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Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2012 volume opens with two essays on sexuality in Elizabethan narrative poetry: on homoeroticism in Spenser's Faerie Queene and on Shakespeare's "swerve" into Lucretian imagery in Venus and Adonis. The volume then turns to Renaissance drama and its links to the wider culture: the commodification of spirit in Marlowe's Doctor Faustus, Shakespeare's evocation of the Acts of the Apostles in The Comedy of Errors, "summoning" in Hamlet and King Lear, discourses of procreation and generation in Antony and Cleopatra/, trade and gender in John Webster's Devil's Law-Case, and an examination of street scenes in Romeo and Juliet in relation to Paul's Cross Churchyard, the hub of the London bookselling market in the early modern period. The volume closes with essays on seventeenth-century literature and literary culture: on the "puritan logic" of the elder Andrew Marvell in his famous son's poem "To His Coy Mistress," on the "sociable lexicography" of a Royalist polymath attempting to reconcile with the English Commonwealth, and on the underestimated roles of Urania in Milton's Paradise Lost. Contributors: David Ainsworth, Thomas W. Dabbs, Sonya Freeman Loftis, Russell Hugh McConnell, Robert L. Reid, Amrita Sen, Susan C. Staub, Emily Stockard, Nathan Stogdill, Christina A. Taormina, Emma Annette Wilson. Andrew Shifflett and Edward Gieskes are Associate Professors of English at the University of South Carolina, Columbia.
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In Describing the City, Describing the State Sandra Toffolo presents a comprehensive analysis of descriptions of the city of Venice and the Venetian Terraferma in the Renaissance, when the Venetian mainland state was being created. Working with an extensive variety of descriptions, the book demonstrates that no one narrative of Venice prevailed in the early modern European imagination, and that authors continuously adapted geographical descriptions to changing political circumstances. This in turn illustrates the importance of studying geographical representation and early modern state formation together. Moreover, it challenges the long-standing concept of the myth of Venice, by showing that Renaissance observers never saw the city of Venice and the Venetian Terraferma in a monolithic way.
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