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Film music and everything else! : music, creativity and culture as seen by a Hollywood film composer
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ISBN: 0970427301 9780970427304 Year: 2000 Publisher: Beverly Hills, Calif. : Turnstyle Music,

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The technique of film music
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Year: 1957 Publisher: London: Focal press,

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Lexikon der Filmmusik : Personen-Sachbegriffe zu Theorie und Praxis-Genres
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ISBN: 9783890075587 Year: 2012 Publisher: Laaber : Laaber,

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La musique et le cinéma
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Year: 1959 Publisher: Paris: PUF,

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Défense et illustration de la musique dans le film
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Year: 1963 Publisher: Lyon: SERDOC,

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Reel music : exploring 100 years of film music
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ISBN: 0393925749 9780393925746 Year: 2005 Publisher: New York: Norton,

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L'Indépendance de la musique de film
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ISBN: 9782343210070 Year: 2020 Publisher: Paris : l'Harmattan,

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La musique navigue entre fonctionnalité et indépendance au cinéma comme dans l'opéra. L'idée d'une musique au service de l'image se retrouve tant dans les métaphores visuelles employées par les biographes de Beethoven que dans Alexandre Nevski et Ivan le terrible. Pourtant, élément de mémoire et de mystification émotionnelle du film, au coeur de la problématique du rythme et de la temporalité intrinsèque de l'oeuvre, la musique peut tant se rattacher à la vie intérieure des personnages, à la diégèse et à l'intrigue que s'accorder toute latitude par rapport aux images.

Cinema sheet music : a comprehensive listing of published film music from Squaw Man (1914) to Batman (1989).
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ISBN: 0899505694 Year: 1991 Publisher: Jefferson McFarland

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The struggle behind the soundtrack : inside the discordant new world of film scoring
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ISBN: 1476637008 Year: 2019 Publisher: Jefferson, North Carolina : McFarland & Company, Inc., Publishers,

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"Do you want to pick up a light saber when you hear John Williams' Star wars theme? Get the urge to ride into the desert and face down desperados to the refrain of Emilio Morricone's The good, the bad and the ugly? Does Hans Zimmer's Pirates of the Caribbean score have you talking like Jack Sparrow? From the Westerns of the 1960s to current blockbusters, composers for both film and television have faced new challenges--evermore elaborate sound design, temp tracks, test audiences and working with companies that invest in film score recordings all have led to creative sparks, as well as frustrations. Drawing on interviews with more than 40 notable composers, this book gives an in-depth analysis of the industry and reveals the creative process behind such artists as Klaus Badelt, Mychael Danna, Abel Korzeniowski, Walter Murch, Rachel Portman, Alan Silvestri, Randy Thom and others"--Book cover.


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Johnny Larsen
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Year: 1979 Publisher: [Sweden] Metronome

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