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The best actor never gets the role. But the right actor always gets hired and if you want to be the right actor, you need to create a well-paved pathway through the traffic jam that can slow you down, divert your attention and create stress behind the wheel of the career you're committed to driving forward. It's your journey and it's time for a career tune up, even if you're just starting out In this revised and expanded Next Edition to his popular book for actors, talent manager, educator and author Brad Lemack tackles the tough challenges actors face in seeking, building and maintaining rewarding careers in the new landscape. From the role of personal ethics and integrity to landing the role of a lifetime, Lemack teaches readers how to navigate through and thrive in a continually changing landscape in an industry challenged to redefine itself and how it does business. Whether you're new to the business or in need of a professional career rebranding, The New Business of Acting: The Next Edition will empower you with a critical perspective on how to create, map out and embark on a life-long journey that will earn you the career-building opportunities you seek.
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Public economics --- Performing arts --- Performing arts sponsorship --- Arts du spectacle --- Parrainage culturel --- Finance. --- Economic aspects --- Finances --- Aspect économique --- Finance --- 330.1 --- 7.078 --- -Performing arts --- -Performing arts sponsorship --- AA / International- internationaal --- 338.78 --- 339.44 --- 332.26 --- 338.042 --- Sponsorship of performing arts --- Art patronage --- Show business --- Arts --- Performance art --- Economische grondbegrippen. Algemene begrippen in de economie --- Kunstbescherming. Kunstbevordering --- Diensten. Non-profitsector. --- Kunstmarkt. --- Loonevolutie. --- Productieprijs. --- Sponsorship --- Performing arts sponsorship. --- Economic aspects. --- 7.078 Kunstbescherming. Kunstbevordering --- 330.1 Economische grondbegrippen. Algemene begrippen in de economie --- Aspect économique --- Loonevolutie --- Productieprijs --- Diensten. Non-profitsector --- Kunstmarkt --- Performing arts - Finance --- Performing arts - Economic aspects
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"The entertainment industry is one of the largest sectors of the U.S. economy and is in fact becoming one of most prominent globally as well, in movies, music, television programming, advertising, broadcasting, cable, casino gambling and wagering, publishing performing arts, sports, theme parks, and toys and games. The eighth edition of Entertainment Industry Economics differs from its predecessors by inclusion of a new section on the legal aspects and limitations common to all such "experience" industries, reference to the emerging field of the psychology of entertainment, partial restructuring and expansion of the music chapter, enhancement of the section on advertising, and broadening of the coverage in the gaming and wagering chapter. The result is a comprehensive, up-to-date reference guide on the economics, financing, production, and marketing of entertainment in the United States and overseas. Investors, business executives, accountants, lawyers, arts administrators, and general readers will find that this book offers an invaluable guide to how entertainment industries operate"--
Performing arts --- Finance --- E-books --- 338.78 --- 339.325.6 --- 339.44 --- AA / International- internationaal --- Diensten. Non-profitsector --- Culturele behoeften --- Kunstmarkt --- Finance. --- Business, Economy and Management --- Economics --- Performing arts - Finance
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Practical advice (supported by extensive case studies) for fixing troubled arts organizations
Performing arts --- Show business --- Arts --- Performance art --- Management. --- Kaiser, Michael M. --- Management --- E-books --- Arts du spectacle --- Gestion
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Offers practical advice, based on the notion of a "family" of supporters, for managing healthy arts organizations
Performing arts --- Show business --- Arts --- Performance art --- Management. --- Management --- E-books --- Organization theory --- Art --- management --- museum administration
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"Players All is a stunning accomplishment, an agenda-setting work; it opens the space for a bold, and innovative, critical, performance-based discourse on mass sport, sport as entertainment, and spectatorship in the global, postmodern society." --Norman K. Denzin, University of Illinois at Urbana-ChampaignIn a book that is both scholarly and engagingly personal, Robert E. Rinehart takes us into the world of contemporary sport performances, from the Olympic Games to "The eXtreme Games," the Super Bowl to "The American Gladiators." He introduces us to sports tourism and the highly commercialized world of global sport. Rinehart analyzes the emergence of such "sports" as paint ball (and its associations with the Vietnam War) and indoor rock climbing (and its links to environmentalism and self-mastery). He shows how sports have become theatrical events and paints a revealing portrait of the new postmodern culture of sports.
Performance art. --- Sports --- Sociological aspects. --- Performance art --- Arts, Modern --- Happenings (Art) --- Performing arts --- Sociology of sports --- Sociology --- Sociological aspects --- E-books --- Performance Art --- Sports & Recreation --- Art --- Sports & recreation
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Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
Motion pictures --- Work in motion pictures. --- Working class in motion pictures. --- History --- Work in motion pictures --- Working class in motion pictures --- E-books --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Labor and laboring classes in motion pictures --- History and criticism --- Performing Arts --- Film --- History & Criticism
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A systematic history of the American movie industry, consisting of previously published and especially commissioned essays on important events, trends, people, developments, products, and influences.
Film --- United States --- Motion picture industry --- Cinéma --- History. --- Industrie --- Histoire --- PERFORMING ARTS --- General --- Music, Dance, Drama & Film --- History --- Cinéma --- E-books --- Moving-picture industry - United States - History - Addresses, essays, lectures. --- United States of America --- CINEMA --- INDUSTRIE CINEMATOGRAPHIQUE --- ETATS-UNIS
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Combining historical and economic analysis, this book shows how, beginning in the 1950's, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces.
Motion picture industry --- Motion pictures --- Media Studies. --- Music, Dance, Drama & Film --- Film --- Economic aspects --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Audio-visual materials --- Mass media --- Performing arts --- E-books
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From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"—films accessible by all audiences and acceptable to Hollywood's various critics and detractors.
Sex in motion pictures. --- Motion pictures --- Sex in moving-pictures --- Erotic films --- Pornographic films --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Ratings --- History and criticism --- Sex in motion pictures --- E-books
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