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The Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between "the brutal red dream/Of the collective" and "the parade/Of the ideal citizen." The book's action takes place in these gaps, "dead spaces beside the endlessly grieving stream." The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern's excess of signification-as if to return revolutionary possibility to the regime of information by singing it its own song.
American poetry. --- American literature --- 20th century. --- alienation. --- allusions. --- america. --- american literature. --- american poetry. --- american poets. --- architecture. --- art and literature. --- aspiring poets. --- award winner. --- contemporary poetry. --- contemporary poets. --- english majors. --- eroticism. --- lit students. --- literary critics. --- literary studies. --- modern histories. --- modern perspective. --- modern poets. --- modernity. --- observations. --- poems. --- poetry collection. --- poetry. --- political poems. --- sleep issues. --- suburban landscape. --- suburbs. --- troubled sleep.
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The "new community" movement of the 1960's and 1970's attempted a grand experiment in housing. It inspired the construction of innovative communities that were designed to counter suburbia's cultural conformity, social isolation, ugliness, and environmental problems. This richly documented book examines the results of those experiments in three of the most successful new communities: Irvine Ranch in Southern California, Columbia in Maryland, and The Woodlands in the suburbs of Houston, Texas. Based on new research and interviews with developers, designers, and residents, Ann Forsyth traces the evolution, the successes, and the shortcomings of these experiments in urban innovation. Where they succeeded, in areas such as community identity and open space preservation, they provide support for current "smart growth" proposals. Where they did not, in areas such as housing affordability and transportation choices, they offer important insights for today's planners, designers, developers, civic leaders, and others interested in incorporating new forms of development into their designs.
Planned communities --- Housing estates --- New communities --- Residential developments --- City planning --- Woodlands (Tex.) --- Columbia (Md.) --- Irvine (Calif.) --- Irvine, Calif. --- Columbia, Md. --- The Woodlands (Tex.) --- 1960s. --- 1970s. --- architecture planning. --- city planning. --- civic leaders. --- columbia. --- community identity. --- environmental preservation. --- housing designers. --- housing developers. --- housing experiments. --- housing plans. --- houston. --- irvine ranch. --- maryland. --- neighborhood planning. --- new community movement. --- nonfiction. --- planned communities. --- social communities. --- southern california. --- suburban communities. --- suburban landscape. --- suburbia. --- texas. --- the woodlands. --- urban innovation.
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"In the 1960s, socialist and capitalist urban planners, architects, and city officials chose the urban periphery as the site to test out new ideas in modernist architecture and planning: the outskirts of Prague and a bedroom suburb of Toronto would be the sites for experimental urban development. In the Suburbs of History overcomes the divisions between East and West to reassemble the shared histories of modern architecture and urbanism as it shaped and re-shaped the periphery. Drawing on archives, interviews, architectural journals, and site visits to the peripheries of Prague and Toronto, Steven Logan reveals the intertwined histories of capitalist and socialist urban planning. From socialist utopias to the capitalist visions of the edge city, the history of the suburbs is not simply a history of competing urban forms; rather, it is a history of alternatives that advocated collective solutions over the dominant model of single-family home ownership and car-dominated spaces."--
City planning --- Suburbs --- History --- Outskirts of cities --- Suburban areas --- Suburbia --- Cities and towns --- Metropolitan areas --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Growth --- Government policy --- Management --- 1900-1999 --- Czech Republic --- Ontario --- York --- Czechoslovakia --- home ownership. --- housing estate. --- modernism. --- modernist architecture. --- socialism. --- suburban landscape. --- suburban planning. --- suburbs. --- urbanism.
