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Book
ISBN: 286374044X Year: 1980 Publisher: [Paris] : Mazarine,
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ISBN: 0837180406 Year: 1975 Publisher: Westport ; London : Greenwood press,
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Periodical
ISSN: 22351833 Publisher: [Köln] : Fachhochschule Köln, Fachbereiche Sozialpädogogik und Sozialarbeit
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ISBN: 9684112076 Year: 1989 Publisher: Mexico : Ediciones Era,
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Year: 1974 Publisher: Ann Arbor, Women's Studies Program.
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Year: 1968 Publisher: New York, Greenwood Reprint,
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ISBN: 080325072X Year: 2005 Publisher: Lincoln, Nebraska ; London, England : University of Nebraska Press,
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ISBN: 1573668125 Year: 2009 Publisher: Tuscaloosa : FC2,
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Winner of FC2's American Book Review/Ronald Sukenick Innovative Fiction Prize Margo Berdeshevsky's Beautiful Soon Enough is a collection of hypnotic stories that capture the lives-worldly, sexual, obsessive-of twenty-three arresting women.These are snapshots and collages: stories of women on the outside, looking in; of women content to end their affairs; of young women learning the power of seduction; and of older women reminiscing about past loves. They are women who cannot live without love's embrace, and women who have found it and feel that it is never enough. The
Book
ISBN: 9956791571 Year: 2014 Publisher: North West Region, Cameroon : Langaa RPCIG,
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The Lock on My Lips foregrounds gender, narrative and identity in its representations. It tells the story of a woman who defies traditional patriarchal boundaries that deny women their rights, most especially the right to landed property and buys land in her name. Discursive constructions, 'travelling concepts', metaphors, multiple perspectives, narrative, imagery, folklore, anthropological objects, and mixed-genre plot structure (narrative-(poetic)-drama), combine to tell the story of gendered beings and thus pave the way for exploring the interdisciplinary potentials of the play-text. Land and genre are gender markers. Land is definable through power and authority, constitutes the material with which masculinities are constructed, and thus becomes a space where women are excluded. The play equates land with patriarchal ideology of male virility and supremacy, but creates a mixed-genre fragmentary structure to disrupt the very patriarchal power erected through the metaphor of land.
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