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Big Brother kündigt die 'reality soap' als ein exemplarisches Unterhaltungsformat der Multimedialität an, das von der Faszination durch den Alltag zehrt. Wenn 'reality' zur 'soap' und 'soap' zur 'reality' wird, dann versagen die herkömmlichen Kategorien der Kulturkritik: Statt Flucht in Traumwelten bietet Big Brother den (eigenen) Alltag als Zufluchtsort an. Die hier versammelten Beiträge nehmen diese Provokation auf und erproben neue Perspektiven, um der Faszination durch Big Brother nachgehen zu können.
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romans --- Engels --- tv-programma
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The book focuses on the reception relations of Soviet Russian art, culture and literature in Austria from 1918 to 1938. It shows their resonance, locating it in discourses typical of the time such as activism, New Objectivity, avantgarde of theatre and music, but also contemporary American discourse.
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For the first time in the history of young Soviet cinematography, a film promised to combine contemporary urban life and science-fiction adventures on Mars. To this day, the fame and controversy surrounding this film continue in film studies and film criticism. The constructivist stage sets and costumes by Aleksandra Ékster helped him to the predicate "extraordinary".
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"Putting a Face on It analyses and discusses how subjectivity and exposure of individuals now affect most journalistic topics and genres: from politics to sports journalism, from science journalism to journalism about terrorism. Individual exposure and subjectivity affect news and features, photos and front pages, and are at the core of an increasing dialogue with digital media users. One aim of this book is therefore to present some of this variation. Another is to contribute to the discourse about the present state of journalism and where it is heading. Putting a Face on It will appeal to researchers, teachers, students, writers, journalists and other media-interested readers."
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Slow TV --- Televisie --- Multimediaproductie
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Spiegel TV. --- Germany --- History
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