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The capital of the U.S. Empire after World War II was not a city. It was an American suburb. In this innovative and timely history, Andrew Friedman chronicles how the CIA and other national security institutions created a U.S. imperial home front in the suburbs of Northern Virginia. In this covert capital, the suburban landscape provided a cover for the workings of U.S. imperial power, which shaped domestic suburban life. The Pentagon and the CIA built two of the largest office buildings in the country there during and after the war that anchored a new imperial culture and social world. As the U.S. expanded its power abroad by developing roads, embassies, and villages, its subjects also arrived in the covert capital as real estate agents, homeowners, builders, and landscapers who constructed spaces and living monuments that both nurtured and critiqued postwar U.S. foreign policy. Tracing the relationships among American agents and the migrants from Vietnam, El Salvador, Iran, and elsewhere who settled in the southwestern suburbs of D.C., Friedman tells the story of a place that recasts ideas about U.S. immigration, citizenship, nationalism, global interconnection, and ethical responsibility from the post-WW2 period to the present. Opening a new window onto the intertwined history of the American suburbs and U.S. foreign policy, Covert Capital will also give readers a broad interdisciplinary and often surprising understanding of how U.S. domestic and global histories intersect in many contexts and at many scales.American Crossroads, 37
Virginia, Northern -- Buildings, structures, etc. --- Intelligence service --- Federal areas within states --- Federal enclaves --- Federal government --- History --- Law and legislation --- Virginia, Northern --- United States --- Northern Virginia --- Foreign relations --- Emigration and immigration --- Government policy. --- american history. --- american suburbs. --- capitalism. --- central intelligence agency. --- cia. --- citizenship. --- close knit communities. --- cold war. --- democracy. --- diplomacy. --- engaging. --- foreign policy. --- global interconnection. --- history. --- imperial power. --- international relations. --- nationalism. --- neighbors. --- northern virginia. --- page turner. --- political geography. --- politics. --- postwar america. --- relationships. --- retrospective. --- suburban landscape. --- the pentagon. --- united states history. --- us foreign policy. --- us immigration. --- virginia. --- washington dc.
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Los Angeles pulsed with economic vitality and demographic growth in the decades following World War II. This vividly detailed cultural history of L.A. from 1940 to 1970 traces the rise of a new suburban consciousness adopted by a generation of migrants who abandoned older American cities for Southern California's booming urban region. Eric Avila explores expressions of this new "white identity" in popular culture with provocative discussions of Hollywood and film noir, Dodger Stadium, Disneyland, and L.A.'s renowned freeways. These institutions not only mirrored this new culture of suburban whiteness and helped shape it, but also, as Avila argues, reveal the profound relationship between the increasingly fragmented urban landscape of Los Angeles and the rise of a new political outlook that rejected the tenets of New Deal liberalism and anticipated the emergence of the New Right. Avila examines disparate manifestations of popular culture in architecture, art, music, and more to illustrate the unfolding urban dynamics of postwar Los Angeles. He also synthesizes important currents of new research in urban history, cultural studies, and critical race theory, weaving a textured narrative about the interplay of space, cultural representation, and identity amid the westward shift of capital and culture in postwar America.
Popular culture --- Public spaces --- White people --- Suburban life --- Suburban life in popular culture --- Migration, Internal --- African Americans --- City and town life --- History --- Race identity --- Social conditions --- Los Angeles (Calif.) --- Civilization --- Race relations. --- 20th century. --- art and architecture. --- california history. --- california. --- conservative right. --- cultural history. --- cultural representation. --- demographic studies. --- disneyland. --- film noir. --- hollywood. --- liberalism. --- los angeles. --- modern history. --- new deal. --- new right. --- nonfiction. --- popular culture. --- postwar america. --- regional history. --- southern california. --- suburban culture. --- suburban landscape. --- suburbs. --- united states. --- urban landscape. --- us history. --- white flight. --- white identity. --- world war ii. --- wwii.
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One evening, while watching the news, Roger N. Lancaster was startled by a report that a friend, a gay male school teacher, had been arrested for a sexually based crime. The resulting hysteria threatened to ruin the life of an innocent man. In this passionate and provocative book, Lancaster blends astute analysis, robust polemic, ethnography, and personal narrative to delve into the complicated relationship between sexuality and punishment in our society. Drawing on classical social science, critical legal studies, and queer theory, he tracks the rise of a modern suburban culture of fear and d
Fear - Political aspects - United States. --- Fear --Political aspects --United States. --- Sex - United States. --- Sex -- United States. --- Sex crimes - Press coverage - Political aspects - United States. --- Sex crimes --Press coverage --Political aspects --United States. --- Sex customs - United States. --- Sex customs -- United States. --- Sexual ethics - United States. --- Sexual ethics -- United States. --- United States - Social conditions - 20th century. --- United States -- Social conditions -- 20th century. --- Sex --- Sexual ethics --- Sex customs --- Fear --- Sex crimes --- Political aspects --- Political aspects --- Press coverage --- United States --- Social conditions --- american culture. --- american society. --- american studies. --- anthropology. --- crime and punishment. --- criminology. --- cultural analysis. --- culture of fear. --- ethnographers. --- ethnography. --- gender studies. --- hysteria. --- innocent parties. --- legal studies. --- nonfiction. --- personal narrative. --- polemic. --- punishment in society. --- punitive logic. --- punitive. --- queer theory. --- retrospective. --- sex politics. --- sex. --- sexual crimes. --- sexuality. --- social criticism. --- social sciences. --- suburban landscape. --- united states.
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