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Contemporary classical music. --- Electroacoustic music. --- Electronic music. --- Film scores.
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Electroacoustic music. --- Electronic music. --- Film scores. --- Tape music.
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Film music often tells us how to feel, but it also guides us how to hear. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology. Harmony, and especially chromaticism, is emblematic of what we commonly recognize as film music sound and it is often used to evoke wonder, that most cinematic of feelings. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.
Motion picture music --- Analysis, appreciation. --- Background music for motion pictures --- Film music --- Film scores --- Motion pictures --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Analysis, appreciation
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By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpret
Motion picture music --- Analysis, appreciation. --- History and criticism. --- Background music for motion pictures --- Film music --- Film scores --- Motion pictures --- Movie music --- Moving-picture music --- Dramatic music --- Music
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Motion picture music --- Motion picture music. --- Arts and Humanities --- Fashion & Entertainment --- General and Others --- Performing Arts, Travel and Leisure --- Background music for motion pictures --- Film music --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Film scores
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Music and the Moving Image is an online journal dedicated to the relationship between the entire universe of music and moving images (film, television, music videos, computer games, performance art, and web-based media).
Motion picture music --- Motion picture music. --- Arts and Humanities --- General and Others --- Musikk. --- Tidsskrifter (Form) --- Film. --- Videoer. --- Fjernsyn. --- Dataspill. --- Background music for motion pictures --- Film music --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Film scores --- Music History & Criticism, Vocal
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