui la reproduit ? » Anders s’intéresse à la transformation de l’être dans l’expérience d’écoute.
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In der musikwissenschaftlichen Forschung spielt die Auseinandersetzung mit der Nachwendezeit eine sehr marginale Rolle. Dies gilt vor allem auch für die Frage nach dem Umgang mit Musik aus der DDR und den neuen Bundesländern seit 1990. Jakob Auenmüller stellt hierzu in mehreren empirischen Teilstudien Grundlagen und Angebote für Forschung und Praxis zur Disposition - und liefert ein Plädoyer für die verstärkte Hinwendung der Musikforschung zur Aufarbeitung der Nachwendezeit. Dabei wird deutlich, inwiefern das Musikleben in Zukunft noch stärker als aktive Plattform für Aushandlungsprozesse eines nachhaltigen gesamtdeutschen Zusammenwachsens fungieren kann und sollte. Besprochen in: www.cre-aktive.net, 9 (2020) Vier Viertel Kult, Winter 2020 H-Soz-u-Kult, 13.01.2021, Tom Koltermann
Ostdeutschland; Nachwendezeit; Musiksoziologie; Explorative Empirie; DDR; Identität; Bürgerrechtsbewegung; 1990; Mauerfall; Migration; Journalismus; Musikforschung; Musikunterricht; Zeitgenössische Musik; Bewertung; Musik; Kulturgeschichte; Gesellschaft; Musikwissenschaft; Musikgeschichte; Kultursoziologie; Kunstsoziologie; Eastern Germany; Post-reunification Period; Sociology of Music; Explorative Empiricism; GDR (East Germany); Identity; Civil Rights Movement; Fall of the Berlin Wall; Journalism; Music Research; Music Lessons; Modern Music; Rating; Music; Cultural History; Society; Musicology; Music History; Sociology of Culture; Sociology of Art; --- Germany --- History --- Social aspects. --- Civil Rights Movement. --- Cultural History. --- Explorative Empiricism. --- Fall of the Berlin Wall. --- GDR (East Germany). --- Identity. --- Journalism. --- Migration. --- Modern Music. --- Music History. --- Music Lessons. --- Music Research. --- Music. --- Musicology. --- Post-reunification Period. --- Rating. --- Society. --- Sociology of Art. --- Sociology of Culture. --- Sociology of Music.
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The book Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ('Music, Politics, Affect: New Lives of Partisan Songs in Slovenia') explores the potentialities of music in imagining alternatives and establishing alliances, which introduce new senses of belonging and solidarity in global neoliberal capitalism. It examines the reactualization of partisan songs in post-Yugoslav Slovenia with an emphasis on the collective spirit, its rebelliousness and emancipatory potential. In researching the “new lives” of partisan songs, the book focuses on the self-organized female choir Kombinat, an emblematic example of thinking about the partisan art in Slovenia today. Just a part of Kombinat repertoire, partisan songs are discursively, sonically, spatially, ideologically and symbolically reloaded, challenging thus the various boundaries in thinking about this legacy in Slovenian context. Using theoretical framework of affect theory, and particularly theories of music materialism and sonic affect, the book provides an alternative perspective to our understanding of political capacity of music. It addresses four main issues: the role of music and sound in political mobilization and participation, the potentials of musical alliances and musical self-organization and self-education, referencing musical past as a way of political engagement, and finally, revitalization and reactualization of socialist ideas and values in the current moment of global transition. Ali gre pri petju partizanskih pesmi danes za čisti nostalgični eskapizem? Ali je zborovsko petje res preživeta glasbena dejavnost? Ali je skupinsko petje kot primer družbenosti glasbe v pravem pomenu besede še vedno zmožno družbene kritike? Zakaj se določene glasbene prakse štejejo kot bolj učinkoviti dejavniki mobilizacije estetske izkušnje v političnem boju? Kakšno (zvočno) moč ima glasba v globalnem neoliberalnem kapitalizmu? Knjiga Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ponuja premislek o osrednjih vprašanjih, ki se nanašajo na politični potencial glasbe in zvoka v postjugoslovanski Sloveniji, zaznamovani z okoliščinami globalnega kapitalizma. Cilj knjige je premislek o vlogi glasbe in zvoka v politični mobilizaciji in participaciji, o potencialu glasbenih dejavnosti pri samoorganiziranju, o izzivih in potencialih tako imenovanih glasbenih kolektivitet ter o sklicevanju na glasbeno preteklost kot načinu političnega angažmaja. Knjiga izziva obstoječe diskurze o političnosti glasbe v postjugoslovanskem kontekstu ter dihotomije med političnim in nostalgičnim, komercialnim in angažiranim ter eskapističnim in emancipacijskim.
Music --- Guerrillas --- World War, 1939-1945 --- Social aspects --- Political aspects --- Songs and music --- History and criticism. --- Music and the war. --- Kombinat (Musical group) --- Bushwhackers --- Francs-tireurs --- Guerillas --- Maquis --- Partisans --- National liberation movements --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Kombinatke (Musical group) --- Slovenia --- Second World War --- Cultural studies --- Nationalism --- anthropology of music --- NOB --- partisan songs --- patriotic poetry --- psychology of music --- social aspect --- sociology of music --- World War 1939-1945 --- antropologija glasbe --- domoljubna poezija --- družbeni vidik --- partizanske pesmi --- psihologija glasbe --- sociologija glasbe --- svetovna vojna 1939-1945
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