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Le Moyen Age dans la modernité
Authors: --- ---
ISBN: 2852035960 9782852035966 Year: 1996 Volume: 39 Publisher: Paris: Champion,


Book
Tolkien the medievalist
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Year: 2002 Publisher: London ; New York, NY : Routledge,

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The medievalist impulse in American literature : Twain, Adams, Fitzgerald, and Hemingway
Author:
ISBN: 0813916585 Year: 1996 Publisher: Charlottesville, VA ; London University Press of Virginia


Book
Die Mittelalterrezeption des 18. Jahrhunderts zwischen Aufklärung und Romantik.
Author:
ISBN: 3820464573 Year: 1979 Volume: 19 Publisher: Frankfurt am Main Lang


Book
The Middle Ages in French literature 1851-1900
Author:
ISBN: 0198155220 Year: 1973 Publisher: London : Oxford University Press,

Shakespeare's play within play : medieval imagery and scenic form in Hamlet, Othello, and King Lear
Authors: ---
ISBN: 0918720346 0918720354 Year: 1990 Publisher: Kalamazoo, MI : Medieval Institute Publications,


Book
Shakespeare's lofty scene
Author:
ISBN: 0197256708 Year: 1971 Publisher: Oxford [etc.] : Oxford University Press,

Tolkien's modern Middle Ages
Authors: ---
ISBN: 9781403969736 1403969736 Year: 2005 Publisher: New York Basingstoke : Palgrave Macmillan,

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J.R.R. Tolkien delved into the Middle Ages to create a critique of the modern world in his fantasy, yet did so in a form of modernist literature with postmodern implications and huge commercial success. These essays examine that paradox and its significance in understanding the intersection between traditionalist and counter-culture criticisms of the modern. The approach helps to explain the popularity of his works, the way in which they continue to be brought into dialogue with Twenty-First century issues, and their contested literary significance in the academy.

Le Moyen Âge des romantiques
Authors: ---
ISBN: 9782868475596 2868475590 2753546215 Year: 2016 Publisher: Rennes : Presses universitaires de Rennes,

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Isabelle Durand-Le Guern s’attache à faire émerger les diverses représentations du Moyen Âge, telles qu’élaborées et véhiculées par les romantismes allemand, anglais et français. C’est en effet un Moyen Âge rêvé, recomposé que nous donnent à voir les œuvres romantiques, un Moyen Âge dans lequel s’expriment moins des réalités historiques que les fantasmes d’une génération romantique porteuse de bouleversements esthétiques et idéologiques. L’exploration des différents genres littéraires – conte, ballade, théâtre, roman historique – qui s’ouvrent à la présence du Moyen Âge permet de mettre en évidence les diverses colorations et distorsions que subit la période sous la plume des écrivains romantiques. L’analyse de ce qui apparaît déjà comme un processus de mythification se poursuit par l’évocation de grands personnages médiévaux revisités par les romantiques, et sur lesquels se projettent nombre de préoccupations contemporaines. L’ouvrage propose une typologie des Moyen Âges romantiques en distinguant les représentations qui s’attachent à l’aspect « grotesque » de la période, celles qui l’associent au merveilleux et au terrifiant, et celles qui le constituent en âge d’or. Le Moyen Âge devient ainsi un mythe, mythe d’un temps primitif à mi-chemin entre histoire et légende. Ce passé mythifié, dans lequel le romantisme cherche à la fois un ailleurs radicalement autre et une identité, représente paradoxalement l’un des moyens d’expression privilégiés de la modernité du mouvement romantique.


Book
Performing the Middle Ages from "Beowulf" to "Othello"
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ISBN: 9782503527550 Year: 2008 Volume: 15 Publisher: Turnhout : Brepols,

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Performing the Middle Ages from ‘Beowulf’ to ‘Othello’ traces the dialogic nature of the relationship between the Middle Ages and modernity. Arguing that modern beliefs in the alterity of the Middle Ages stem from the Middle Ages’ own processes of self-representation, Johnston explores varieties of nostalgia through a wide selection of texts. This volume spans an extensive chronological period with a view to demonstrating how our notions of the medieval have been crucially informed by the past itself. The study is focused on works which stage that popular literary archetype — the nostalgic figure of the aristocratic warrior — and argues that it is this image that provides a structural model for so many modern perspectives on the Middle Ages. And yet, in the Middle Ages this model was being deconstructed as it was also being generated. By moving from the self-consciously archaic heroism of Beowulf to the scathing comment on chivalric narrative presented in Chaucer’s ‘Knight’s Tale’, Johnston’s analysis offers an intriguing insight into the way medieval texts engage in a continual aesthetic and ideological critique of their own cultural moment. Using Sir Gawain and the Green Knight and the Alliterative Morte Arthure as examples of an incisive critique of the cult of subjectivity and of a highly self-conscious desire for tradition, Johnston extends his analysis to the early seventeenth century, and explores the ways in which Shakespeare’s Othello brilliantly deconstructs the very concept of ‘Renaissance Man’. With its interest in issues of subjectivity, textual performance, and the ideological self-awareness of medieval culture, Performing the Middle Ages provides a scholarly and compelling investigation into the Middle Ages’ ability both to understand itself and to shape (post)modern notions of the medieval.

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